So Raine goes home to her parents and their board games night and plays Clue which is about figuring out who gave Mr. Body his birthday present, and then she sits down at her typewriter and writes down Blackberry Picking by Seamus Heaney and then stares at the wall.
It's not just her, Pleasantville already has people who have to break themselves to live here, it has boys who would rather wear dresses and boys who would kiss other boys if they could and presumably girls who would wear pants and kiss other girls if they could too. It's not just her. Even if Pleasantville is better in some ways -- and she can't really deny that the stork system sounds nicer than conventional reproduction, can't really deny that no income inequality or violence or conflict is a thing some people would give up everything meaningful in their life for -- it isn't just outsiders like her who have to break themselves for it.
A new sheet of paper. Monet Refuses the Operation by Lisel Mueller. She pauses to roll her wrists twice. My world is beautiful, my world is beautiful and there are a hundred million different ways to see it and they are all beautiful, even the broken parts are beautiful. Maybe it's not her tradeoff to make, she's a rich white girl who has never really known how broken her world is, she thinks, and then she thinks about camp and wants to throw up and okay no she can't make Marlo live the heterosexual monogamous white picket fence life, not when she knows there are other ways to be.
Who was it who said "All happy families are alike; each unhappy family is unhappy in its own way"? She thinks it was Tolstoy but might be wrong (not like she can look it up here, in this world where stories are about happy families experiencing perfectly pleasant days at sunny featureless beaches), but the point is that in her impossibly broken world with diseases and wars and slavery and poverty there are a hundred million different ways to live a life and here in Pleasantville there is only one.
Another new sheet of paper. Dirge Without Music by Edna St. Vincent Millay, who was queer and poly and weird and who wanted and who wrote about wanting and who was not resigned.
And that's as far as she gets before she gets up from the desk, locks her door and curls up on her bed and has her first really good cry since before camp.