She's too busy crying with pain to answer, but her power does it for her. The dungeon shifts around Orchid, the stone floor softening under her, opening up and blurring away so that every step she crawls takes her twice, three times, four times as far as it should, whisking her up the stairs to let her catch up with Master right away. The light around her is bright and warm and the air smells like honey and wildflowers. (It all fades away as soon as the door opens between the stairs and the office; the office has a way it's supposed to be, and no extraneous perfume is involved.)
Meanwhile, the girl hangs from the ceiling, feeling ripples of pain echo through her from Orchid's touch. She's glad she asked. At least she managed to do one thing right. She is under no illusion that this makes her any better, any less of a worthless irredeemable fuckup who deserves to suffer, but... at least she managed to do one thing right. At least she got Orchid to make her pain a little bit worse, make her a little easier to punish.
She waits, and hurts, and waits.
The chain she's hanging from releases her abruptly. She falls, landing awkwardly in a crumpled heap on the floor, and curls up and shakes and cries as the pain of her new bruises races back and forth under her skin. The ripples cross over each other and tangle up and weave themselves together into little braids of lightning flashing up her spine, and it doesn't stop, it just keeps going, starting anew every time she moves enough to jostle an injured part.
She takes deep breaths. If she's not tied up and Master isn't here and the dungeon isn't moving her on its own then the thing she has to do is go back to her proper place in the central room, and crawl into her cage or onto her ice-cold slab of stone or whatever else is waiting for her there. She can do that. Even though moving hurts and breathing hurts and existing hurts. She doesn't deserve to just lie here and rest. She has—to get—up.
It takes her a few minutes to straighten herself out well enough to get up on her hands and knees. The pressure of the floor underneath her feels like tiny knives stabbing up into her body wherever it touches the stone, worse the more of her weight is leaning on a single spot. She crawls. She doesn't need to worry about direction; her power will straighten the path for her.
The stone is hard and rough, scraping her palms and her legs as she forces herself to move forward. Every scrape, every jostle, sends new trickles of pain flowing up through her body. She gets weaker as she crawls. How long has she been doing this? Is she bleeding? It's too dark to see. Time has no meaning here anyway, except when someone visits her. It doesn't matter. She has to keep moving forward.
As she moves, the floor gets rougher. Its unevenness trips her up, making her stumble into unexpected holes or bruise herself on unexpected lumps. The pain echoes up her limbs until she almost can't feel the new bumps and bruises in the chaotic noise of the old—almost. She still notices each fresh jolt of pain as it happens.
Eventually, she can't make her hands support her any longer, and she has to crawl on knees and elbows, then wriggle like a worm when her legs get too shaky to hold up her weight. Good. She is a worm. She should crawl like one. A worthless little worm, not even good enough to call herself a slut.
There's a dim light up ahead. Probably that's the central room; her power isn't letting her feel it, of course, so she can't know for sure. It looks so far away, barely visible in the distance. She worms her way toward it, inch by inch. There's no visible sign of progress, no sense that the light is getting any closer, to the point where it feels like she isn't moving at all, but she doesn't, she can't let herself rest. She keeps moving. She can feel blood drying on her skin, smeared all over her body, from the countless cuts and scrapes she's given herself in dragging herself along this rough stone floor. But she's not in her proper place yet, so she has to keep going. No matter how much it hurts. No matter how tired she is, how weak. No matter that it feels like she's going to collapse before she manages to drag herself another inch. If she's going to collapse, then she'll collapse. She's not stopping for anything less.
Is the light a little closer now? Maybe. Hard to tell. She can't remember how far away it looked last time she managed to lift her head. For all she knows, it's gotten farther.
She keeps moving.
Her scrapes sting and her muscles ache and her bruises throb and it all twists together into ropes of pain that feel like they're wrapping around her spine and strangling all other sensation, drowning out the sound of her own ragged sobbing breaths. She doesn't need other sensation anyway. She needs to suffer, to be punished, to hurt, and she needs—to keep—moving.
First she notices that it's dark again, and then she notices that this is because she's closed her eyes. She struggles to open them, and perceives a brief, blurry glow ahead. It definitely seems brighter than before. Maybe she really is getting closer. Or maybe her power is going to take it away again and make her crawl twice the distance she's already covered before she gets there. It's happened before. The only difference is that now everything hurts a lot more, which is good, it's right, it's what she wanted, what she asked for. She should be glad her power is making such good use of this new way to torture her. She's too tired to be glad. All the energy she's got is going into the endless agonizing toil of dragging herself across the rough stone floor.
Time passes. She has no idea how much.
The floor gets a little smoother, finally. She blinks sweat and tears from her eyes, tries to focus. It's brighter all around her now. She spares a little energy to lift her head and look forward, to see if she's finally in sight of her goal.
And there it is. A low central platform, rising just a few inches up out of the floor, and an open cagelike structure on top of it, made of dark metal and shaped like a snow angel and covered in dozens of small blunt inward-pointing spikes.
When she sees it, she freezes, and then hates herself for freezing. Awful useless garbage cunt who doesn't even have the courage to torture herself like she knows she deserves, come on—
One hand inches forward. She can't pull herself along the floor by grabbing the uneven parts of the stone anymore, so she just puts her sticky bloodstained palm down flat on the floor and tries to pull that way. She moves, maybe, a fraction of an inch forward. She reaches a little farther and does it again.
Getting up onto the platform is the work of what feels like hours. Those few inches of height might as well be a forty-foot cliff, in terms of her ability to climb them. But she does it, somehow, though it feels impossible.
She collapses, shaking, at the foot of the cage. She doesn't feel like she can move. She doesn't feel like she'll ever be able to move again.
But she's not done.
So she moves, somehow, pulling herself up by the last threads of her faltering will. Everything hurts. And it's only going to hurt worse when she gets inside of that thing. And once she's inside it, her power is just going to hurt her even more while she's trapped and helpless and too exhausted to struggle. The thought of that fills her with ice-cold terror, makes her want to curl up into a ball and never move again, but instead she reaches up and grabs the edge of the cage and clumsily pulls herself into a sitting position on the floor. And then, without allowing herself a moment to rest, she heaves herself up into it.
If only that was enough. If only she could rest here, curled up awkwardly on the lattice of spiked metal. But it's not, and she knows it's not. She can see the shape she's meant to make, lying inside of this thing, flat on her back with her arms and legs stretched out in all directions; the metal is curved just so, waiting to accept her, and the snow-angel silhouette comes from the hinged parts that lie ready to close over her as soon as she gets in position.
So she pauses only long enough to catch her breath, shuddering at the waves of pain that radiate through her every time her weight shifts and the spikes find new places to dig in. And then she turns over and stretches out, fitting herself into the shape of the cage. As each limb settles into place, the corresponding part of the cage snaps shut. Lastly, when all the rest of her is secure, the cage closes over her head and torso.
Looking at it from the outside, the spikes on the top part of the cage seemed pointless; how could they possibly compete with the lower ones, which have gravity on their side? But of course her power is subtler than that. The cage is perfectly fitted, tight enough that no part of it has trouble reaching her, and the front of her body is so thoroughly covered in scrapes and bumps and bruises that the extra sensitivity more than makes up for the pressure of her weight. Pain assaults her equally from all sides.
She is uncomfortably aware of the way the cage holds her legs apart, and the fact that the lattice of iron bands leaves her crotch completely bare. Maybe her power is just making sure that if Master wants to come down here and rape her while she's like this, he won't have to bother taking her out of the cage unless he wants to. Maybe it's going to fuck her with something, make her come screaming in agony, show her what the pain she feels instead of pleasure is like with the echoes making everything worse. Maybe the fear is the point, and nothing will touch her there at all. She has no idea and no way of knowing, and that's terrifying, and that's good. It's good for her to be afraid. It's good for her to be in pain.
So she closes her eyes and deliberately imagines all the terrible things that might happen to her here, lets the pain wash over her and focuses on it until it fills her awareness, reminds herself that this is good, that she deserves it, that she loves her Master and she's not worthy of him and she'll never be worthy of him and all the pain she could ever feel won't be enough to punish her properly for being the stupid worthless piece of garbage that she is. She thinks about it until she's shaking with misery and terror, every tiny movement pressing her body against the spikes of the cage and sending new waves of pain radiating up her carefully crafted nerves. Orchid did such a good job on her. She's so grateful, and so ashamed of her own worthlessness in comparison to Orchid's effortless perfection. It hurts her to think about it, but she deserves to hurt, so she thinks about it more. She hopes Orchid is serving their Master right now, enjoying the pleasure and privilege of being used like a good and worthy slave, giving Master everything he wants. She hopes they're both happy.