One of the cupboards has dishware that looks like it once was charmingly mismatched, and then at some point decided that it would like to begin making the attempt to look like a set. They do not quite look like they were made together, but they sort of look like they belong together, now. This cup has kept the leafy designs it was lovingly painted in, but the leaves are in a shade of silver that matches the subtle geometric designs on some of the plates. The dark black of this bowl has just a hint of a rich brown to it, a color that it looks like it once had been, but the black that it mostly is now is much more in line with its fellows. Together the set is a little quirky, but in the way that a set of lifelong friends grow to be, not like a bunch of lost things dumped together in the same cupboard. There are places set out for all of them; cups on this shelf, bowls on this one, plates of this size over here, plates of this other size in this tidy stack nearby. The cupboard probably doesn't need her attention like the books do, but she will probably help just by using them; they don't look like they've been touched in a very long time.
In a nearby drawer is a lovely set of silverware. These were either made together, or decided to match and then succeeded so thoroughly it's hard to tell if they ever didn't. They match to the dishware in a grudging sort of way, instead of the friendly comfort the dishes together exude. Yes, all right, the silver of the silverware matches the silver designs on the cups and plates, it's sort of an association with the other group. But the silverware could just as well be used with anything else, so no one should get the wrong idea.
Several other cupboards have uneaten food, unspoiled and neatly arranged. There are several loaves of a blue-grey bread arranged neatly in a basket, wrapped in a shimmery cloth whose texture belies that it was once cotton, and then stopped. In a nook next to it are a set of spices whose labels are neatly penned in perfectly legible Common, but whose names don't look like they're necessarily accurate anymore. She might have to try them and update the labels accordingly, to reflect whatever thing they've turned into. Below that are preserves, similarly mislabeled, but whose labels were written by many different hands. The spices were kept by one person, the preserves came from many places. On another shelf, in another basket, is a set of deep purple fruit that look like they could be freshly picked. Beside it is a bundle of berries that looks like they were once strawberries, and then stopped. There are many things that were once other things and then stopped. None of them look worse for wear for the change, they have just become a different sort of thing. They are all probably still edible, because none of them have stopped looking like food. This seems like the sort of place where things that have stopped being food will, at the very least, advertise to the effect.
The armoire has clothes that are far too large to fit her, but also a small sewing kit if she would like to try to change that. The style of the clothes looks a bit ancient, or at least extremely foreign, but the clothes themselves are in perfect condition. They look like the sort of thing a wizard might wear; practical sorts of robes that minimize the impracticality of being robes as much as possible. For the most part, their cloth is smooth and silky, in darker shades of blue, purple, grey, and black, but there are a few exceptions to both the color scheme and the texture. There are several robes that are a paler and more silvery sort of grey, and even a robe that's a brave looking shade of burgundy. The sewing kit has tidy spools of thread of assorted colors, neatly arranged. She could likely match whatever she was sewing, at least if the cloth came from this shadowed place. It doesn't look like it would match some of the brighter thread colors of the material world.
Beneath the rug is a slightly uneven bit of flooring that explains the rug's presence. It's soft and matches the decor, and it helps prevents tripping. Still, it's good to know the state of the floor beneath the rug. It wouldn't do for there to be a hidden place that she didn't know about, here.
The space beneath the bed is a bit more interesting; this seems to be where the shoes are kept, neatly arranged. They are all in perfectly good condition, thought some of them look like they've seen a lot of wear and tear. Unfortunately, they don't look likely to ever fit her, either in size or style. They are too big, and too masculine besides. She'd probably be better off finding shoes somewhere else.
The twisting purple vines of the plant look like the sort of thing that would flower, if given proper attention, but the blossoms are small and shriveled and don't look like they'll open anytime soon. It could use water; it clearly will not die from thirst, but it looks a little wilted. The dirt in the pot is more like dusty chalk than dirt, which doesn't seem like the sort of thing a plant needs at all. Upon inspection, it would probably just be better off in an entirely new pot; it looks like it's outgrown this one.
Many of the knickknacks are quite interesting, but some are more ordinary. Next to the sitting area, there's a spinning wheel that looks like it might be magic. If at some point she needs more thread, or needs a specific material made into thread, she can probably just feed it the material and leave it to its work. On the washing basin is a mirror that looks fairly ordinary, though with glass that's a bit too dark to give a really accurate reflection. Nearby the basin is a jug that sloshes, and upon inspection contains water. There is an empty bag next to the armoire with runes carefully written onto the interior of its hem. Like the spinning wheel, it's probably magic, though it's not yet clear how it's magic. Scattered around are a few wizard staves, but it looks like the passage of time was not kind to these; whatever spells were in them have either been used, stolen, or have seeped away from the sheer passage of time. They are quite magically inert. There's a modest bag of unfamiliar coins, empty of words or faces of leaders, but shining a shade of lavender that feels correct for this place. A clock sits on an end table, but its hands are frozen.