She's a four-year-old girl, and people (especially her Dad) insist she's a boy.
Not that she isn't sometimes. She is. But not today! Today she's a girl. And Dad keeps saying that's not true, that God made her body perfect and she shouldn't second-guess God's plan for her. God made her a boy, so she's supposed to be a boy. And on the one hand that kinda makes sense. God doesn't make mistakes, right? So if she were really a girl sometimes, then she'd... what? Her body would change, she guesses. But on the other hand, she knows she's a girl. She's a girl with a peepee, that's obvious. She'd prefer not having a peepee when she's a girl, but it's not the worst thing ever. And if God doesn't make mistakes, God also didn't make her feel like a girl sometimes on accident, right? It must be part of His (because God is always a He, even though God made everyone, boys and girls, in His image, he's always a He, Dad says) plan.
She tells Dad that, today, and Dad gets angry, and yells at her, and she doesn't know why he's yelling. It makes sense to her! But he won't explain why she's wrong, he's just yelling, Dad's so mean, she hates him, and she's not crying, shut up, you're crying!
And now Mum's coming and she's talking to Dad, and that usually makes Dad stop yelling and go away but he won't stop now and Sadde's angry and afraid and hurt and she's running away. A part of her thinks that it doesn't make much sense to run away, the park is pretty open and she can't really hide anywhere, and she'll have to go back because she'll get hungry (not now, though, she just ate a sandwich).
So she runs until she finds some bushes where she can hide, and she hides there, and she doesn't cry, and she spends a long time not crying. Mum and Dad don't come after her, though, and after she's done not crying she doesn't wipe her eyes and her nose, and she comes out the other way of the bushes she was hiding in.
And she's pretty sure that's not the park.
Mortal and Promise in fairyland
not_a_court_jester
"You must not want it very much," she says softly, "if you're willing to risk not getting it like that. You do not, of course, believe your orders would survive our trip back to the mortal world, and then, we'll have very little incentive to come back here, won't we?"
not_a_court_jester
"In any case, I thank you very much for your offers of hospitality, but my son and I should return."
And without waiting for a response, she turns around and starts walking away, without looking over her shoulder, trying to exude a confidence she's not feeling.
And without waiting for a response, she turns around and starts walking away, without looking over her shoulder, trying to exude a confidence she's not feeling.
not_a_court_jester
Laura won't look over her shoulder until they have reached the thicket, and then she will see they have not been followed and sag a bit.
not_a_court_jester
She kneels by him and hugs him. "I will never," she promises, "let you get anywhere near them again."
not_a_court_jester
"Let's just... go back to our world. I'll explain it when we're safe."
not_a_court_jester
Laura stands up, takes his hand again, and leads him back through the gate. Once through, she starts telling him stories about the faerie that she's read, and what it the fairies' words seem to imply. When they reach the playground, she doesn't share this with Tobias, yet, and invents some story to cover for this Brian.
And she spends the evening and well into the night reading the book Sadde brought, confirming a few suspicions and fears and assuaging some others. Not many.
She returns there with a book on basic astronomy—no reason to go all out with anything very complex yet—and dodges various requests for her name and offerings of food. She brings her own, and throws out berries planted in her bag. A couple of fairies try following her to the gate after she has her book on sorcery, but she scares them with some vague but plausible-sounding threat about her safeguards on the mortal world. She and Sadde read the book, and don't practice any sorcery yet. They have a few things to do.
The next time she goes to fairyland, she has a water gun, a few syringes, and a spray bottle all loaded with fruit juice. She and Sadde spend the afternoon working on magic. Sadde gets distracted early, but they're four, it's understandable. There are admittedly not very many results at first.
This becomes a habit. The first thing Laura wants to learn to do is transmutation, because material scarcity is still a good source of wealth in the real world. Transmuting gold or precious stones and using them to leverage a profit seems like a reasonable starting point, even if it's somewhat far into the future.
Tobias' frustration with Sadde's genderfluidity mounts over time, and it soon becomes obvious that that won't be going away. Tobias becomes physically abusive of Sadde, at which point Laura gives up and divorces him. She's not entirely sure why she even married him, at this point—she feels like it's cliché to say "he's not the man I married," because she's pretty sure he still is, but she didn't know the man she married well enough to predict his reaction to having a queer kid.
She didn't know herself enough to predict her reaction to having a queer kid. It's unconditional love and support, it's learning and understanding. She cannot imagine ever abandoning her child, she cannot imagine not loving them completely, she cannot imagine her life without them, and they become as close to each other as possible, with implicit trust and complete openness about everything. Even as Tobias, well-positioned within their community, poisons their social well, they have each other, and Knutsford may be small but it's not that small.
Besides, they can't move anywhere, with the gate right there. Not until they learn how to create new gates.
They continue studying magic.
And eventually, after several years, Laura learns how to gate. She does it only a few weeks before Sadde does, but when that happens they move to London and create a gate to there, from somewhere else, more secluded and hidden. The next thing to learn is wards. That will take much longer, but what they've learnt of sorcery seems to imply that immortality is nowhere near impossible. This is just fine for both of them.
Laura still doesn't let Sadde go to the library or meet other fairies. She tells them everything she sees, and about what the fairies do and her interactions with them, and Sadde complains about not being let near them but agrees that minimising their exposure is a good idea. Sadde sees themself as an ace in Laura's sleeve, so to speak, and that's just fine by them. These visits are rare, anyway—they don't need to go until they've thoroughly exhausted whatever book they're using, and while by then they can use sorcery to effectively subsist without work, they decide not to spend literally all their free time in fairyland, even after Sadde argues their mother into letting them drop out of school.
And one day, Laura doesn't return from a trip to the library.
And she spends the evening and well into the night reading the book Sadde brought, confirming a few suspicions and fears and assuaging some others. Not many.
She returns there with a book on basic astronomy—no reason to go all out with anything very complex yet—and dodges various requests for her name and offerings of food. She brings her own, and throws out berries planted in her bag. A couple of fairies try following her to the gate after she has her book on sorcery, but she scares them with some vague but plausible-sounding threat about her safeguards on the mortal world. She and Sadde read the book, and don't practice any sorcery yet. They have a few things to do.
The next time she goes to fairyland, she has a water gun, a few syringes, and a spray bottle all loaded with fruit juice. She and Sadde spend the afternoon working on magic. Sadde gets distracted early, but they're four, it's understandable. There are admittedly not very many results at first.
This becomes a habit. The first thing Laura wants to learn to do is transmutation, because material scarcity is still a good source of wealth in the real world. Transmuting gold or precious stones and using them to leverage a profit seems like a reasonable starting point, even if it's somewhat far into the future.
Tobias' frustration with Sadde's genderfluidity mounts over time, and it soon becomes obvious that that won't be going away. Tobias becomes physically abusive of Sadde, at which point Laura gives up and divorces him. She's not entirely sure why she even married him, at this point—she feels like it's cliché to say "he's not the man I married," because she's pretty sure he still is, but she didn't know the man she married well enough to predict his reaction to having a queer kid.
She didn't know herself enough to predict her reaction to having a queer kid. It's unconditional love and support, it's learning and understanding. She cannot imagine ever abandoning her child, she cannot imagine not loving them completely, she cannot imagine her life without them, and they become as close to each other as possible, with implicit trust and complete openness about everything. Even as Tobias, well-positioned within their community, poisons their social well, they have each other, and Knutsford may be small but it's not that small.
Besides, they can't move anywhere, with the gate right there. Not until they learn how to create new gates.
They continue studying magic.
And eventually, after several years, Laura learns how to gate. She does it only a few weeks before Sadde does, but when that happens they move to London and create a gate to there, from somewhere else, more secluded and hidden. The next thing to learn is wards. That will take much longer, but what they've learnt of sorcery seems to imply that immortality is nowhere near impossible. This is just fine for both of them.
Laura still doesn't let Sadde go to the library or meet other fairies. She tells them everything she sees, and about what the fairies do and her interactions with them, and Sadde complains about not being let near them but agrees that minimising their exposure is a good idea. Sadde sees themself as an ace in Laura's sleeve, so to speak, and that's just fine by them. These visits are rare, anyway—they don't need to go until they've thoroughly exhausted whatever book they're using, and while by then they can use sorcery to effectively subsist without work, they decide not to spend literally all their free time in fairyland, even after Sadde argues their mother into letting them drop out of school.
And one day, Laura doesn't return from a trip to the library.
not_from_here
They have a protocol for this. There's a maximum amount of time she's supposed to wait, and that time has passed.
Her backpack has various tools she might need, and her belt does, too. She grabs the fingerless gloves with the rather ingenious device hidden in it, the dartblower, the small crossbow, and of course a couple of good old handguns.
And she goes through the gate out into the familiar field of changing flowers. Today they seem to be lillies, and it's dusk. She makes the trek to the library, which she hasn't done in years, but she has the map.
Her backpack has various tools she might need, and her belt does, too. She grabs the fingerless gloves with the rather ingenious device hidden in it, the dartblower, the small crossbow, and of course a couple of good old handguns.
And she goes through the gate out into the familiar field of changing flowers. Today they seem to be lillies, and it's dusk. She makes the trek to the library, which she hasn't done in years, but she has the map.
not_from_here
Of course.
She passes the solid lake, the rainbow rocks, the dry ice fountain, reaches the thicket, and then it's the library.
The fairies don't recognise her.
But they'll surely know about the mortal woman who comes by sometimes, and have they by any chance seen her?
She passes the solid lake, the rainbow rocks, the dry ice fountain, reaches the thicket, and then it's the library.
The fairies don't recognise her.
But they'll surely know about the mortal woman who comes by sometimes, and have they by any chance seen her?
not_from_here
...nothing can ever be easy.
And of course her mother's been captured by someone. There's no other reason she wouldn't come back, and it's why Sadde came this prepared. "Where?"
And of course her mother's been captured by someone. There's no other reason she wouldn't come back, and it's why Sadde came this prepared. "Where?"