I need a moment to digest this, and figure out what I think.
> be me
> be Lyvina Mayyad, samsaran wizard, who enrolled at the Acadamae despite its ferocious reputation
> because she wanted the power to oppose the world's evil
> and everything else written in my backstory
> be by nature a different person than Olivia Mallard - more willing to take calculated risks, less likely to take uncalculated risks, a little older, a little wiser, but - less clever.
> Able to spend more time making worse plans, and able to believe that those are the best plans that she can generate.
> More likely to take a supporting role, because she's more likely to think that other people's plans are adequate.
> and, importantly, less knowledgeable than Olivia Mallard is in the realm of Earth-lore
> and less of a munchkin
> have an imaginary setting called "Earth" kicking around
> flesh out the details over the course of decades
> at some point wind up with Olivia as a constant mental companion
> and now Lyvina does whatever Olivia says that she should. Why? Well, maybe Olivia gives at the worst at least as good ideas as Lyvina could have
> implied by this is that Lyvina could do something different if she chose to, but that she won't choose to
> or perhaps from Lyvina's perspective the lines between Lyvina and Olivia have blurred so much that it wouldn't be that simple to make a decision independent of Olivia's input
> Olivia knows things that Lyvina doesn't but has a similar motivation structure
> but that's not quite true, is it?
> because Olivia didn't think of Golarion as a real place, didn't deeply care about the well-being of the people in it
> Still doesn't deeply care about the well-being of the people in it.
> That's something that Lyvina is likely upset by.
> and so Olivia never put her mind to tearing Golarion apart and remaking it in her image, as she would if she actually lived there
> Lyvina never realized that Earth was a real place, otherwise she would have said that to Kroft. As it hadn't occurred to her that both Golarion and Earth could both be real (possibly because she's been imagining Earth since the days when it was much less detailed and/or true-to-life, and had the subjective experience of coming up with those details, like a frog being boiled) and Golarion felt more real.
> Since it came out that the other three player's characters had the same experience as her, she's been trying to make sense of things. Her Olivia headmate didn't help, because Olivia found it hard to suspend disbelief about the setting and wasn't engaging with it on that level
> But Kroft's theory makes sense from Lyvina's point of view, and is easily-enough tested in-setting.
> It would also be easy to check whether Olivia is real in-setting.
> What does Lyvina expect to find there?
> Nothing. Olivia is too similar to her. Even her name is based off of Lyvina's (lel).
> Which means that Lyvina hasn't directly experienced Earth; she's had details about it whispered into her mind and then filled in more details from her own imagination, and also invented her own OC.
> And within-setting the game doesn't exist.
> Within-setting it might be a mindscape.
> And there's someone behind it.
> They have a scheme.
> And... this is an awesome plot. It isn't stupid. I'm not sure that it would have worked as well if the GM told us about it up front.
> I shouldn't be trying not to poke at the weirdnesses that are the player characters, because they have an in-universe explanation, and figuring out what that is is part of the campaign.
> Unfortunately, there *are* still lines I shouldn't cross without ruining the GM's experience, and because the GM is doing something so strange it's hard to see where they are.
> Probably cracking the setting like an egg in my hand and forcing them to make up reasons why that hasn't happened before is still across the line.
> My imaginary Lyvina Mayyad is shaking me by the collar
> She's trying to think of some way to suborn me and make me point my brain in the setting-breaking direction
> but unfortunately for her I'm not dumb enough to imagine exactly how she's trying to do that.