Piece by piece, one carefully identified pre-cut piece of wood screwed onto the next, the ship comes together. It's definitely not an incredibly accurate pirate ship. The central mast with the crow's nest remains separate from the outer frame of the hull. Two more masts go up, one in front and one in back, but they're devoid of sails and rigging and they look a little silly that way, just an upright two-by-four waiting to be decorated further. There's a big hole in the side for it to overhang the coffee table.
All together, though, it sure is starting to look a lot like a pirate ship.
Daisy staples old bedsheets to some of the plywood sections, to make it a slightly better flooring material (making sure none of the staples end up on top where a paw could snag on them). Then she attaches those sections to the inside of the frame, on a level slightly lower than the top of the coffee table, and although the ship's hull is currently an empty wooden skeleton, an astute observer might be able to imagine perching on those flat bits and peering out those portholes from within the cozy concealment of the hold. And in fact, the very next thing they do is start fitting the outer skin of the hull into place, turning the portholes from redundant apertures in a structure made of nothing but apertures to genuine windows in genuine walls. (The portholes are also carefully sized for cat.)
"We are ridiculous," Daisy concludes, standing back and observing their creation.