"Nah, I'm good for another sixty years or so if nothing happens to me. And I do need to sleep."
"Well, they have two apiece, right, I didn't know that it wasn't customary to shoo the work onto whichever one wasn't busy."
- has lunch with a friend.
- is the only kid in her class paying attention to how to conjugate, everyone else thinks Harthanic's dying out, but the teacher she wants speaks it -
- trips into a puddle, ruins her trousers, is cold all afternoon because they're not by the creche and she can't change.
Yawns. The dreams are coming really thick and fast now. Goes and shaves, carefully, doesn't want to be slightly furry-looking.
...is he dawdling?
He wasn't meaning to dawdle, just to be careful, but something feels weird -
It's probably nothing, probably just dream-logic or something, but he was going to make a clock anyway.
He finishes shaving a bit less carefully and goes looking for a suitable backing for a clock. Flat bit of wood will be fine.
Excellent. He acquires one and then goes looking for colored glass, he doesn't need to walk off with it, just needs a few shines.
...
- a little and then he sets out to reconstruct how to make a clock with them. Red shine can be seconds. He writes a simple repeat instruction, beginning and end, on two pieces of paper, pilots the shine onto the wood, gets it into a metronomic rhythm that he thinks is a second manually, and then tucks the instruction into place so the shine will slide over it, start recording his puppetry as a behavior, and then hit the second instruction when it's spent two seconds going right, then left.
So far so good.
The hours and minutes can go around the seconds where they tick by in the middle. He marks, lightly, making sure it'll rub off, fifteen markings around one quarter of the very edge, six just inside from there, he's not going to mark out the whole circle. Minutes can be blue. If he were doing this really precisely he'd actually sit here for an hour to line up the minutes but if the blue shine wanders off it's not a disaster. He eyeballs it: travel so many degrees, change angle, repeat.
And then he sets up a white shine for hours, ready to be ticked over as soon as the blue one comes full circle.
And he tucks the clock under his arm and heads back for the palace workshop, and checks every few minutes, and it feels like he's doing it every couple and it's more like every five and that's concerning but that's why he has a clock.
By then the hour shine is at work. "Hey," Kib says, "do you know if there's any reason time should feel weird here? Besides it always being bright and the days being longer than I'm used to and stuff. Systematic bias in estimating how many minutes it's been, I always feel like it's been less."
"What would it mean for a world to be differently paced, and not just differently - lit and demarcated?"
"My clock could be a little fast but it should not be off by a factor of two."