("So, what, we gotta take the elevator?")

"Fine, so far. Dunno much Sideways, sounds normal here," but she pauses. "Stairs there. Picasso there... tenth, now, focused, not forget. People there," she points up, "going." Or at least they'd better be.

"Wait, more people? We can't just leave them, we gotta make sure they're alright!"

"Penny, come on—"

("I think there are stairs over there...")

("Let's go get a map.")

(The Picasso skips a floor. Twelfth.)

Sounds like everybody gets what they want if they take the stairwell; she heads off in that direction. "Quick, Twelfth now."

He sprints there, making sure Penny's following.

And Penny starts running upstairs rather than downstairs.

"Penny, darn it—!" He runs after her.

(They find the map and make their way to the other stairwell, the same the other three are climbing.)

(Fourteenth.)

She still has some sprint left in her. She's going to sleep for a week if she makes it out of this, though. She follows them up.

Seventeenth floor: they meet up. "Whoa."

Gregory Yates doesn't point the gun he's holding at the other two. He just sizes them up, then says, "Now can we go?"

"Yes, let's go—hi, I'm Penny, nice to meet you two, there's a Picasso."

(Seventeenth floor.)

"Picasso there," she clarifies, pointing straight across at the other stairwell.

"Right, let's go."

Down they go! Up the Picasso goes!

"So what were you two doing up there?"

"Penny, run first, socialize later."

Down and down and down. She's quiet, paying just enough attention to them that she'll notice if someone falls behind or tries to get her attention.

Nope, the man is quiet and efficient and so is his daughter when she wants to be, and the other two follow the example.

Good. And the Picasso is still messing around upstairs of them?

The Picasso is hopelessly confused and mumbling about "those damn hooligans // damn those hooligans // those hooligans, damn // hooligans, those damn" but seems to have figured the paint thing out, covering the cameras.

Also good. Bedlam will presumably be by shortly but in the meantime the more of a head start they can get the better.

Bedlam doesn't actually show up! They reach the ground floor.

"You. Are we clear, here?"

He's looking at Denice.