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"Elves, demons die," murmurs the demon.

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"I - don't understand," murmurs Isibel.

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"More elves live here. More elves see me. I die."

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"Magania will talk to other dragons about you and your dragon," says Isibel. "The other dragons will talk to her. Maybe more elves won't live here. Maybe we will all go away."

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The demon laughs.

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Isibel tilts her head.

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"Maybe you will all go away," he giggles, shaking his head. "Maybe."

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"We might," she says. "We might go back to the Elven Lands -" she traces the border on her map - "and leave you and your dragon here, just the two of you, alone."

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"Elves will live here," he says. "I will die."

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"I don't want you to die."

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He shrugs; nods. "I don't want me to die. My dragon doesn't want me to die. You don't want me to die."

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"Magania doesn't want you to die," Isibel hastens to add. "...And no one wants elves to die."

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He laughs again, softly.

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"If other elves wanted you to die," she murmurs, "you could kill them, but that would be sad." She modeled some basic emotions during yesterday's lesson: happy, sad, angry.

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"If I - killed - other elves," he says with a shrug, "more elves would kill me."

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"Yes," she agrees, sighing, "probably."

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The demon shrugs again.

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Isibel moves on. Wood floats. Rocks sink. She can demonstrate by tossing examples of each into the pond. All this doodling she's doing is drawing; if she writes instead that's writing, and when she looks at the letters again later that's reading. "I could teach you to write," she says.

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"Teach me to write," he says.

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She writes out the alphabet and each sound it makes, and starts spelling words he knows, from "dragon" and "elf" to "tomorrow" and "maybe".

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The demon is raptly attentive.

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This occupies the rest of the morning, and then Isibel says, "I'm going to eat now," and pulls out her lunch from her travelbag.

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The demon nods, and gets up and heads off into the forest.

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She nibbles on her lunch one-handed and writes out more words as she remembers having covered them to read for him later.

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He returns a few minutes later with a large basket of brilliant blue fruit, which he sets in his lap when he sits down on the bench again.

He offers her one.

They did not appear on the catalogue.
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