Eventually they get back to Theo's place, and Tyler walks in through the door, and then he proceeds to stand at the edge of the room.
It seems like he's doing this a lot right now.
He sighs.
She ignores her. "Earth, I beseech thee to release me! Grant me lift, give me motion, let me take to the skies and soar! Let me fly!" Yup, that's better, she's flying now. "Whoop!" She tries twirling in the air and succeeds.
"So, maybe if we weren't inside and worried about fire, you could get that involved too? Could result in more freedom of movement or greater speed or something. Also the 'thee' thing might be affecting stuff, so maybe we should try it without that and see if modern English works differently."
"Is anyone writing this down? It probably doesn't depend on exact phrasing, I'm just making stuff up as I go along." She zips this way and that as she talks.
"Okay, I'm gonna try—" and she suddenly loses the ability to flight and goes tumbling onto the (thankfully cushioned) floor.
"Oh, I thought you– hm," he says. "Wind, Earth, I call upon you for flight."
"… And apparently I am hovering, not flying. – Which thing was Windy under again, moon or Sun?"
"… Okay, so unless the affinity things are reversed here, that seems like it should be the opposite of how it is, since I'm moon and I'm pretty sure Kero said affinities were like-for-like?"
"Your phrase was shorter than hers. If this system relies on you being all theatrical..."
"… I'm not really sure what else to say. I don't know if I can be– adequately theatrical, shall I say."
"This is definitive proof that there is not a god, or, if there is, it has an extremely peculiar sense of humour. Granting magical power and control over artefacts of incredible might to someone who won't even use them properly."
"Well, you can just repeat after me," Willow starts, then strikes a pose. "Wind, I, Theo, command thee to lend me aid and grant me lift! Earth, I, Theo, command thee to release your bonds over me! Under the guidance of the Moon, breaking the shackles of the Sun! Give me flight!"
He… does not strike the pose. He does, however, repeat the words, trying to say them with conviction.
"So it possibly relies on theatrics, in which case it'd probably matter how we say it and not just how we mean it," he says, moving around a bit – ee, flight is fun. "Or maybe it's just more powerful with long chants?"