Dr. Bishop is indeed only gone for a few minutes, and thankfully no one knocks during her absence. It does start gently raining outside, gently pattering against the windowpane.
When she returns, she's carrying two paper-wrapped baguette sandwiches, warm to the touch when she hands one to Conrad. "I hope it's to your liking, The canteen has limited selection during night hours."
She sits back down at the desk chair, opening up her sandwich. She's either taking a break from the note-taking and computing she was doing on paper or is satisfied with her work, as her attention is entirely on Conrad as he asks his questions.
"Informally, the echoic tends to be attracted to people in the midst of transition or change, the poetic to those with creativity and ambition, the metabolic to those who are isolated or who don't conform to the people around them, and the chorismic to those who are contemplative and intellectual. That's the common sense anyway, all of that's rather hard to define with any rigor, let alone test. We don't know exactly how many Recognizants there are, but estimates put them at about two million worldwide, or about one in every five hundred, though more than half of that estimate is a theoretical projection of the prevalence of invocationless, unidentified Recognizants. Actually confirmed cases of Recognition are more like one in every twelve or thirteen hundred. Between the winds, among recognized cases, about 33% are Recognized by the echoic, 29% by the metabolic, 21% by the poetic, and 17% by the chorismic, and significantly less than a percent are recognized by two."
"The exact natures of the winds are pretty nebulous, though naturally we're working hard to clarify it, here and in all the other anemonomastic facilities around the world. Traditionally, though, the poetic wind is thought of as being the power of creation, or bringing new things into the world, the metabolic as the power of changing what already exists, the chorismic as the power of destruction and rejection, and the echoic as the power of connection and communication."
"It's difficult to get any exact measure of 'strength', it's a very slippery concept, but there's certainly a lot of variation in the scale of what different Recognizant's invocations can seemingly do. One of my colleagues is working on measuring the degree of 'alignment' between a Recognizant and their wind, which he believes serves as at least an upper limit on the amount of anemonic force their invocation can draw on. The common sense on this is that Recognizants tend to get stronger over their life, with all sorts of potential explanations, though this isn't supported by the statistics and I think it's more shaped by people's interpretation of various celebrity Recognizant's lives rather than the average Recognizant's trajectory."
"Rituals are prescribed scripts of words and motions that when performed correctly generate a predictable anemonic phenomenon, and inscriptions are similar but are instead specific shapes that continuously produce a consistent phenomenon. My privacy indicator and lamp are examples of inscribed devices." She gestures to the stone cylinder and lamp on her desk. "Both rituals and inscriptions are limited by their 'investment', though what exactly that means is somewhat different for rituals than inscriptions. The investment of a ritual depends on its length, the complexity of the its script, the minimum number of simultaneous ritualists needed for it, whether it requires any special circumstances or ritual settings, whether it requires ritual props and whether those props need to be anemonically active, and countless other factors of a similar sort. Investment for inscriptions meanwhile is almost solely determined by the length of the inscription, though there's some ongoing research into the potential for the material composition of the inscribed object to influence the investment of the inscription as well."