She finishes rearranging last summer's leaves of paper by topic, ties them up, stacks them in her closet for reference, goes to lean on the windowsill, and contemplates what to do with the remaining hours before Mother returns.
The options - while the oven is spoken for, anyway - are mostly crafts (assorted) and music (her own voice, her guitar, her piccolo, and her xylophone). She has a lot of crafts, really. Mother understands that while Rapunzel doesn't mind being left alone she does mind being left with nothing to do. At this point Rapunzel is reasonably accomplished, at least according to her own aesthetics since she has no peers to compare against, at: rug-hooking and painting and interestingly layered-and-carved candles and embroidery and pottery and beading and knitting and sewing and other things she's come up with to do with the same materials. Half her books are patterns and recipes and sheet music. Most of the tower is space for her to work on projects, except for Mother's rooms and the family room and the kitchen on the bottom and Rapunzel's bedroom at the very top. She sits in a sling of her hair, hooks it at the ceiling over the empty center of the spiral staircase, and lowers herself down. She nearly enters the studio; contemplates the tub of clay and stops; reaches for her guitar where it's propped on the stairs within reach and stops. She does pick up a stray xylophone mallet and toss it towards the corresponding instrument, where it plunks out a middle C before clattering to the floor.
Maybe it's time to pick up another hobby. Mosaics? There's a collection of glazed, broken shards from past pottery projects and dishes that have fallen, maybe enough that she could chip them into smaller pieces and make something of them. She has plaster left. Or at least start an elaborate mixed-media - something.
That doesn't sound interesting either.
She winds up on the bottom floor in the family room where the stairs end. She sighs and picks up one of the ubiquitous combs and starts draping her hair over the furniture so she can get at it all. This is always something to do. It doesn't get remotely as tangled as it would if it weren't magic - it doesn't really tangle at all - but it still looks and behaves best when maintained, and there's a lot of it.
When she has brushed it all out, and gone back through her studios (via the stairs, since she pulled her hair down after her and can't climb it back up) to note what she's low on and should add to Mother's shopping list, and practiced the tricky part of that one sonatina on her piccolo until she manages it correctly all the way through one time, Mother comes home.
Rapunzel goes to the window, hooks her hair around the relevant protrusion, and heaves the rest of it over the edge. Mother hangs on, Rapunzel hauls her up. Regular hair would suffer some damage in the process - Rapunzel has looked at what Mother leaves on her own hairbrush, how easily it'll snap, how often it's split - but Rapunzel's is fine. Mother steps lightly into the room, Rapunzel gathers her hair in again. They hug. Mother sets down the day's shopping.
"I'll go make the sauce for the beef," says Rapunzel, when she identifies which bag has the herbs, and she slides to the ground floor on her hair again to get started.
And she serves dinner, and Mother tells her about her day, and wants to see what Rapunzel has been working on, and likes the piccolo piece but is less impressed by the morning's half-a-sampler. Mother sits down with some tea. Rapunzel hairs her way back upstairs to write, and is called down fifteen minutes later because Mother is feeling "run down".
Rapunzel gets her a comb and sits at her feet and sings. The whole tower brightens. Mother looks much better.
Rapunzel hugs her again, remembers to offer her the shopping list - she's low on white paint, which is a long trip to fetch, but she goes through a lot of it - and she goes upstairs again.
The next day Mother makes sure there's enough food in the house for Rapunzel for the next three days because she's going to get the paint. Rapunzel hugs her again, while they're on the by the window. "I love you very much, dear," Mother says.
"I love you more," recites Rapunzel, smiling a little.
"I love you most."
And off she goes, down to the lawn, letting go of Rapunzel's hair, saddling up the burro, riding into the forest that surrounds the tower.
Rapunzel hauls her hair back up and goes downstairs to make a batch of muffins or something and design a new pair of slippers for Mother, which she'll piece together later. Mother works very hard to keep her supplied and safe in their tower and Rapunzel appreciates it.
There's always something to do.
Rapunzel slips off one of her shoes and starts rubbing her foot after she's had all the muffins she cares to.
"I think so. It's normal for feet to be sort of uncomfortable after a lot of hiking, right? I don't think I've broken anything. If it gets worse I can heal myself but it won't cure ordinary tiredness."
"Whatever Gothel brings me, pretty much. Novels and folk tales and some history and I have an illustrated bestiary of the continent. Some of my sheet music has lyrics. It doesn't exactly substitute for life experience but I know some things like 'one's feet will hurt if one walks a lot and this doesn't imply grave injury'."
"Yep. I also know a lot of things about plants, but that's not because of books, that's because that's what Mother does for a living is pick and sell plants and a lot of them she brings home to dry or chop up first."
Pause.
"I guess she could've found a magic flower and noticed it missing."
"And I guess if she did that, she wasn't exactly looking for a way to get it used efficiently before someone killed it."
"Though this doesn't necessarily say anything about how long she was visiting the flower before people took it for the queen."
"—You said something while we were yelling up and down the tower - that if somebody cut your hair you might die someday. Does that mean you won't if nobody does? How do you know?"
"...She's older than she looks. If she's gone on a very long errand I can tell the difference, and then she looks young again, not even that much older than me, after she uses my hair. I'm not that old yet but I'm assuming it'll work on me too, the rest of it does."
"...Do I sound old-fashioned to you? I learned to talk from her, we should have similar speech patterns. If she's that old it'd show up."
"...You sound a little weird," he says. "I'm not sure if old-fashioned is the word I would use, but it does kind of fit."
"There's generally a thing where it's considered impolite to ask a woman her age if the answer seems to be much higher than twenty, especially if she's rich or noble. But I haven't heard 'a lady never tells' except from women who were obviously old."