In she pops. If it's obvious, she'll go where it's obvious; if it isn't presumably he can deploy her. She pries steaming armor off her arms as she looks for injured.
She doesn't interrupt them. She goes around healing. Teleporting is faster than taking even a single step: she teleports.
She takes this back to their quarter to see that the news is distributed.
She is sure the damage will be patched soon. If anybody's home is wobbly or the structure's damaged enough for its illusion to break, they should squeeze in with friends for now. Did she miss anybody injured who was too walking-wounded to get attention before? Everybody know where their spouses and kids are? It's over; he seems to be gone, actually gone this time.
Well, she can tap them all, figuring out who's actually hurt and who has real whiplash takes longer than poking every presented nose.
They'll probably do it for a long while; it's a funeral custom. Is it bothering them? She could soundproof the singing areas.
Yes. People are dead and that is sad. The Men probably do not want to sing for days about it but it would maybe be appropriate for them to think about how they would like to remember the lost.
That sounds like an entirely reasonable thing to do. They could write down what they remember about the person's life so it's not forgotten, maybe, and then the children can know one day who they're named after.
She could take dictation, if they'd like to tell her what they want written down?