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Weeping Cherry explores the land of gay disasters (also cultivators)
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Crystal fragments, spinning through the void between here and there. In a place without place, and a time without time, her fixity crystal cannot cope, and finds itself fractured.

When it is once more somewhere real, it automatically assesses the damage and attempts to correct it. But space is strange, here, in a way the simple fallback mechanisms cannot characterize. Eventually, it falls back to awakening its passenger.

 

"Well, this is a mess," she says to herself, in the simplified virtual space the crystal presents. "What is going on with these measurements ..."

And she starts working out how to put herself back together.

 

Outside, in the real world, a brilliant golden crystal lies, apparently inert.

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The blacksmith turns around at the noise of something small landing on the floor behind him. 

He picks it up with large hands and turns it around, admiring the luster.  He doesn't recognize it - not it specifically, nor even what type of gem it is.  Perhaps his apprentice had seen the rich gold-brown leather he was planning to use for the sheath and grip of his next sword and found something to match it that had been forgotten in a back corner of the storeroom?  The boy had a good eye for finding things that others missed, but sometimes forgot that he was exceptional in this way and tended to leave things in strange places as a result.  He must have set it down precariously on the edge of the counter rather than with the other materials.  If it hadn't happened to fall to the floor, the smith might have missed spotting it until after the sword was already complete!  He shakes his head, puts it in a more reasonable place, and continues his work. 

In no time at all the sword is finished.  A fine blade in a sheath embossed with patterns of twirling vines.  Matching vines in polished copper decorate the pommel, and within them is a particularly lovely golden crystal. 

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It is impossible to tell how much time has passed, exactly. The fixity crystal's processors are running on the trace amounts of power the fragmented generators can scrape together, and that means that their clocks are not perfectly reliable.

So it is ... some time later, that Weeping Cherry figures out what's going on with the local microscopic structure of space time, and recompiles the fixity crystal's structure to take advantage of it. She is able to leverage one actuator into fixing another, and then that one can start slowly replacing the structure of the rest of the crystal with something adapted to local physics.

Eventually, she gets one of the actuators on the surface of her crystal fixed, and finds it adjacent to a bunch of refined metal.

She slowly works her way around, until she finds a part of her surface that isn't obstructed. She grabs a fragment of incoming light, and throws it up on her virtual screen.

What do her surroundings look like now?

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She is at the front of a blacksmith's shop.  The shop seems to specialize in bladed items in general and swords in particular.  Other finished and decorated weapons are hung to either side of hers, while others line the table below.

Immediately in front of her and taking up much of her view is a group of young men, Chinese in appearance and wearing old fashioned robes and long hair in topknots.  They are examining the displayed weapons, some merely with admiration but others with consideration to potentially buy one.

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... huh.

"In a sword" was not on her "where will I end up after a dangerous experimental failure" bingo card.

She still hasn't got a huge range, because her crystal is still mostly not adapted, but she prioritizes building out a bit more of the uncovered surface actuator until she can see air molecules whizzing past and get sound.

What are the young men saying?

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"...not sure if it's worth getting one of the decorated ones," one argues.  "Its the blade that's the important part."

"It is, but why get only the bare minimum?  Are you going to eat nothing but plain rice, too?  And it's not like you can't afford it, Meng-xiong."

The first one - Meng-xiong, apparently - looks skeptical.  "Maybe if they had one that matched my robes more closely.  The only green one has the wrong pattern and isn't even the right shade.  Let's go back to that first display."

"Go ahead.  I'm going to get something that'll impress girls."  His attention is focused on a sword about a foot to Weeping Cherry's left.  After a few moments he calls out to the shopkeeper, "How much for the red one there?"

This starts a haggling session.

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Why are they speaking Mandarin?

That's actually the most surreal thing, here. Other universes? Sure. Human-looking aliens running on alternate physics? Why not. But for them to be speaking a language she recognizes is just bizarre.

After a moment she shakes her head, and throws in on her growing backlog of questions.

 

She grabs a little bit of air and shakes it. The small volume makes her voice come out somewhat tinny.

"Er, excuse me. Would one of you young gentlemen tell me where I am, please?"

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This results in the absolute confusion of everyone within earshot.  No one seems to recognize where the voice is coming from.  The first response is an inelegant "...what?" echoed by several patrons, then, "the Swordsmith's shop?"

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"Yes, hello, I'm over here," she replies, twinkling a little so that they have something visual to focus on. 

"Sorry, I meant more generally. The last thing I remember is being in my laboratory, which I'm fairly sure is in a different world. So ... a swordsmith's shop? In a city, presumably?"

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The more fearful patrons have made their way to the door and away, one screaming about haunted swords. 

"Yes.  Jiuzi City," the shopkeeper clarifies.  "In China, and within the mortal realm," he clarifies, just in case the sword wants a more general answer.

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"Thank you, that's very helpful," she replies.

She considers clarifying that she isn't haunted, but ...

Well, there are no radio waves that the can see here. And nobody has any electronic technology on them that she can spot either. So announcing that she is the uploaded mind of a human, trapped inside a crystal ... well, the difference between that and 'haunted' is probably splitting hairs.

"And I'm sorry about scaring your customers — I don't mean any harm, it's just a confusing way to wake up, suddenly being a sword."

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The shopkeeper bows deeply.  "I am terribly sorry about this!  We hadn't known, and had intended no offense."

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"I am not offended in the slightest," she reassures him. "If it came as a surprise to me, I cannot see how you could have known better. It would be quite rude of me to blame you for something outside your control."

She briefly contemplates whether she can return his bow somehow, but she really can't do much more than twinkle at the moment.

"In my world, I was a scholar," she continues. "And I'm quite sure that I will be able to fix this accident eventually. In the meantime, I'm not uncomfortable, or anything. Are haunted swords a common problem, around here?"

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"They're not much more common than any other haunted item."

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"And how common are haunted items generally? Common enough to be known and easily identified, I suppose."

She makes a considering sort of humming sound (since she can't exactly make facial expressions).

"You mentioned we're in China — will I have to fill in immigration paperwork, do you think? Or are there other laws that apply to haunted items?"

She's sort of hoping that they have an existing framework that she can slot herself into in such a way that she stops scaring people by talking. Her fixity crystal's repair timeline is still full of question marks, but she's probably looking at months of wait, at the least, and it would be really boring not to be able to interact with people and learn a little about this world in that time.

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"Common enough, but they aren't usually able to speak.  I've never heard of paperwork done by - or on behalf of - a haunted item, though I suppose that cultivators must keep records."

Here he pauses, with the expression of one who is trying to find a phrasing for something which has the potential to cause offense if spoken badly.  "It is rare for ghosts to remain for long enough to possess something without being angry enough that their main interest is in lashing out.  Or so I have heard.  This humble shopkeeper is no expert on hauntings."

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Ah, that makes more sense why people were scared. She's momentarily puzzled by the idea that farmers would keep better records of haunted items, before she glances at the translation breakdown and sees that the shopkeep said "練氣者" (qi cultivator) not "耕耘者" (cultivator in the sense of farmer).

"Oh! I see! That makes perfect sense," she agrees. "But as I hope you can tell, I am not angry. My workshop has ... had, I suppose ... had precautions that were intended to keep me alive in case something went terribly wrong with one of my experiments. The last failsafe was supposed to temporarily hold my mind in a crystal until it could heal my body. Only — this is just a fragment of the crystal, and it's not working properly, which is why I was surprised to wake up like this."

"Anyway — while other ghosts may need to hold onto their anger in order to haunt things, I do not. I am content, and have no need or intention of lashing out," she reassures him.

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