"No, no, it's not all right, we're sorry, we're sorry," he says desperately, like he expects the words to be a charm against some evil that just - isn't - working. "Sorry sorry sorry -"
The spatial layout of this place is like one of those impossible objects that you can draw but not actually have, she says, bouncing an image to the link.
Sherlock pushes her love for Shell Bell to Sue, trusting that he will know what to do with it.
There's no response from Shell Bell herself.
Tell Shell Bell to bail out, tell her to teleport to Amariah's house, or the dock, anywhere that's not here, we can start over from scratch if we have to. Scream it at her, get her attention.
Leave the harpy, says Sherlock, through Sue. Teleport away. Teleport to me. I love you. I need you. Come here.
Shell Bell is still unresponsive.
"I love you. It's all right. I love you. It's all right. I love you..."
And the smew is now beyond words, and appears to be trying, if ineffectively and with mixed feelings, to get away from Sherlock.
"What is the harpy doing to Shell Bell?" Cam demands of the alethiometer.
"Shouldn't - shouldn't," the smew is murmuring under his breath, and eventually he manages to flop out of Sherlock's hold and fall gracelessly to the dock, where he huddles and whines to himself.
The smew is not doing too well without Sherlock's comfort to mitigate whatever the harpy's doing, and he's wailing his lungs out where he's flopped on the dock but refuses to make a move towards his person's girlfriend. Occasionally he looks at her, but then clumsily hides his face under his wing.
Kas, can you get any better answers out of your alethiometer than I can out of this one about what's going on with Shell Bell?