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the investigators go to an asylum
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"Maybe she was propositioning you."

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"Propositioning in the way only someone in an asylum would think to."

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Man Jing Yi never makes this easy.

"Unthinkable, I'm a married man."

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"Oh, she did know that, didn't she? Hmm. Well then." He shrugs.

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"If it's the German one, it's just a research institute. Extremely progressive."

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"Huh, you could have fooled me with that name. I'll have to look into their work, though sociology's a bit outside my field. Lovely woman, though."

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As Nurse Price escorts them to Mr. Roby, a nurse stops in his business and, staring at the strangers, starts to ask Nurse Price a question. “Not now, Edwards,” interrupts the nurse and walks by, leaving the man looking at the backs of the group.

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Hmm. Workplace tension, or a patient working as a 'reward': hard to tell.

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Whomst!!!

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The sound of footsteps and muted sobbing echoes back off bare stone corridors as Price leads them to Roby’s room.

Roby is dressed in a white canvas tunic and trousers. The room is tiny, dim, and chilly. There is a bed, table, and two chairs, and no possessions except for a stack of a dozen or so books on the table. A barred window gives a view of the sky.

Roby looks up. "Nigel?"

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Roby is very good-looking.

How tragic, then, that he is imprisoned.

Or that they weren't better friends a few years ago.

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"Not Nigel. Sorry."

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"My name is Oscar Latz. Doctor Aarons discussed why we're here, right?"

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Roby sits hunched over looking down in his lap.

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This may require a gentler touch, a less direct approach. He very deliberately looks at the pile of books. "Read anything good lately?"

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The books are all poetry. They include From Our Ghostly Enemy by Robert Graves; The Freaks: An Idyll of Suburbia by Pinero; Poems 1918-1921 by Ezra Pound; and Collected Poems and The Man Who Died Twice both by Edward Arlington Robinson.

Roby doesn't answer.

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Beautiful and with interesting taste. Oh, what a pity. (Not that he won't leave him here if it seems for the best.)

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"Ezra Pound, huh. I love that volume, real shame about the politics."

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Roby's manner of speech is odd: the cadence is slow and irregular. “Being locked in this room is inconvenient. It means I cannot finish my work and so I cannot go where I would like to go."

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"...what work is it that you can't finish?"

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Oscar's trying to work out whether Roby's on something during the day too. He wouldn't put it past them honestly.

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"You know, few writers have the ability to write honestly. Truths are used for entertainment only. That is a strange concept. Such a writer is like a man whose only concern is to hide his ignorance... willful misinterpretation, a shut mind, closed eyes, a tight mouth, and balled fists. It’s not enough to have the ability. You must be brave enough to use that ability, bring your intellect to bear like a light in the darkness, like a sane man in a world of madmen.” He smiles ruefully to himself and is quiet.

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"Your work is your writing?" Let's see if that redirects him to something less abstract.

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Roby has decided that instead he's going to stare into space.

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