Then he starts examining the room.
On one wall there are gleaming boxes, all of them identical, with elaborate diagrams going down the sides. The diagrams are precise and exactly the same on each book and he studies them for imperfections and cannot find any. He wonders what kind of artist does the same thing ten times.
He takes one of the boxes off the shelf and realizes that it is actually a sheaf of paper bound together with unimaginable precision. It falls open to more symbols, so precise, so obviously meaningful that it's like the artist is speaking out of the page. He knows at once that this is the most beautiful thing in the whole world. He wants to scream and shout and run and find the nearest person but also the artist is speaking and he cannot understand it yet and so he sits frozen, looking at the symbols, trying to understand.
"It's really - it's really nice how much you like books, how instantly you liked them," remarks Bella.
"There are happy stories - although some people prefer sad ones or scary ones - and some people do find it hard but I'm not sure how you'd make it easier, and most people who don't like reading do like other things instead."
"But then you'd have to convince people who find Draconic just fine to use your alphabet, and it might not even work, if the problem is they don't like sitting still and absorbing words."
"So you're just going to flood the book market with your revised alphabet in your copious spare time and it'll catch on from there, I see."
"I don't think most of them are autobiographical. Some, I guess, for epic bards."
"That's true, you could totally commission the epics that way."