"Magic," he says when they get to his office, which is absolutely stuffed with books and also has some sketchboards draped with cloth and some molding clay and sheafs and sheafs of paper, "is about assembling nothing into something. That makes it different than all of the sciences, which only work on various kinds of something. You can only do magic when you're slow because the way the universe behaves is more consistent for slow things than for fast things, and in particular the way nothing behaves is vastly more consistent for slow things than for fast things, and so it's impossible to make any progress when you're fast.
Almost everything you can make with magic can be made in a lot of different ways; courts have their own traditions, and don't share much. I only know one approach other than my own, but I know that all magic only works when slow and that no school is that dramatically faster than any other and that some tradtions got more useful when we invented writing and some did not and that some are more sensitive than others to temperature and light conditions.
There are a few ways to get something out of nothing. One is spinning it, which involves a motion sort of like this -" he demonstrates. "And it requires paying close attention to where the nothing you want to start spinning is, which is a habit I can't teach you because you can't feel nothing at all, when you're fast. Another is sort of - cooling and solidifying it, the way dew attaches to flowers, and that one is also a habit I can't teach you while you're fast but you hold your hand very still and pay attention to the way the nothing is moving and coax it to go slower and slower until it's solid. Another is letting it crystallize. It can crystallize glowing, or hot, or cold, or unfriendly to the touch, or slowing or quickening or iron-friendly or another dozen ways that are harder to describe and not very useful. It can also crystallize paired; that's two crystals that will always have the same properties, from there forward; if you heat one the other heats, and if you cool one the other cools, and so on. To crystallize nothing you need to pay very close attention to where and how it's flowing as it comes to you. I have some diagrams here, and people practice with water, sometimes. Once you have very good intuitions about how it flows, you can usually get the kind you want.
Crystals can do things, related to their attributes. Slowing crystals are used to slow people down; they occur naturally, though they're awfully rare. Hot ones heat things near them, and cold ones cool things near them, and unfriendly ones can make cages with walls that hurt to touch. Quickening ones can heal any injury so long as it would heal, since all they do is speed that up. No one I know of has figured out an arrangement of quickening crystals that speeds your mind up instead of just speeds up the healing of an injury, and if anyone's figured out how to use them to make an artificial fairy circle they've kept that very secret. Most of the other kinds don't have known uses."