It's the largest building in the village by far, visible from everywhere even though it's off to a corner. The patio outside it is raised above the ground by a little, flat white stone on top of rock and dirt. But the more interesting bit is inside. Seeing this place, Azym might understand that the ruins where he met the Al Bhed share a theme with it. A circular room with a very high ceiling, the feeling of vertigo the room induces is probably on purpose.
On elevated steps following the curve of the walls to both sides are numerous statues of people wearing the same attire with the same face-covering paper seal. They're clearly meant to be different people, but the uniform must be meaningful. Across the room from the entrance there are stairs leading high up to a set of double doors, and to either side of the steps are two hallways leading to doors that are substantially less imposing.
Also, four statues stand out, two to either side of the hallways. They're much taller than the numerous other ones, and wearing different clothes besides. They also don't have the face-covering seal, so they can be readily recognised as representing different people.
And finally, two more statues, larger than all of the other ones, attached at the waist to the tops of the walls, one to the left and one to the right, as if the people they represent were emerging from the stone and trying to reach for each other. A man and a woman, and the detail on their faces makes it obvious they're lovers, with the intensity of the look they share.
(In the background, a soft song can be heard, in a woman's voice. Azym won't be able to identify its source, though; it sounds like it's coming from everywhere and nowhere at once.)
The temple has various people in it, most of them knelt in front of one or another statue, heads bowed in prayer, candles lit by the feet of the silent stone figures.