There's an amphitheater, a place where a hundred of the stone walkways twine around to create space for a hundred thousand people to sit in close proximity, and someone is giving a lecture or a demonstration at the base of it, the seats closest to him filled with eager, tiny, bearded Dwarf-children.
And they spiral down, and down, and down, past waterfalls and egg-sized gemstones left half in the rock and halls of crystal. Everything grows gradually more ornate and more perfectly maintained and the clang of hammers fades behind them. "People say," her guide says, "that we only have a council instead of a single King because there were nine winners of the competition to design the throne so we couldn't just select one person to sit it." And they push open the doors to reveal, indeed, nine thrones so elaborate it would be hard to choose between them, and nine squat bearded people sitting them.
All right, bring me something and you can pick your volume. Oh, I suppose you could have a sound-baffle box?
She follows him. I'm starting to think about a combat training regimen. I told your cousins to give me thirty who can then pass on what I teach them when I'm not around; you're welcome to match.
He didn't mention it. Do you think it'd be competitive with her oath or that she's legitimately inclined under that to be uncooperative?
I don't have any good solutions to the fact that they are better able to make use of things, in general, than you are. But if you'd like to make a trade I'll orchestrate it, especially if I get a song. I want songs.
I wouldn't slow them down if I could. We may need them. Anyway, I'd need to ask the people involved - in Valinor copying someone else's composition without their leave, or sharing a copy you had with permission, was one of the most serious insults one could deliver, I'm not at all sure anyone will want to trade - and let you know.
Oh dear, I didn't realize I'd trod on a cultural problem. I mean, the fast versions are probably impossible to usefully decompose into playable songs, they're only good for the effects, but still...
Yeah, I imagine Macalaurë was much more being upset about his compositions being copied than about his cousins gaining strategically, and it's why I initially hesitated, but - he doesn't have much ground to stand on, and I assume he knows it. So we insulted him very seriously. He pulls out a jewelry box. We'll apologize when they do.
Well, I'll apologize, at any rate, and make it clear that nobody's getting the pretty version, just the compressed kind. Which things do you want to do which effect?
As long as I'm offending him anyway. And she puts spells to jewels and sorts them into the sides of the box and baffles it.
I would love to have them. Is he going to mind if I give fast unaesthetic copies to people who would benefit from the functionality?
Also looking back on the interaction I don't think Macalaurë would have been so enthusiastic about helping me hack spells if he'd known I was going to do this beforehand. Where is he? Have we even been introduced?
I don't think you have. He's Artanis's brother. He was pretty occupied on the Ice doing this full-time, and he went out to meet the local population as soon as we had established ourselves at all here.
I didn't know it was a thing! I had this problem with the Dwarves, too, the other way around, one wanted to trade for a look at my science notes and I thought then I wouldn't have them to trade later and he told me he wouldn't just go share my ideas and I told him I was used to assuming everybody in an entire population of Quendi could hear me and would be able to get the information later from one another even if they weren't paying attention. I'll apologize to Macalaurë. She shakes her head, writes down that she should do that, and then says, Introduce me to Findaráto?
I can 'record' sounds I hear. And then loop them so they keep playing without my attention, and take them apart and put them back together, and affect their volume and location and speed. Turns out it works on musical spells.