"Oh, excellent! So, uh, [the non-spatial meta-shapes that magical energies form when they're Doing Things] [the particular ways those shapes interact with her particular magic-self to form viable combinations] [a spectrum that encompasses both precise controlled-variable science experiments and throwing spaghetti at the wall to see what sticks]."

"That sounds like it would take forever to construct coinages."

"Coinages as in--quantized units? No, you mean like coining a term, don't you."

"I do mean like coining a term."

"Yeah trying to actually translate that into English would be, uh, hard, but explaining in more general terms might be possible?"

"Go ahead! - wow the speech to text program I have recording this conversation for later consultation and editing has just absolutely no idea what to make of anything you said in the magic language. It's printed a bunch of punctuation marks and the number three."

"Interesting! There is a written version."

"Not that my phone's ever contacted in its life but I am suddenly way more interested in calligraphy than I was five minutes ago."

"I am not surprised your phone doesn't know it from cuneiform but also, yeah, it's neat--I don't know how much calligraphy is necessary, I...haven't actually ever tried to write the language down in a normal way..."

"In what abnormal way do you write it? Cricket watched a movie where the aliens have some kind of weird relationship to time and they'd just touch a surface and simultaneously ink an entire hypercomplicated radially oriented sentence - I don't watch a lot of movies but Cricket does and he tells me about them because he is a very good kitty who loves me."

"Remember how I told you about my wand tracing the material it's made of into existence?"

"Yes. The tracing process would still imply a linearity to the composition of a character, though? I guess you could do it in three dimensions. Sculptural writing. You could hang legible magical Christmas ornaments all over a tree."

"I think I have more control over the shape in which the material comes out than just the movements of my hand would imply, that's not a weird intuition thing that's an I've been messing around with my wand while we talk and I have observations thing."

"Huh, like the equivalent of being able to control the flow of ink separately from the pressure of a pen?"

"A little of that, a little of--being able to dictate what the counterfactual 'surface' I'm writing against in the air is shaped like?"

"Oooh that sounds cool to watch."

"Next time we're in the same place I'll show you!"

"Can you write it down in a - flat format, though?"

"Good question!"

She looks around for some kind of writing implement and Thing What Is For Writing On.

There is a mug with pens on it and a little notepad near the phone she's on!

Perfect. 

"...Yes, I can write them down," she concludes, "but, hm. They're legible, but the thing where you automatically perceive their meaning? I am also automatically perceiving the places where my handwriting deviates from the 'correct' version."

"So it's like it's got 'typos'?"

"Sssorta? It's possible the word 'typo' has inapplicable connotations. Like, it's that I did the right thing wrong, not the wrong thing right, if that makes any sense."

"Writing magic language with a pen is which thing and typos are which thing?"

"Typos are wrong thing right--you put down the wrong letter, but the letter itself is fine. Magic language is right thing wrong--it's still recognizably the correct shape, you haven't swapped out elements of the character for elements of a different character--but the lines aren't quite straight enough and the curves aren't quite smooth enough."