It is, all things considered, a very nice drawing room. Portraits adorn the walls and the heavy drapes are open to let starlight from the moonless night through. There's a table far too small for the large room with a pot of tea, a set of tea cups and an arrangement of cookies and fruit. Two oaken doors are firmly closed to one side, and to the other a single door is slightly ajar, the sound of sobbing coming from past it. Every once in a while it's possible to hear a page being turned in the other room as well. The drawing room on its own is silent, save for the ticking of a grandfather clock and then, with no prelude, an exclamation.
Hopefully being flung across the road did good things for Haru's credibility as Not A Murderer.
"I am new in the area and if it would be too far out of your way I certainly have no intention of insisting, but Lady Oakhill might be in a better position to return this carriage to its owner without further incident after it's served its purpose tonight."
"I can fly you to the Oakhill manor," comes the echoey voice of the armored protector from outside the carriage.
Haru gets dropped off on the outskirts of London, where the armored figure can wrap their arms around him.
He attempts to steady himself in the grip - not that he expects this person's grip isn't as adequate as his, and when he can use his superpowers he flies around all the time - brushes against their hand -
A flicker of guiding, of strong compatibility somehow very far away, and the distant brush of a psychic connection.
"It's a long story but how can I find you again, I assume you're busy but I can explain some better time -"
"How did you find them, are there people ambushing carriages constantly that you can just overfly any major road...?"
"Ah, I thought the fellow with the tongue had grabbed it before anybody'd spot it but I'm glad I was mistaken."