Ame turns to Liz, musing thoughtfully.
She glances around again, her eyes picking over the crowd and noting details of social configuration.
"I had a friend back in the Bay. Vanessa. She used to say that seduction was like art. A true master could describe every brushstroke in exquisite detail, and not even begin to actually convey the skill, the intuition, that decides those strokes in the first place. She was right, and she was wrong, too."
Ame spots a pair of heterobros, two definitely straight guys who are definitely At The Beach with each other and not with anyone else.
"A blind, brute-force replication of the inconsequential road between you and your destination. It can work, if every bump, rut, and paving stone, every turn and fork, is in exactly the same place; the true master navigates this road effortlessly, traversing it to their destination, and his passing creates the illusion that the road was important. But it was never the road that led to beauty."
Ame spots another, similar pair, and starts tracking them too. Then another.
"Seduction is an inherent contradiction, when you imagine that it can be taught by learning the path to convincing someone to have the sex they already wanted to have with you in particular. Because all of the first, most obvious thoughts are mistakes just like asking about the brushstrokes, hoping to find the secret to beauty in the shape of the bristles or way the true master holds the brush, when the beauty was never in the canvas or the paintbrush at all."
Ame continues to watch the three pairs of heterobros. Noting who they look at, how they look at them, how much and on what they focus.
"It's not unknowable, though, like Vanessa thought. Her talent exceeded my skill for a long, long time... until one day it didn't. To learn, you just have to look in the right direction. Every person is a story that tells itself. All you have to do is spot the stories that are shaped for an imminent sex scene."
Ame points subtly at one of the pairs. "Guy on the left, see how he's deferring to his more-talkative friend who's flirting with that girl? There are dozens of possible stories from which that is a moment, but it's the negative space you've got to pay attention to. To what he isn't. Disinterested. Jealous. Hopeful. That narrows the possible stories-of-him that are happening in this moment to a narrower range, but not enough to be sure of anything about him. So you open conversation in a way that further narrows the possible stories, until you grasp it well enough that you can see how you fit into it."
Ame stops, turns back to Liz, and gives her a wry smile.
"Of course, probably you should just ignore all of that, wait for that guy's friend to go off with that girl, and then go say hi, because all I've really done is explain that Color Theory exists, and not what it is or how to tell if you're doing it right."