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A newly inked pamphlet in the city of Westcrown might have a lifecycle somewhat like this: First, of course, it is conceived in the mind of its author, then carefully written out on a fresh sheet of paper. The author then takes it to a publisher (which is to say, a 'laundry wizard') if he does not have the arcane talent himself; the publisher perhaps rewrites it in a neater hand, then sets a quill to making copies. In some cases, perhaps, a group of publishers might work together to create more copies of a given work faster. These copies make their way to criers and newsstands and cafés and notice boards and church doors. From there some number find their way into the hands of illiterate street urchins in the employ of one Jordi Oliver, Esquire, a literate street urchin* who pays a copper bit for every three pages, so long as he doesn't yet have too many of that particular issue of that particular publication. Each day at noon, Mr. Oliver takes a long walk around the city, stopping to deliver a collection of everything published in the last day to the widow in the blue house, (who pays one bit per page) the old man on old Weaver's Way, (two bits) the residence of the Duchess of Chelam, (three bits per two pages) the blind man on Ankheg street, (a whole three bits per page) and to a dozen other persons, none of whom pays more than the blind man or less than the widow. The collected money then starts to burn a hole in Jordi's pocket and is almost invariably spent lavishly and wastefully, but that is another tale for another day. Today, we follow one lucky set of pamphlets, from the house on Old Weaver's Way to one of the side gates of the palace, where the old man exchanges them for his pay of one silver per day plus expenses (four bits per page). A palace servant takes them to the Queen's secretary, who lays them all out on a large desk in one of the private offices, so that all the pages may be seen at once. Why the Queen asks for the pamphlets to be spread so, but prefers nearly every other document neatly stacked and bookmarked is a mystery he does not particularly wonder about. It is not his place to ask why the Queen does things the way she does.

Most pamphlets that make it all the way from the caffeine-addled brain of a citizen to the desk of the queen pass from there to their archival resting grounds on a shelf unremarked-upon. Read, certainly, and noted, but not responded to. Not this one, however. This one is Special.


* In spirit, at least; in actual fact he rents a room in a boarding house.

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Westcrown is positively bristling with elegantly decaying mansions and tarnished imperial monuments and broad avenues lined by plane trees older than recorded history, but for all that, it's a terribly uncivilized place. Proper cities have reading rooms. 

It's been difficult to miss. 

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Good, I won't have to run you a copy. Are you going to be precious about it if I censor the damn thing?

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Good gods. I'd have a little talk with the copyist myself if you asked me to. 

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At least one of the copyists is at 173 Warding Street. I don't know how many there are, but it can't be more than two or three, for something like this. How about you let me send the Guard to talk to the copyists and I'll let you know once we've found the author. Shouldn't be more than a day.

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If we leave it more than a day the copyists will be the greater limit. Have you seen the imitators? 

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Won't be more than a day before the copyists have stopped. By this evening, probably. The only way it'll take longer to find the author - or authors - is if they submitted it anonymously.

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would have. And not in my own hand, either. 

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These people have less cunning, less practice, and less to fear than you did; Perhaps they will be careless. If not, it may take a day.

 


 

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It does not take a day.

Number 12 Bradram Way. Just north of the Tarrasque site. Man in a blue tunic.

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It takes him a moment.

I wasn't expecting you to take me up on that. 

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Really? Why not? I can't say I know anyone better qualified to talk someone out of writing proscription lists. Or if you mean only to say that I could have anyone else do it and not spend an archmage's time, sure, I could and I will if you've changed your mind. Third Alex, maybe.

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You ask too much of that man already. I'll go. I just didn't think you'd gotten soft in your old age. 

As it happens, he's already in Westcrown. Doesn't even need to burn the teleport. 

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Mercy is the privilege of the victorious.

 


 

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Txell did in fact drop off his pamphlet anonymously with orders to burn his original once they'd copied it over, it's just that one of the copyists was an old schoolmate of his and recognized his handwriting. He is being careful, because the Asmodeans will try to silence him. He is working on the third round of denunciations. He has a bunch of new ones.

KINELIN BRIGHTHELM, a SLAVER in the EMPLOY of the DIABOLISTS, denounced by THOSE SHE WRONGLY SOLD INTO SLAVERY

PERMIRA, the VILE SLIP, who possesses GREAT WEALTH for INFORMING ON HER BETTERS TO THE INQUISITION, named by HER TORTURED VICTIMS.

Tomas and Adria Vidal, guilty of DIABOLISM and CHEATING ILLITERATE CUSTOMERS and HITTING PEOPLE MUCH TOO HARD and PICKLING FRUIT IN SUGAR BRINE and SAYING BAD THINGS ABOUT IOMEDAE and STILL USING PAPER MONEY

On reflection he inks out the bit about sugar brine because he's not sure that's evil.

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He knocks. 

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He jumps. He wasn't expecting anyone. His sister gets the denunciations and then comes back at night. 

...he'll just slip out the back door, why doesn't he.

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Élie's there now! Isn't that funny! 

"Good afternoon. My name is Julien Camille Élie Cotonnet, and there's a great deal I could teach you about dodging the secret police. Shall we step inside?"

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He has heard of Élie Cotonnet! He doesn't believe this person is Élie Cotonnet! A lot of people can pull that trick! Mudball! And he'll run!

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No and no. 

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...maybe he actually is Élie Cotonnet. Or at least someone it's better to play along with. 

"What do you want?"

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"Let's start with an invitation into your lovely home, and perhaps a cup of coffee, hmm? Really, I'd just like a few minutes to talk."

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Glare. 

 

He walks inside and makes coffee. Doesn't invite the powerful wizard, in case he's a vampire too. Some vampires are powerful wizards.

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He walks in and starts flipping through the books on the shelf. There aren't many. "Ooh, Jubannich. The Young Captive! You know, nobody reads his poetry anymore, even in Galt, it's a real tragedy, I'd love to know how you found a copy. If you like, I can lend you my own edition of volume three."

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It's his sister's. He doesn't say that. If he's lucky she won't come home until he's gone and they won't know where to look for her. "A real tragedy," he repeats instead. He does not manage to not sound angry.

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