The Marilacan embassy is, Vorob'yev says, to be regarded as neutral yet non-secured territory - they can enjoy themselves, among fellow offworlders and some ghem-lords. Vorob'yev entertains them - so to speak - on the way by remarking on the Marilacan strategic situation; they've apparently been taking lots of help from Ceteganda, are ignoring their womhole maps and don't think Cetaganda would ever backstab them and blah blah. There is also more fascinating gossip about suicides with... "uncooperative principals", but not much of it; the topic soon drifts to the fact that the party may yield gossip that they should report to Vorreedi when he's back. Along with certain other things they should report to Vorreedi.
"Try not to give away more than you gain," Vorob'yev says.
"Well, I'm safe," remarks Ivan. "I don't know anything." A position of safety he'd dearly like to be able to cultivate more, coz, hint hint.
The Marilacan embassy is pretty, and scans their guests; Ivan does at least know enough to have left the nerve disruptor behind. There's an art project - Ivan doesn't rightly know what sort of thing to call it; a sculpture? With a water feature? And flying colorful flakes? The Marilacan ambassador, Berneaux, says it's called Autumn Leaves, anyway, so it's an Autumn Leaves - and then both lieutenants are shooed. The hors d'oeuvres are excellent. There is wine. Ivan can at this point get rid of his cousin and see if there are any ladies who could benefit from his company about.
Oh now there is one.
Ivan sets about charming the probably-at-least-an-eighth-haut ghem-lady as best he knows how. Mutants on purpose may be mutants still but pretty on purpose is pretty still likewise. He knows tact, at least with girls. He gets her (Lady Gelle) to laugh. Miles is wandering back in his direction again, but whatever, Miles probably isn't going to compete with him for elbow room here.
Then they're approached by some ghem-lord, Yenaro apparently, who mercifully doesn't seem to be related to or involved with the girl, and indeed obliquely congratulates her on having located "galactic exotics". Good, Ivan has been trading on the right characteristic with her so far. Gelle introduces Ivan, and prompts Ivan to introduce Miles, to Yenaro. They talk ancient history, grandfathers and who's at fault for events of the war - apparently they call it the Barrayaran War here.
Gelle kindly diverts the subject to the art piece, which is Yenaro's handiwork. He insults her stylistic choices and Ivan takes the opening to compliment her; if she's looking for sophisticated Cetegandan taste over appreciative galactic obliviousness Ivan can't help her, but he can show off the latter to best effect in case it'll sell. Yenaro chooses this occasion to tell the lady that Ivan was born in the usual - well, the normal, anyway - fashion. Her revulsion is disheartening, although she seems to find Yenaro's behavior at least as obnoxious as she finds childbirth grotesque. Either way, the combination of the two sends her skating off into the crowd.
Yenaro fumbles and then coaxes them into touring the interior of his sculpture. Miles breaks off, but Ivan goes ahead and has a look, no use holding a grudge at the man for dissuading exactly one girl, however pretty she was. Miles is apparently more interested in talking to the forty-standard lady Vorob'yev has on his arm.
"Excuse me. Professional paranoia. I, uh..." need to pass this off as smoothly as possible so she doesn't think I'm up to something—act a little more suspicious, Miles, why don't you— "It's a habit," is the best he can come up with on the spot.
"You really ought to let Lord Yerano take you on a tour of his sculpture, Miles," Ivan says. "It's quite a thing. An opportunity not to be missed and all that."
"Yes, it's very fine," says Miles, with perhaps less enthusiasm than he might have. True, he's gotten as much intelligence out of Maz as he's going to for the moment, but he was hoping for another dimple or two.
Ivan bends over far enough to whisper in Miles's ear: "It was Lord Yenaro's gift to the Marilacan embassy. Don't be a lout, Miles, you know how sensitive the Cetagandans are about their artsy, uh, things."
"I'm not really qualified to judge aesthetics," he says as they descend the stairs, because he certainly isn't by Cetagandan standards and the last thing he wants is to struggle to explain his wordless emotional impression of the piece's seasonal cycle to this fluttery ghem-lordling.
"It does seem to me to be a considerable technical achievement," he says, steering the conversation onto a topic he is comfortable discussing. "Do you drive the motion with anti-grav, then?" A technology with which he is particularly familiar - he's lost count of the time he's spent slithering around on grav-crutches after an unlucky fall broke one or both legs. He hates the things even more than he hates the steel leg braces, currently concealed under his uniform trousers, that he wears to prevent more such incidents.
"Technicians? I somehow pictured you putting all this together with your own hands," he says, eyeing the sculpture as they stand at the walk-through entrance - presumably to await the beginning of the cycle. (He isn't sure why he pictured such a thing; the image is more than a little bizarre. The well-dressed Yenaro seems better suited to whisking around in a small organized laboratory working on small organized creations, an image which Miles can conjure without difficulty.)
"I must disagree," says Miles. "In my experience, hands are integral with brains, almost another lobe for intelligence. What one does not know through one's hands, one does not truly know."
"Um - maybe." He consults his memory of the funerary schedule: the suggested evening is free of ceremonial obligations. An opportunity to socialize with the younger ghem-lords, to see what they're like outside the no doubt constraining presence of their elders - to look into the future of Cetaganda, in a sense. "Yes, why not?"
From the inside the view is less easily rendered by the observer into fascinating apophenia, although the music is clearer.
Yenaro starts talking about the technical details. "Now, you'll see something -"
The tingling sensation rapidly becomes less faint.
He bolts for the entrance, along the artistically winding paths, not daring to step foot in the temptingly cool water lest something electrical happen to him in this artifact that has already proven treacherous. His leg braces are scalding hot. Abandoning dignity as a priority wholly overridden by the circumstances, he sprawls on the floor and hauls at his trousers until he can reach the braces' clamps. Not surprisingly, they're hot enough to burn his fingers. He yanks his boots off, tries again, and this time gets the braces unfastened. Off they come, shoved aside violently in his hurry to escape them; then there's nothing left to do but curl up in a miserable ball and hiss curses under his breath, trying not to let anything whatsoever touch the horrific blisters that now pattern both his legs from knee to ankle.
"I'm all right," Miles lies, unclenching his teeth as best he can. There are staring diplomats and socialites everywhere, a whole crowd focused on his display; he pulls his trouser legs down, preferring the discomfort of fabric on his blistered shins to the discomfort of strangers' eyes.
Ivan bends to poke one of the braces, no longer quite so hot to the touch. "Yes, what the hell?"
"I think it was some sort of electro-hysteresis effect. The colour changes in the display are apparently driven by a reversing magnetic field at low level. No problem for most people. For me, well, it wasn't quite as bad as shoving my leg braces into a microwave, but—you get the idea."
He gets to his feet, producing a nice big grin from somewhere along the way, and staggers Ivanward. "Get me out of here," he mutters from as close a range as possible, trying to control his shivers.
Ambassador Berneaux approaches, apologizes, offers the infirmary's use. Ivan scampers to get the groundcar sent out.
"No. Thank you," grits Miles, to the ambassador's offer. "I'll wait till we get home, thanks." And hope most fervently that they get home as soon as humanly possible.
In said groundcar, Ivan doffs his tunic and drapes it around his shivering cousin.
"All right, let's see the damages," he demands, and he collects a Miles-foot and rolls up the trouser leg. "Damn, that's got to hurt."
"It could hardly have been an assassination attempt, though," says Vorob'yev.
"No," agrees Miles.
"Bernaux told me he had his own security people examine the sculpture before they installed it. Looking for bombs and bugs, of course, but they cleared it."
"I'm sure they did," agrees Miles. "This could not have hurt anyone... but me."
"A trap?" says Vorob'yev, easily following Miles along this chain of reasoning.