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but it's dangerous business, going out your door
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"You might have already thought about this but I'm willing to endure some awkwardness on the chance that you haven't and I'd feel bad if I didn't bring it up but why don't you wear earplugs? To free up your hands."

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Because I don't have earplugs? 

Communication is exhausting and never worth it.

You shrug your shoulders.

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The two of you sit in awkward silence for a moment, until she says "okay" and goes back to her phone.

"Sorry for bothering you."

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No, you're sorry for bothering her.

You feel like you did something wrong, somehow, although you're not sure what.

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The bus pulls into the bus loop.

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It just now occurs to you that giraffe-girl is between you and the exit.

Furthermore: at some point during the ride giraffe-girl ditched the hat and coat, and took off her gloves. She'll want to disentangle those and put them back on.

So unless she moves with your customary haste--starting now--the equally eager people in the rows behind you--on their feet before the bus stops, pushing and shoving to escape their confinement five seconds sooner--are going to overrun your position. You'll be trapped behind people filing past. You'll leave after the kids in the very back.

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Giraffe-girl is puttering about collecting her stuff. 

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If you had to borrow someone's seat, you'd keep your gloves on the whole time. You wouldn't want to put them to any trouble.

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It doesn't look like she's in any particular hurry.

You hold your binder close and despair.

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But at least you can be ready to go when she is.

Tense as an Olympian runner waiting on the starting pistol, you face the aisle with one foot on the floor and--because the other doesn't fit--one knee on the bench. 

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"Sorry for holding you up!"

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"And for being loud."

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In Fablehaven: Grip of the Shadow Plague, magic creatures are affiliated with either light or darkness. Light things are often kind or helpful, where dark creatures are often cruel and dangerous. There are even magic curses which can change a creature's light-darkness affiliation, one-eightying their whole personality and all their values. But a distinction is drawn, by one of the characters--an old man, whose life's work was protecting a place where different magic creatures could live safe from humans and each other--, between "dark" and evil.

A dark creature simply acts according to its nature--no more morally culpable than a hungry bear. If a bear ate your leg, you'd be upset with the whole situation, but--goes the claim--you wouldn't blame the bear the way you'd blame a human.

Magic creatures are a fact of life, in the world of Fablehaven, like bears and inclement weather. You can appreciate them on their own merits--from a safe distance--and you can even want the best for them. But you won't get anywhere by expecting them to be something other than what they are, or condemning them for not.

And that's why you'd lying if you said you accepted giraffe-girl's apology. You don't consider her a moral agent in the relevant way.

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Giraffe-girl is gathering her things more rapidly now.

You feel guilty of this. Well, you are guilty of it, which you feel guilty about.

You regret that giraffe-girl's morning has been worse for having you in it.

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And for what

The bus is still slowing, but already there are those out of their seats and moving forward. 

Most humans have zero qualms about elbowing themselves into a moving crowd, packing in tight like the atoms of a neutron star, cutting each other off. But you find the idea aversive. Giraffe-girl will get off the bus quicker for having scrambled for her stuff, but that wasn't a priority of hers.

This is why you dread Christmas and your birthday--thoughtful people going to unasked-for lengths to deliver subtly useless gifts. 

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Or maybe your mistake is taking her apology as anything more heartfelt than a social lubricant. She wants off this bus, to get away from you, and then she'll get on with her day because you're not the center of her universe.

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Giraffe-girl--awkward on her feet--rises, her eyes on the rows which were behind her, but doesn't elbow into the crowd until the vehicle comes to a complete halt.

You watch with dispassion. It's too late for anything you do here to matter.

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Giraffe-girl stands in the aisle beside (and just a hair behind) you.

And stops.

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There are dozens of people behind her.

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She meets your eye.

She looks at the door.

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You don't need to be told twice.

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You rocket away, a snake in a can, and find somewhere unoccupied to stand and breathe and steel yourself.

You stop and watch the sunrise, vivid and colorful and full of promise. The light makes you stronger, more able to withstand. You find dawn renewing, and not just because your gifts are solar-powered.

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