It is, all things considered, a very nice drawing room. Portraits adorn the walls and the heavy drapes are open to let starlight from the moonless night through. There's a table far too small for the large room with a pot of tea, a set of tea cups and an arrangement of cookies and fruit. Two oaken doors are firmly closed to one side, and to the other a single door is slightly ajar, the sound of sobbing coming from past it. Every once in a while it's possible to hear a page being turned in the other room as well. The drawing room on its own is silent, save for the ticking of a grandfather clock and then, with no prelude, an exclamation.
Well, he's not going to let on he's familiar, he doesn't want to explain how it made it to Narnia, but it's nice that some things are the same.
Eventually, someone announces that all should rise for the king, and the ballroom gets mostly quiet as the king comes out and sits on a rather plain-looking throne. Each debutante is then brought in and presented to the king, with a man reading off their names and titles before they curtsy, the king nodding after each, dismissing them. Most members of the ballroom watch the debutantes do this, whispering amongst themselves about their suitability for matches.
God, these poor girls. Haru had never before considered how load-bearing it was to the relatively low rancidity of the dating market that people could just be permitted to fail at pairing off. Someone in this society is the worst human being on Eighteenth Century OK Cupid and someone still has to marry them.
Lucette is accompanied by a distant cousin rather than her own mother. She dips in an appropriate courtesy, having practiced exhaustively given the stakes.
He should ask Lucette later if there is a technical reason gay marriage wouldn't work. She could marry Lady Brynd and they could talk about the weather and not have any children slated for routine torture.
Unfortunately, nothing so far indicates anything not strictly heterosexual as an option. After the presentation, the debutantes are free to mingle, each holding a dance card for men to fill out to reserve one of the ten dances that will be occurring later in the evening. Lucette has hers signed by three different men by the time she makes her way over to Haru.
"Two would look presumptuous coming from an unempowered, but I would be grateful for you to take one."
"I also have opinions on other people you should dance with, for political reasons, if you are up to navigating such interactions."
"I think the most promising way to gain the favor of the Duke Metcalfe requires that he distrust the assessment the Lord Metcalfe might provide of you, which seems doable given that he had to bail Lord Metcalfe out of some trouble not too recently, according to one of his friend's sisters. And so it might be wise for you to dance with Miss Henrick, Duke Metcalfe's favorite niece, as well as Miss Anderson, Lord Metcalfe's former ...interest, whom the Duke Metcalfe did not approve of for reasons I won't bore you with, in hopes that this will taint the seriousness with which the Duke will take any aspersions cast on you by his son. Also, if you'd dance with Miss Haster, it would help me by way of a complicated chain of relationships and reactions that involves a besotted habberdasher... I regret not having my notes brought, though I suppose I couldn't be seen going through them anyways."
Lucette gestures discreetly towards each young lady as she names them.
"The tall one in the pink, the blonde with the ribbons, and the one in the lacy blue dress?" he checks.
"I'd imagine your nervousness misplaced, I'm sure you're an accomplished dancer. I myself am little acquainted with this sort of ball but hope to acquit myself on the floor tolerably well; I've been catching up on English dances."
He'll find a slot that is, ideally, a minuet, and not #5, and sign. "I shall look forward to it," he says, bowing over her hand.
And next.