I think it'll give me a better opening to try to explain, and that I can get through to him about this sort of thing more consistently than most people? Most kids pick this sort of thing up by immersion but I think he's much better attuned to explanations.
"I talked to your father and he wants to talk to you in person," Bella tells Fëanáro. "...I may have suggested that if you didn't apologize to your mother yet that would be a perfectly reasonable condition to set on going back to the island. And by may have I mean I did that."
"They presumably don't want you to apologize for lying, so this is not an obstacle. They more likely would want you to apologize for losing your temper and hurting her feelings. You don't have to say every thing that you would mean if you said it and you particularly don't have to yell about it and I assume you do in fact regret doing that, even if not for ideal reasons, since they would've let you stay in the first place if you hadn't."
"Well, I don't know how exacting they are about precisely worded apologies but maybe you could say that you're sorry that you and your mother are having such trouble building a healthy relationship and for any part you have in that without specifying what part you think that is likely to be."
You're welcome. I hope it helps. I only sort of know what I'm doing.
On occasion I even know things uniquely applicable to Fëanáro.
- every other adult's childhoods are really far away, she observes.
Even if there were a bunch of recent adults they couldn't be as recent as I am, Bella says.
Yeah! she giggles. I don't know how long Fëanáro's going to talk to his parents for, I could go relay his question to Mahtan or just hang out and see if I can throw a ceramic since he left this lump of clay here conveniently presquashed.
Prototyping what? asks Bella, sitting at the wheel like Fëanáro was doing and tentatively prodding the clay.