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a book or maybe two or three
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Mother is out getting Rapunzel more paper and ink, among other errands. Rapunzel is taking advantage of the privacy to do some indexing. Notebooks per se are usually hard to come by, so Rapunzel drills little holes in stacks of loose leaf, ties them together with twine, and rearranges pages as it suits her to do so every now and again. She has already done the day's chores and has dinner slow-roasting in the oven; she'll make the sauce when Mother's back with the herbs she wants for it.

She finishes rearranging last summer's leaves of paper by topic, ties them up, stacks them in her closet for reference, goes to lean on the windowsill, and contemplates what to do with the remaining hours before Mother returns.

The options - while the oven is spoken for, anyway - are mostly crafts (assorted) and music (her own voice, her guitar, her piccolo, and her xylophone). She has a lot of crafts, really. Mother understands that while Rapunzel doesn't mind being left alone she does mind being left with nothing to do. At this point Rapunzel is reasonably accomplished, at least according to her own aesthetics since she has no peers to compare against, at: rug-hooking and painting and interestingly layered-and-carved candles and embroidery and pottery and beading and knitting and sewing and other things she's come up with to do with the same materials. Half her books are patterns and recipes and sheet music. Most of the tower is space for her to work on projects, except for Mother's rooms and the family room and the kitchen on the bottom and Rapunzel's bedroom at the very top. She sits in a sling of her hair, hooks it at the ceiling over the empty center of the spiral staircase, and lowers herself down. She nearly enters the studio; contemplates the tub of clay and stops; reaches for her guitar where it's propped on the stairs within reach and stops. She does pick up a stray xylophone mallet and toss it towards the corresponding instrument, where it plunks out a middle C before clattering to the floor.

Maybe it's time to pick up another hobby. Mosaics? There's a collection of glazed, broken shards from past pottery projects and dishes that have fallen, maybe enough that she could chip them into smaller pieces and make something of them. She has plaster left. Or at least start an elaborate mixed-media - something.

That doesn't sound interesting either.

She winds up on the bottom floor in the family room where the stairs end. She sighs and picks up one of the ubiquitous combs and starts draping her hair over the furniture so she can get at it all. This is always something to do. It doesn't get remotely as tangled as it would if it weren't magic - it doesn't really tangle at all - but it still looks and behaves best when maintained, and there's a lot of it.

When she has brushed it all out, and gone back through her studios (via the stairs, since she pulled her hair down after her and can't climb it back up) to note what she's low on and should add to Mother's shopping list, and practiced the tricky part of that one sonatina on her piccolo until she manages it correctly all the way through one time, Mother comes home.

Rapunzel goes to the window, hooks her hair around the relevant protrusion, and heaves the rest of it over the edge. Mother hangs on, Rapunzel hauls her up. Regular hair would suffer some damage in the process - Rapunzel has looked at what Mother leaves on her own hairbrush, how easily it'll snap, how often it's split - but Rapunzel's is fine. Mother steps lightly into the room, Rapunzel gathers her hair in again. They hug. Mother sets down the day's shopping.

"I'll go make the sauce for the beef," says Rapunzel, when she identifies which bag has the herbs, and she slides to the ground floor on her hair again to get started.

And she serves dinner, and Mother tells her about her day, and wants to see what Rapunzel has been working on, and likes the piccolo piece but is less impressed by the morning's half-a-sampler. Mother sits down with some tea. Rapunzel hairs her way back upstairs to write, and is called down fifteen minutes later because Mother is feeling "run down".

Rapunzel gets her a comb and sits at her feet and sings. The whole tower brightens. Mother looks much better.

Rapunzel hugs her again, remembers to offer her the shopping list - she's low on white paint, which is a long trip to fetch, but she goes through a lot of it - and she goes upstairs again.

The next day Mother makes sure there's enough food in the house for Rapunzel for the next three days because she's going to get the paint. Rapunzel hugs her again, while they're on the by the window. "I love you very much, dear," Mother says.

"I love you more," recites Rapunzel, smiling a little.

"I love you most."

And off she goes, down to the lawn, letting go of Rapunzel's hair, saddling up the burro, riding into the forest that surrounds the tower.

Rapunzel hauls her hair back up and goes downstairs to make a batch of muffins or something and design a new pair of slippers for Mother, which she'll piece together later. Mother works very hard to keep her supplied and safe in their tower and Rapunzel appreciates it.

There's always something to do.
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Someone climbs in the window at the top of the tower.

He's paying more attention outside than in, because the bottom of the tower is pretty clear on its lack of a viable exit, and this climb is not a climb someone much less limber could make. Is there a floor in there, yes, does it hold weight, yes, good, in he goes.

He realizes his mistake pretty much as soon as he stands up and steps away from the window. It's too clean - there's things - is this someone's bedroom - who the hell lives here, flying forest hermits?
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Someone who lives here is on her way up the stairs holding a fresh muffin. It has cranberries in it.

She opens the door and is far too stunned to react right away.
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The man standing in the middle of the room stops his bewildered turning in circles when the door opens.

"I'm sorry, I didn't know anyone lived here," he says, sounding mildly alarmed about it. "A ruined tower looked like a reasonable place to spend the night - how do you get out of here, is there a secret door? Because I don't think I can make that climb again this soon. It was hard enough on the way up."
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"eep," is the best Rapunzel can manage.

She looks like she wants to run away from him and has some very good reason not to.

Also she has truly improbable amounts of hair.
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"I'm really sorry! Are you okay?"

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"Who are you what are you doing here how did you find me how did you get up here?"

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"My name's Rolan, I'm running away from some people I may have slightly annoyed earlier, I found you completely by accident and I am very surprised about it, and I am a really good climber," he says.

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"Well - you can't be here - so - climb back down and find somewhere else to run away to."

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"I'm not that good a climber," says Rolan. "I need like - half an hour and maybe a snack, if I'm going to do that without falling and breaking my neck. Are you saying there's not a secret door? I remain confused about how you get out of here. Or do you farm mushrooms in the basement or something? This is a fascinating look into the lives of flying forest hermits."

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"Flying f- I don't leave. You are going to leave. Here." She approaches just near enough to thrust her muffin in his direction. "Snack. And half an hour. And then you have to go, you cannot be here."

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"Sure. Okay," he says, gingerly accepting the muffin. "Thank you. What do you mean, you don't leave? I was joking about the mushroom farm. Mostly joking. Do you have a mushroom farm?"

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She jerks back like she thinks he's going to burn her when he's got the muffin. "I mean I don't leave. I - I don't think I had better tell you much of anything."

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"Ooookay. Sure. Do you want me to tell you things? I talk when I'm nervous, you might have noticed, so it's pretty unavoidable if you're going to stick around while I have my snack and my rest - can I sit in one of your chairs please?" He nibbles on the muffin.

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"Fine."
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"Thank you."

He goes for the comfy one, because it's closer and the desk chair is tucked in. Sit sit nibble nibble. "This is a really good muffin, did you make this? - I guess the answer to that might come under 'much of anything'. It's still a really good muffin. I am impressed with you and/or your flying forest hermit cooking staff."
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Rapunzel's hand, meet Rapunzel's face.

"Yes, I made it."
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"The flying forest hermit thing," he adds, "in case you're confused, is because when I climbed in here and saw how lived-in it looked, after the ordeal I went through getting up the side of the tower, I wondered who could possibly live here and thought that it might be flying forest hermits. And now I just really like the phrase. Flying forest hermits, kind of catchy, isn't it?" Nom nom muffin.

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"People can't fly," sighs Rapunzel.

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"Well, there goes that explanation. It's probably possible, though. Lots of things are possible. I could fly down from a height like this, if I had a big enough kite and a clear landing space. I did that once. Wouldn't want to try it in this forest, though, that's a good way to get stuck in a tree and laughed at by squirrels."

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"Do squirrels laugh?"
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"I have, in the past, imagined that squirrels were laughing at me. It's hard to tell if they really were or not. I was laughing at me, though, and the squirrels were there, and they were looking at me in what I might describe as a funny way. This is a different story from the hang gliding experiment, by the way, the hang gliding experiment worked like a charm, the laughing squirrels was when I shipwrecked on the bank of a very calm river in a large wheelbarrow full of chestnuts." He illustrates this with his hand, sailing it through the air in a leisurely way and then tipping it over sharply as though it encountered some unseen obstacle. "Clonk. In my defense, it was my first time operating a water vessel of any kind, and wheelbarrows aren't exactly known for their riverworthiness. I guess the chestnuts gave the squirrels a reason to be hanging around other than the entertainment value of watching the tall human fail at things."

Nibble nibble muffin.
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Rapunzel has almost no idea what to make of this person.

"Oh," she manages.
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"Haven't you ever seen a squirrel? I guess if you never leave the tower you might not have. They have very fluffy tails. I bet they'd be nice to pet if you found a friendly one, but I've never found a squirrel that friendly so I can't know for sure. I did pet a mouse once. Some kid had a pet mouse and they were sitting in the town square together, it was the most adorable thing. The mouse's name was Bubbles. I forgot to ask why. Can't even remember what town it was. Might have been near the capital, but I wouldn't swear to that in a court of law."

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"Sometimes squirrels climb the ivy. You're very talkative."

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"Yes I am!" he agrees. "I'm not like this all the time, it's kind of a nerves thing. Still adjusting to the fact that the abandoned tower is inhabited by a non-flying forest hermit." Muffin muffin.

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"I think I'm more surprised than you are."

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"That very well might be true," he says. "And I've been surprised a fair amount in my life, I might be more used to it than you are. Probably you don't get very many surprises sitting in your abandoned tower all day. Probably it's just the occasional squirrel dropping in to say hi and ask if you've got any spare chestnuts. That's a joke, squirrels don't talk. That I know of. I guess they could be doing it where nobody else can hear and we just wouldn't know about it."

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"I don't think squirrels talk."

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"Well, sure, neither do I. But it's hard to be sure. I didn't think people lived in abandoned-looking towers with no doors, and look how wrong I was."

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"You're not going to tell anyone, are you?"
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"I'm getting the sense that you wouldn't like it if I did, and I don't really have a good reason to. If you want to keep being a very solitary non-flying forest hermit, that's no business of mine. I imagine it gets lonely, but maybe you don't care about that as much as I would. Or maybe you secretly talk to squirrels. Do you secretly talk to squirrels? You don't have to tell me, I bet the squirrels made you swear a solemn vow of silence. On a chestnut."

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"I don't talk to squirrels."

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"Okay." He finishes the muffin. "That was a really good muffin, miss non-flying forest hermit who doesn't talk to squirrels. I have no idea where you get muffin ingredients, but you do amazing things with them. Maybe it's owls. Do you have an owl friend who steals small bags of flour from nearby towns and picks cranberries for you by the light of the moon, carrying them here one at a time in his beak? That would be very impractical. Maybe he has a little cranberry bag that he can carry in his claws. Talons? I think it's talons when it's a bird."

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"I don't think I had better tell you."

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"Tell me what? Your solution to the problem of how owls can efficiently transport picked berries? Good call, I bet your owl friend would be jealous of the competition if word got out. He would no longer be champion of the owl berry-carrying contests."

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And with that, in spite of everything, Rapunzel laughs.
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Rolan grins at her.

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She gets control of herself presently and goes back to watching him warily, like she expects him to spring at her if she leaves her guard down.

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"You're a very nervous non-flying forest hermit. Is it me? People usually don't find me that scary. I'm not cut out for intimidation. I prefer running away. I find it solves almost all of my problems." He sets his satchel on his lap and sighs. "The rest I mostly deal with by making new friends, but all the running away kind of interferes with forming lasting relationships. Maybe I should get a pet mouse."

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"I told you you should go away and you are not solving your problems by doing it," Rapunzel points out.
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"Yes I am," he says. "I'm just waiting until I'm steady enough to trust myself getting down that wall again, because my minimum standard for any running-away plan is that it has to be less likely to kill me than the alternative. Except under very special circumstances. Are you the kind of very special circumstances I should be risking my life for?"

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"I guess not."
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"Good. Thank you."

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"You're welcome."

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He smiles.

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Rapunzel keeps warily watching him.

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Yep, she does definitely do that. He can tell.

He seems to have stopped babbling for the moment. Now he's looking contemplatively at his satchel.
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"What's in the bag?"
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"Poor life choices," he sighs.

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"Figuratively?" she guesses.
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"Figuratively," he confirms. "I can show you the goods and tell you the story if you want, but it's not quite as funny as the adventure of the laughing squirrels."

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"Will it take long enough to delay you leaving?"

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"You're very keen on that, aren't you. No, it probably won't."

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"Okay then. What's in the bag?"

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He unfastens it and pulls out... a very sparkly crown.

"Poor life choices, like I said. I wasn't planning to end up with this. I am a thief, but usually of things that are easier to sell and less sentimentally or practically valuable to their original owners. It practically dropped into my lap, though, so - this is where the poor life choices come in - I took it, and fast-talked a couple of guys into helping me escape, and in the course of that adventure they figured out what I had and demanded a share, which I was fine with. I was less fine with it when I heard them talking about how they planned to hit me over the head, turn me in, collect the reward, and keep whatever they got for selling the crown all to themselves. So, I decided I'd play a little trick on them, and to make a long story short, two hours ago I was being chased by the Royal Guard and a pair of muddy grumpy tough guys. But I lost them all several miles of forest ago, and I managed to lead them in separate directions so the Mud Brothers probably won't get caught in my place unless they're very unlucky. And now all I have to do is find something to do with this crown. Would you like a crown, by any chance?"
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"I couldn't explain where I got it. Are you going to take my stuff?"
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"No. I'm getting the sense that you'd be upset about it, and you probably don't have anything that would sell for a substantial amount, and I'm not going to go looking to see if you do because I definitely get the sense you'd be upset about that. In case you're getting the wrong idea about the world beyond your forest hermit tower, by the by, most people's lives are not nearly this exciting. I just happen to be very adventuresome."

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"Do most people not get upset about it if you take their stuff?"

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"There's kinds and kinds of upset. Most people get annoyed about it if I take their stuff. I don't mind annoying a rich person who did not really need that fifth set of silver-plated teacups. I mind making people upset upset. Which is why taking the crown was such a terrible idea. But trying to put it back would probably be a much worse one, so here I am."

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"Silver plated teacups? Five sets of them? Why?"
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"If I had to guess, I'd say it goes something like this: The first set is to use, so all your friends know you're rich enough to use silver plated teacups. The second set is so you can have bigger silver plated tea parties and impress more people. The third, fourth, and fifth sets are because you keep finding out your neighbour has more silver plated teacups than you."

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"Why does your neighbor have that many, then? And couldn't they just tell their friends how much money they have if they want them to know for some reason?"

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"Well, see, it's impolite to just brag about how much money you have. The proper way, for those kinds of people, is to buy lots of obviously expensive things and show them off without ever saying that that's what you're doing. And of course, the neighbour saw that their neighbour had two sets of silver-plated teacups, so they had to buy three. It's all very silly, but that's how it works."

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"Is it also impolite to complain about thieves stealing your teacups? Because if they're allowed to do that maybe you are doing the entire system a favor."
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"You know," he says, "I never thought of it that way, but I kind of like the perspective. As far as I know, it's not impolite to complain about thieves stealing your teacups."

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"Well then." Pause. "But someone actually needs the crown for something?"

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"I'm not sure needs is the right word. It belonged to the princess who disappeared as a baby. It's not really doing anybody any good sitting on a pillow in some room of the palace or other and going out to get polished every so often, but the king and queen are probably still going to be pretty broken up about losing it."

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"Oh, that's what those lanterns every autumn are about," recalls Rapunzel vaguely.

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"Yeah. It's a sad story. I wonder sometimes what happened to the poor girl, but there's really no good way to find out."

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"I suppose people must get more excited about disappearing babies when they're princesses."

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"Well. Yes. Certainly more people hear about it in that case. But it doesn't really happen that often to begin with," he says.

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"No?" asks Rapunzel skeptically.

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"No," he says. "I've heard of babies being stolen - but there aren't that many people in the world who will steal a baby, and even fewer who'll do it more than once, and they tend to get caught if they live close enough to where they took the kid from. I've heard of babies just plain vanishing inexplicably - but mostly just the princess. And someone could have stolen her too, for all I know. It makes more sense than thinking she dissolved into sunshine or crawled out in the middle of the night never to be seen again. The other few times I've heard of a kid just plain disappearing like that, it turned out something else had happened to them and somebody was lying about what."

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"I was assuming disappeared usually meant stolen. Or possibly eaten by wild animals."

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"I have not once heard of a baby being eaten by wild animals," he says. "And I travel a lot."

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"...What, never? I am fairly certain that wolves and bears and so on all exist."

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"Yes," he says. "Both of those sorts of things live in this very forest, in fact, although not a lot of either. You might have noticed that none of them have ever eaten you. Wolves and bears don't usually bother people unless the people bother them first, or unless they are unusually hungry and there's absolutely nothing else around to eat. From a wolf's perspective, people are mysterious and best avoided. Now, sheep, wolves will happily eat sheep all day long if they can get at them. But babies are much harder to get to, since they tend to be kept indoors or at minimum accompanied by other, bigger people."

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"They couldn't get in the tower to eat me," explains Rapunzel.

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"Yes. And they can't get into people's houses to eat their children, either. In fact, I only think I've ever heard of one bear so much as entering a village at all, and it didn't eat any children. An incredible amount of fruitcake, I'm told, but no children."

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"Huh."
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"They were having a fair," he adds, "which is why there was so much fruitcake to be had in the first place."

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"Did they have to run away from the bear to let it have the fruitcake so it wouldn't hurt them?"

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"Well, they kept out of its way, but I gather it didn't seem aggressive so much as hungry and confused. It had its fruitcake, took a nap, and then wandered back into the forest. Not that exciting, all in all."

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"I don't think wolves are as omnivorous as bears though."

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"True. Like I said, they can be pests when it comes to sheep. But they don't even try to eat people unless they're already starving, and that's rare."

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"Okay."

She's not sure she believes him, but she doesn't have the material to construct another probing argument.
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"I used to be pretty scared of the world, myself," he remarks. "But once I really got out there, I found out that even the scariest things weren't as scary as they used to seem. Maybe it's different for you, though. You don't seem like you'd enjoy living the way I do. I don't get to bake nearly as many muffins as I might if I settled down in one place with a reasonably honest job."

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"I'm disinclined to spend my time stealing teacups, there is that. Even if it is socially acceptable to complain about it."

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"There's other things you could do. But I don't know if you'd like them more than you like staying in your tower designing berry bags for owls."

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"I don't - accessorize owls."

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"I figured. But it's fun to imagine you do."

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"Why are you imagining anything about what I do?"

She's still afraid - although less like she thinks he's going to physically attack her.
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He shrugs. "Well, you won't tell me what you do do, and I don't want to pry. So I think up something that I know isn't true, but that sounds funny, and then you aren't giving anything away if you disagree."

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"Oh."
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"So that's why you're a flying forest hermit who talks to squirrels and accessorizes owls." He pauses consideringly, then adds, "That and also I'm very silly."

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"I can see that."

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"Are you about ready to go? You really can't be here."

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"You keep saying that," he says. "I suppose there's no point asking why, hmm? All right."

He gets up and goes over to the window and leans out and looks down.

"...Are you sure you don't want a crown? Well, no, maybe I'll come up with some scheme or other to get it back where it came from."
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"I couldn't explain where I got it. Leave it with someone honest who ever leaves their house, I guess."

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He flashes a smile at her over his shoulder. "Okay."

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Rapunzel waves awkwardly.

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He waves back, quite cheerfully, and climbs out the window.

If she cares to, she can watch him climb down. It'll take a while. He's being very careful.
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She advances further into her room when he has gone out the window and she supervises his descent.

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Down and down and down he goes...

...and about a third of the way from the window to the ground, one of his handholds crumbles away just as he's reaching for the next one. He flails and manages to grab onto the protruding corner of a stone block, which promptly snaps off in his hand. Despite both of these unhappy accidents, he still manages to cling flat to the side of the tower for another couple of seconds, until his satchel slips off his shoulder and unbalances him and he falls.
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Rapunzel is alarmed - she could throw him her hair but it's mostly downstairs - she hauls on it but he's on the ground before she can even see the ends.

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The sound he makes when he hits the ground is audible all the way up in the tower, and it's not pleasant.

He doesn't scream or anything - he cries, but very quietly. She won't hear it and she might not even be able to tell by looking, from that high up. What is visually obvious is the fact that both his legs are bent in ways human limbs do not normally bend.
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Rapunzel keeps hauling on her hair until she has it all.

She throws it onto him.

"Hold still," she hollers, and then she sings, very very quietly.

As soon as she's uttered the last note she starts hauling her hair up again.
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It takes him a minute to catch his breath.

Then he yells up to her, "...Thank you...???"
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"You're welcome don't tell anyone please," she says, hair halfway up.

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"...Are you secretly a vanished princess??"

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"What? No."

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It's kind of inconvenient to have this conversation by yelling up at the tower window, but it seems important, especially if she doesn't know - and that sounded like she didn't, not like she did and was hiding it.

"When she was pregnant! The queen got sick! And someone brought her a magic flower! A glowing! Golden! Magic flower! And she ate it and got better and had the princess! And the princess was born really blonde! And she'd be about your age!"
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"My birthday is in the summer and my name is Rapunzel and I have a mom!"

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"People steal babies sometimes!"

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He pauses to catch his breath again, then adds, "King Cearl and Queen Ranae are really upset about losing their daughter! The queen still cries about it, it's really sad!"

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"I'm a forest hermit because if I leave people are going to kidnap me and abuse my hair! You could be making this up!"

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"Does your mom use your hair? Do you have any way of telling if she's been making things up?"

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"Of course she uses it! I use my hair when I get hurt too - I'd let everybody do it if I could trust anyone! She's raised me my entire life!"

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"Raising you your entire life doesn't mean someone's not lying to you! Believe me, I know!"

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"It's better credentials than breaking into my bedroom half an hour ago with something you stole from the king and queen who you're so concerned about now!"

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He throws up his hands. "Fine! Stay in your tower, magic glowing flower girl! Just tell me, if you'd let everybody use your hair, what are you afraid of somebody doing—keeping it all to themselves?"

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"I'm afraid of being tied up and force-fed so I don't escape while half-willing soldiers are marched past my hair twenty-four hours a day to keep wars going longer and cheaper and for less reason! I'm afraid of being a bargaining chip in international politics with no say in the matter! I'm afraid someone will chop it off my head and it will stop working and then no one will get to use it at all and one day I'll die! It doesn't sound from your description like the queen's really responsible with healing magic if she ate that flower instead of going to visit it!"

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"The queen was too sick to get out of bed! People went and got the flower for her because they like her and they didn't want her to die and leave the kingdom without an heir which by the way it has been for eighteen years anyway! Here's an idea, wait until she's about to die again and then come flouncing into the capital, no one's going to use you as a bargaining chip when they're busy making you fucking Queen! That was a sarcastic suggestion in case you can't tell with all the yelling! It'd work but it'd be a pretty awful thing to do to her!"

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"Are you angry at me?" exclaims Rapunzel.

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"I'm frustrated because you won't see what's in front of you and you remind me of me when I was a little kid! I grew up in an orphanage! They were pretty awful! They told us we'd be worse off anywhere else and I believed them until I ran away and figured out it was much better out here! Maybe you'd think the same thing and maybe you wouldn't but you're never going to find out for sure from in there! And all this yelling is hard on my voice!" he yells.

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"I'll haul you back up just to talk if you promise not to kidnap me or do anything to my hair or - anything! If you want!"
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"I promise not to kidnap you or do anything to your hair, and I'll come up if you promise to send me back down with it when we're done so I don't fall and break my legs again! Once was enough for the day!"

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Rapunzel flings him her hair and wraps the high end around the hook so he doesn't overbalance her. "Hold on, you're heavier than Mother," she calls.

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He holds on.

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She hauls him up, although he is heavier than Mother and therefore she's a little tired by the end of it. She gathers her hair in after him once he's found purchase on the windowsill and brushes a few leaves out of it.

"So basically what you're telling me is my loving and devoted mother kidnapped me, that I'm secretly the lost princess, that most of what I know about myself is a series of selfish lies - can you see why that would be hard to swallow from a total stranger who only produced this guess after I healed him?"
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"Yeah," he sighs, sitting inward-facing on the windowsill with a remarkable lack of concern for the height given how recently he fell from it and his avowed desire not to do it again. "But can you see how - if it's just my word against your mom's about things out there in the world and you just decide to trust her and not me because you've known her for longer, if she is lying you're never going to find out about it? I really, truly don't have any ambitions whatsoever about your hair. I'm just particularly concerned about the king and queen right now because I'm upset about stealing the princess's crown, and they're a good king and queen and I like them and so do a lot of other people, and I really don't think any of the things you're afraid of are going to happen. That's not to say they couldn't, there are people in this world who'd do those kinds of things and sometimes they get their way, but the fact that you're the vanished daughter of some very nice people who also happen to be royalty makes it damn unlikely that the nasty folks would get anywhere with you. They've gotten a lot more security-conscious since losing you the once."

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"Mother has been -"

Rapunzel pauses.

"Mother has claimed to have been looking for somewhere safe where I could be - useful without making things worse. Since I asked her to a few years ago. So if she never found anything that would be - "

She pauses again.

"How long would it take to get from here to someplace where I could check to see if the king and queen would also consider my hair evidence that I'm the princess - and if you're wrong about everything how reliable are you at losing pursuers in the forest?"
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"Losing pursuers, in the forest or otherwise, is one of my particular talents," he says. "If you're going to be running away from things, you couldn't ask for a better companion. Hmm... the capital's pretty close. Would asking the king and queen themselves suit your need for proof? It would sure suit my sense of dramatic timing, with the lantern festival coming up so soon. I could even give them the crown back, or better yet have you give them the crown back, and then I bet they wouldn't have me arrested."

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"It seems like a possibly bad idea to combine returning the very definitely stolen crown with suggesting that I ought to be wearing it. Unless it'll supposedly magically fit only my head, or something. What I want to know is if I can go, and check, and if the answer is no safely get back before Mother gets home."

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"It's not a bad idea at all if you return it after they agree that you're obviously their daughter. Timing is key. When is your mother going to be home? Travel time to the capital and back, with a stop in the middle to ask the queen or somebody else for the flower story, should be a few days at most, but if your mom's coming back tonight that's not much help. You could probably get the story from just about anybody in the capital who was old enough at the time to remember it, but I don't know that for sure because the guy I happened to hear it from was one of the guards who helped bring back the flower, so he might have known some details the general public is missing. You can definitely get a good idea of how nice the king and queen are from just about anybody you pass in the street - ask ten people, maybe one of them has a problem, two if you're in a bad neighbourhood. In case that's also something you want to know."

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"She left a batch of muffins before you showed up and expected to be gone for three days."

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"Then we can be there and back with plenty of time to spare if we hurry, and somewhat less time to spare if we don't."

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"There used to be a door but Mother bricked over it when my hair got long enough to use the window. I can get you up and down, and I can get down myself - once. If we come back will you climb up with the end of my hair so I can use that? I'm pretty good at maneuvering with my hair and I'm sure I'd hurt myself if I tried to climb the tower proper."
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He hops off the windowsill into the room and turns to look down, gauging how the circumstances of his previous fall have altered the landscape of the tower wall.

"Yeah, I could do that," he concludes. "I'd want to leave my bag with you, all things considered, but it's doable."
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She nods.

"I need to - I think best on paper, I need to do that." She reaches for a notebook. "There are more muffins downstairs. If you want them."
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"I'll go have another muffin," he says agreeably.

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Rapunzel points at the stairs and starts writing.

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Down the stairs he goes, in search of tasty muffins.

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There are tasty muffins! There are ten of them left, mostly cool now, sitting on the counter.

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He eats a muffin. Rapunzel seemed to be pretty heavily implying that she wanted to do her thinking alone, so he's going to stay put in the kitchen until she comes and gets him.

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There is a total stranger who has done her no harm yet has not even introduced himself (or if he did it was overwritten with nonsense about laughing squirrels and accessorized owls) telling her things that are very hard to believe - and very unpleasant to believe, which makes it harder.

Rapunzel wants:

- To know the truth.
- If a princess, to be a princess - if that's safely possible.
- To be useful to more than two people with her power. If that's safely possible.

She has:

- An at least apparently helpful stranger who did definitely break his legs before he knew what her hair did and probably didn't engineer the entire situation.
- Three days without her mother home.
- Possible princess status.
- Contradictory biographical information, and background knowledge from books about the major historical events of Corona that has been definitely curated and possibly doctored by her mo-

Gothel.

She didn't like it when Rapunzel called her that even though it was never intended originally to impugn her maternal status. She told her to stop. She's her mother and ought to be called that.

But she's got a name, and it's - more neutral. Considering. If little-girl-Rapunzel who never imagined that her mother would lie to her considered it a reasonable term of address then she can use it now without feeling too terribly disloyal.

She has three days before Gothel comes back.

She can get out of the tower, she knows, it shouldn't be harder than lowering herself to the ground floor. Getting back will be harder, especially if her helper is no help, but, well, if she's caught out of the tower she could claim to have overbalanced leaning out the window innocently. She's clumsy enough to do it even if that particular accident hasn't happened before. Certainly she's just seen that her hair suffices to cover for damage from serious falls.

And if her helper is no help, he already knows where she lives and she certainly can't fight him off and for the time being he's not doing anything frightening, so it's probably best to play along until she can find Gothel again.

So - she can best get what she wants - if she goes with him and finds out as much as she can. Maybe he's right and she shouldn't feel a second's guilt about disobeying Gothel. Maybe he's wrong but well-meaning and she'll be home safe before Gothel is. Maybe he's lying and ill-intentioned and her docility will at least postpone a more open show of aggression, which is all she can reasonably hope for alone.

Rapunzel puts the new stacks of paper where they go in her closet, and starts packing. Blank pages and pencils and her piccolo (it's portable, if she's abandoned somewhere she can try busking or selling it) and there's really no hiding her hair is there - she had a snood for it when she was a child because it became large enough to trip on but not long enough to drag out of the way of her feet, but it was last used when there was only ten feet of the stuff. The fabric surely won't stretch for seventy. She's not going to be able to tuck it into a hood; it's been too long to braid even with Gothel helping since she was nine.

She'll want to pack food, too.

She hooks her hair to the ceiling and rappels down.
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"That looks like a fun way to get around," says Rolan.

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"It's not bad." She starts opening cupboards, looking for anything that seems like it would tolerate being carried around for a couple of days and eaten raw. Bread, apples, nuts, dried tomatoes. She eats a muffin while she's at it. They won't survive much maltreatment but they're fresh and she had been going to eat the one she gave him.

"I've forgotten your name if you ever said it."
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"Rolan," he supplies. "Rolan Quick."

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"I did know the lanterns were for a missing princess's birthday. But I asked Gothel what the princess's name was once and I think all she said was that it started with a C."
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"Claribel. Daughter of Queen Ranae of Corona and King Cearl whose country of origin I don't remember off the top of my head. Might be here, might not. He married in, anyway. Or did you know that stuff already?"

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"I didn't."

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"Well, now you do."

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"Fill up on muffins, I don't think they'll travel well," sighs Rapunzel. She takes another herself.

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"You're right, they don't. But they don't get much less tasty until they're pretty beat up; we could take some along as long as we make sure to eat them first. If we get full before we finish them all here." Nom nom.

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"I guess." She gets another sheet of paper and folds little origami holders for the extra muffins.

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"Nice," says Rolan.

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"I've picked up kind of a lot of indoor hobbies."

Eventually the muffins are all eaten or packed and so is some more miscellaneous food.
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"I'll bet," he says.

"Ready to go?"
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"As I'll ever be."

She left her hair looped up on the top hook. She hauls herself back up. He's going to have to take the stairs.
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He takes the stairs pretty quickly.

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And then Rapunzel sets up her hair for him to go down to the base of the tower on the outside.

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Down he goes! Her hair is much easier than freeclimbing that wall.

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She hesitates, then -

Down she goes, too, bag over her shoulder.
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"If I had hair like that, I'd like climbing around even more than I already do."

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"It's very cooperative. I don't think even if you could get normal hair this long that it would be as good for hauling things."

She looks up at her hair where it's still over the hook.

She could still go back up and call it off and leave him down here.

But she decided that wasn't the best choice and she had reasons.

She tugs her hair down. It falls in a cascade of gold to the grass.

"Lead the way."
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"Yep!" He sets off into the forest.

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Rapunzel follows him, marveling quietly at the unfamiliar view of the scenery.

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"Pretty, isn't it?"

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"Yes. It really is. Although I'll be much less keen if a wolf attacks us."

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"If we run into a starving wolf, I'll fight it off and then you magic me better, deal?"

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"Yes. Can you actually fight off a wolf?"

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"Never tried. I'd expect to be better at it than you, though."

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"Probably. Unless I managed to lasso it."

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"There is that."

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"Are we going to wind up sleeping outside?"

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"Possible but not likely. I know somewhere we can stay the night on the way if we don't make it there by nightfall, and there's even more places to stay once we're actually in Corona City."

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"Okay. I'm not especially fast on foot. I can't really run."

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"I guess there's not enough room to do much running in that tower anyway, except up and down stairs, and you have a way better method of going between floors."

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"If I try to run I trip," Rapunzel explains.

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"Also an explanation."

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"I remember it being true since I was very little even before my hair got so ridiculous, so I don't think it's that."

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"Ridiculous is a good word for it. How long is it, have you measured?"

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"Seventy feet last time Gothel checked it."

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"Well, I'm impressed."

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"I don't know if it's ever going to stop, actually, but it's easier than it should be to move around with it dragging from my head, so maybe it won't be impairing even if it just keeps going. It's been slowing down since I was about fourteen."

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"Now I'm imagining it just keeping on going until it fills up the whole tower."

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"I suppose we'd have to move if it got to be that long."

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"Seems like it doesn't like to tangle, but it would probably be harder to avoid getting it in knots if you had to crawl through drifts of it to go anywhere."

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"It does do best with some maintenance. Which is merely tedious now, but could certainly get worse."

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"Yeah, brushing a couple miles of hair doesn't sound like a picnic. Well, when you're a princess you can probably hire people to brush your hair for you."

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"I think I'd be nervous that someone would cut it."

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"Yeah, you mentioned something about that."

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Rapunzel fishes around above her ear. "If it's cut it -" She finds the lock of short-trimmed hair. "Turns brown and doesn't glow. I don't seem to need all of it for it to work, but if someone cut enough of it..."

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"I see what you mean."

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"So if it turns out I'm a princess I'm going to be very strict about sharp objects near the magic hair."

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"Sensible!"

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"Thanks."

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He smiles at her.

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"It is so strange talking to someone besides Mother."
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"I guess it would be. I can't imagine. If I had to go my whole life only talking to one person I'm not sure I'd survive."

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"...How would that possibly kill you?"

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"It wouldn't, not directly. But it would hurt. I know there's plenty of solitary people in the world, but I'm not one of them. Even if it's just saying hi to them in the street or watching them from a window, I'm a lot happier with people around. I can live without 'em when I have to, but I couldn't do it forever."

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"I don't mind being alone."

Pause.

"Being almost useless was starting to - grate."
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"Almost useless?"

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"I have a lot of hobbies, but most of them just - fill time. Or they're useful a little bit for me and Gothel and that's it, I sew us clothes or bake us muffins or whatever. I don't get to heal huge numbers of people who need it, nobody else listens to the music I write or looks at the art I do, and if I read a book and have a really good idea about how how something ought to be run I can't tell anyone."

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"Sounds like princess is pretty much your dream job."

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"Kind of."

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"Kind of?"

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"By which I mean rather exactly."

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He giggles.

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"The king and queen are good, huh? At their jobs?"

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"Yeah. People are happy here."

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"That's good."

Walk, walk.

"I don't know them at all."
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"Yeah. Well, I don't know them either, but I can tell you things about them if you want."

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"I'm not actually sure if it would be more or less awkward to encounter them with - filtered opinions from a third party."

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"Maybe, maybe not. But I prefer telling stories to giving opinions anyway. I could tell you about things they've done."

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"Okay."
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"They made laws that all children under fourteen have to be sent to school to be taught and fed - out of the Crown's pocket if nobody closer to home is paying for it - and can't be made to work anymore. They shut down the place I came from when it kept trying to dodge the rules - this was a year or two after I got out, so I didn't get that much out of it, but there were kids my age who did. And I went to school a few times before I got too old. They managed to charm the Duke of Orimere well enough to get a trade agreement that cut the prices of some foods almost in half - I can never remember the list, and it was years ago now, but it was pretty amazing at the time. The Duke of Orimere isn't known to be very charmable. And there was a local baron of a couple of villages and a pond who kept treating his villagers like crap after they kept fining him for it, and they got fed up after the third time around and revoked his title and exiled him."

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"I never went to school. I guess that was illegal for at least part of my childhood, then?"
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"Yeah. I was eleven or twelve; you would've been... nineish? I think you can get an exception at twelve if you're in a registered apprenticeship, but somehow I don't think you got one of those. I mean, not that I'm one to complain about illegal things just because they're illegal. But I think those schools are a big help to a lot of kids."

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"I mean, Gothel teaches me things and brings me books, but I was not formally apprenticed, no."

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"Yeah. And the schools are good for other stuff - making sure all the kids get enough to eat even if their family might have a hard time affording it, giving them a chance to tell somebody if something's wrong at home."

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"And - to clarify - most of the kids are neither starving nor having problems at home? I think I have been - either through Gothel's sincere personal biases or deliberate misinformation - led to believe excessively badly of the outside world. Assuming you aren't putting on an elaborate persona of some kind, anyway."

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"Most of them aren't starving, most of them don't have problems at home. Some of them could probably even learn plenty of stuff if they weren't getting taught - you did, I did. But the way they've put it together, it really only works for everything if they can get as many kids into it as possible, even the ones who don't have problems. Because you can't always tell which ones do or don't until you've seen them a few times."

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"Wouldn't the ones who were starving or terrorized act hungry or scared as the case might be?"

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"Sometimes families that don't have enough money for food are too proud to admit it, and it might be the parents who're starving to feed the kids, and hiding it from everybody. And a scared kid might not act scared in front of their parents - they might've learned it's not safe to."

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Rapunzel shivers.

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"It was like that at the orphanage sometimes, that's how I know. The scared thing. Nobody ever went hungry to feed us."

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"I'm sorry."

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He smiles. "Thanks."

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Rapunzel falls silent.

Till she says, "I've never walked this much all at once before. I'm probably going to get tired soon."
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"Well, when you do, we can sit under a tree and eat leftover muffins."

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"Yep. I should have packed more water than I did, though, I think."

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"We can probably find some."

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"How do you do that?"

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"There's plenty of little streams in this forest, and they're safe to drink from. We've already passed one or two - you can hear them when you get close enough."

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"Okay, good."

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Walk walk walk.

"I'm going to need to sit down the next time we find a reasonable spot to do that."
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"Sure," he says agreeably. Walk walk. "That tree looks cozy."

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Rapunzel peers at the tree, trying to determine how it might qualify as cozy.

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It has many soft sittable places underneath it, because of moss and things!

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All right then. She sits. And winds her hair into a loop so there isn't a seventy-foot trail of it through the forest while they're still. She pulls out the paper-wrapped muffins.

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Rolan sits next to her, within muffin-passing distance but not much closer than that.

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She passes him one.

"What were you going to do if the tower had been empty?"
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"Stay a night in it, eat some terrible travel rations. I have terrible travel rations if you want to try them, but they're pretty terrible. Your muffins are much tastier." Nom. "And then I was going to leave in the morning, maybe aim to be out of the kingdom by tomorrow night, maybe not. I prefer improvising to making detailed plans. I can do detailed plans, mind you, but improvising is more fun and responds better to unexpected setbacks."

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"The crown would be easier to sell out of the country?" she guesses.

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"And I would be harder to catch."

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"And now your plan is that I will be welcomed home as the princess and amnesty you for stealing what according to you is in fact my crown."

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"Pretty much. If you don't amnesty me I can, of course, run away. And if they don't welcome you home as the princess - which I'm pretty damn sure they will, but if - we can both run away."

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"I have no strong opinions about the crown yet, so I imagine I'll pardon you for taking it to begin with if I can, although I would be kind of annoyed with you if you made off with it a second time if it is mine after all."

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"I've done all the crown-stealing I feel like doing."

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"How exactly did an opportunity to steal it present itself so irresistibly?"

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"This might take some explaining," he starts. "But I guess we have time. So to start with, I was staying at an inn and my room happened to have a window that was right across from the second-floor window of the famous jeweler's next door, and I happened to be sitting in my room looking out at the extremely limited view when the jeweler got the crown in for a polishing, and I happened to see him leave it right where I could see it while he went into the inn to have a drink or something. There were royal guards outside the door of the jeweler's place, but they couldn't see the window I was looking that, so I guess they didn't know it was open. And it was just such a perfect moment - if I moved right then, I could steal a royal crown. So I did. Out my window, in the jeweler's, grab the crown, climb back across - that was one of the tricky parts, I just barely made it. Nobody knew a thing. But then I didn't know if the jeweler had come back from the inn while I was taking the crown, so it wasn't safe to stay where I was because my room would be the obvious first place to look, and it wasn't safe to leave through the downstairs because if he was still there he might spot the crown in my bag - I've moved stuff around in there since then so it's less obvious, but at the time it was pretty blatantly poking those three points at the top into the side of the bag and I didn't have time to fuss with it and make it stop. This is where the Mud Brothers come in - they have names, I just can't remember them - I'd seen them before a few times that day, they were staying down the hall, and they looked shady enough that they might take a deal like 'I'll give you ten suns if you help me climb out your window onto the roof of the next building over'. Well, they took the ten suns, but they wanted to know what I was carrying, and they suggested I hide out in their room until the search moved on and then leave with them later, and I think I told you the rest."

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"And the chance to steal a royal crown was very exciting, I take it."

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"Yeah. I don't think I would've gone for it if I'd had more time - I would've remembered why they were going to put up such a fuss if it was stolen. But, well, it happened the way it happened."

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"And after I have excused your crown-borrowing you, what, go back to stealing idiotic silver teacups?"

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"Probably. While paying more attention to making sure no one's going to be heartbroken over that particular teacup. Or I might find something else to do, I don't know, I've been a thief for a long time but I'm not married to it."

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"What else would you do?" Rapunzel wonders.

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"Who knows! There's so many possibilities, I don't hardly know how to pick one. Well, and a lot of them are probably harder than thieving. I could be a cook, though, or a half-decent tailor, I know how to do both of those."

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"I can cook, and sew, too. I like cooking better of those. Sewing's slow."

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"Sewing's fun. When I don't have to worry about money for a while and have the time to sit down to something like that, I like to make my own clothes."

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"Did you make what you have on now? I made my dress."

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"It's a nice dress! Nah, I bought this. I haven't had one of those good times in a month or two - I was just settling into one when I dropped it all for the crown thing - and with all the running away I do, it's not often I can keep more than a couple sets of clothes for more than a few months. I always end up in whatever I was wearing when I last ran away."

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"That sounds - disquieting."

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"Hmm? What do you mean?"

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"Not being able to hold onto possessions reliably."

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He shrugs. "I'm used to it. I don't get all that attached to individual things."

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"Huh. I guess. I've lived in - been in - the same building for as long as I can remember. I get used to stuff."

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"Makes sense. I got used to not having any stuff that was mine, as a kid. Just being able to wear clothes I picked out myself was pretty amazing for a while."

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"That sounds really hard."

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"It was, I guess. I don't know. It wasn't the worst thing by any means. I think I'm just the kind of person who doesn't mind that kind of thing as much. Like how you're apparently the kind of person who doesn't mind being practically alone most of the time."

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"Mother's usually home. But sometimes she goes on long errands like the one she's on now. I wouldn't have liked to grow up entirely alone, but I don't think it hurt me, except for the - limited information source maybe."

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"The limited information source definitely seems to have been a thing."

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"I don't know that for sure yet. But I'm - checking."

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"I'm pretty confident by now that your mother was wrong about a lot of things, even on the off chance she didn't mean to be. But I guess you'll see."

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She nods.

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"She isn't - she's not the sort of person where it's easy to believe that she'd lie to me. She's by and large really good to me."

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He shrugs. "People can be nice and still lie. I'm nice to most people and I still lie to some of them. Granted, about things like whether I've seen any silver teacups recently, not so much anything with this kind of - scope."

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"...for which recommendation of your character I have exactly: your word."

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"So? It's the same word you've had all along for anything else I've said. I'm not trying to prove anything about myself, I'm just using it as an example. Saying that I sometimes lie about some stuff but mostly for immediate practical purposes and not anything that big doesn't make me less trustworthy, does it?"

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"I understand. I'm mostly - reminding myself."

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He shrugs. "Okay."

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"Anyway, I'm not sure if I'd actually sum up Gothel as nice? I said she's good to me, it's not exactly the same, I think."

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"Well, what's she like, then?"

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"It's very hard to describe the only person I have met besides myself and you."
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"Tell stories," he suggests. "What kinds of things does she do? What do you mean when you say she's good to you, what kind of good is she?"

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"She does all the errands because I don't leave - except today - and she always remembers to get what I ask for, and things she thinks I'll like. I go through a lot of paper and a lot of books and it's heavy - she managed to haul me a xylophone, in pieces - when I was little I was clumsier because sometimes I'd try to run or dance or something and if I was crying too hard to make my hair work she'd do it for me and kiss me on the head - she tells me precisely what she thinks about things I get up to in my spare time, music or craft projects or recipes, she doesn't lie to me because it might make me feel better - when I don't understand things in my books she explains them to me."

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"Okay. I see what you mean about the difference between 'good' and 'nice'."

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"Yeah."

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Rapunzel slips off one of her shoes and starts rubbing her foot after she's had all the muffins she cares to.

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"You okay?"

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"I think so. It's normal for feet to be sort of uncomfortable after a lot of hiking, right? I don't think I've broken anything. If it gets worse I can heal myself but it won't cure ordinary tiredness."

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"Yeah, it's normal, especially if you're not used to it."

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"I thought so. I read a lot."

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"What do you read?"

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"Whatever Gothel brings me, pretty much. Novels and folk tales and some history and I have an illustrated bestiary of the continent. Some of my sheet music has lyrics. It doesn't exactly substitute for life experience but I know some things like 'one's feet will hurt if one walks a lot and this doesn't imply grave injury'."

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"Useful. Well, not until now, I guess."

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"Yep. I also know a lot of things about plants, but that's not because of books, that's because that's what Mother does for a living is pick and sell plants and a lot of them she brings home to dry or chop up first."

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"Any kinds of plants in particular, or just plants generally?"

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"She looks especially for magical plants, but she knows about non-magical herbs and wild fruits and vegetables too. So she knows what something looks like normally and what doesn't belong and is therefore probably magic."

Pause.

"I guess she could've found a magic flower and noticed it missing."
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"I guess she could have," he agrees.

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"And I guess if she did that, she wasn't exactly looking for a way to get it used efficiently before someone killed it."
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"Yeah."

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"Though this doesn't necessarily say anything about how long she was visiting the flower before people took it for the queen."

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He shrugs.

"—You said something while we were yelling up and down the tower - that if somebody cut your hair you might die someday. Does that mean you won't if nobody does? How do you know?"
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"...She's older than she looks. If she's gone on a very long errand I can tell the difference, and then she looks young again, not even that much older than me, after she uses my hair. I'm not that old yet but I'm assuming it'll work on me too, the rest of it does."

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"Mm. So you really don't know how long she was visiting that flower."

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"...Do I sound old-fashioned to you? I learned to talk from her, we should have similar speech patterns. If she's that old it'd show up."

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"...You sound a little weird," he says. "I'm not sure if old-fashioned is the word I would use, but it does kind of fit."

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"I've asked her how old she is. She said a lady never tells. Is that a thing?"

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"It's a... slightly old-fashioned thing..."

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"There's generally a thing where it's considered impolite to ask a woman her age if the answer seems to be much higher than twenty, especially if she's rich or noble. But I haven't heard 'a lady never tells' except from women who were obviously old."

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"Okay."
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"And - not that I have much direct experience here - from what I can tell, it's not supposed to be impolite to ask your own family things like that. But that could just as easily be different for different people, I guess."

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"I'm not really eighteen yet, am I? We celebrated my birthday a month and a half ago."
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"You're not really eighteen yet. But you will be pretty soon."

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"I suppose I would've noticed if the lanterns went up on my birthday. Even if she hadn't told me what they were for, and then I'd have noticed that she didn't want to talk about it."

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"Yeah."

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"Are they pretty up close? Have you seen them?"

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"Yeah. I have and they are."

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"I guess maybe I'll get to watch this year. Unless they stop doing it when I'm there."

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"If you ask them to do it anyway, I'm sure they will."

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"Is my hair and approximate age my only claim? Do I actually look like either of them, or anything?"
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"Keeping in mind that I've never seen them up close, and they both have brown hair... you do kind of look like Queen Ranae."

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"I've never seen pictures of either of them and Gothel used to tell me I looked like my dad."
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"I'll see if I can find you a good portrait of the queen somewhere."

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Rapunzel nods.

"They're probably going to want to call me Carabel - Claribel? - not Rapunzel, anyway."
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"Well, maybe. What do you want them to call you?"

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"I'm really used to 'Rapunzel'. 'Claribel' doesn't feel like my name at all. ...Rapunzel is a plant she named me after a plant -"

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"...Well, that's... possibly telling..."

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"I mean, it's a nice name, she likes plants, it made sense, but..."

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"Yeah, but."

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"There's kind of a lot of that."

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"Sure seems like it," he agrees.

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"It's like - emotionally I'm struggling to make it click. Intellectually it's almost too perfect, like you tailored the story after extensively interviewing her? But that seems much less plausible than you just telling the truth."
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"I've never met her," he says. "Far as I can tell, you just really are the princess."

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"Yeah. I'm... getting that."

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"Maybe somebody at the Snuggly Duckling - that's the inn we're headed for, isn't it cute? - will know where to find a portrait of the queen. I don't think anyone will have one, but I guess it's possible."

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"There's an inn called the Snuggly Duckling?"

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"Yep. It's got a sign out front and everything. I'd say we're probably more than halfway there."

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Rapunzel stretches her foot and puts her shoe back on.

"I'm probably good to walk the rest of the way."
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"All right." Up he gets. He's fairly tall, so it's quite a bit of up.

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She is not as tall, and a bit slower and more careful about significant changes of position, but presently she is up too and following him through the woods.

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Her and her seventy feet of hair. He looks back occasionally to verify that it's not getting caught on any bushes.

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It is sliding quite merrily along through the forest! It's really nearly as impressive as the healing glowing part.

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"Your hair is kind of amazing," he says.

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"It is. I'm glad it doesn't work like normal hair only longer. I'd pretty much have to roll it up and cart it around in a wheelbarrow."

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...Rolan pictures this.

Rolan cracks up.
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"Also I suppose it would break, and I don't know if that would be the same as cutting it."

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"Yeah. Sort of seems like it's... all one thing, that way. It's magic non-breaking hair and magic stops-working-if-you-cut-it hair, and if it was only the second thing that wouldn't make as much sense."

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"Yeah. I think it's also lighter than it should be, but it's hard to weigh normal amounts of hair to get an estimate of how heavy it 'should' be."

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"No kidding."

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"Do people ever normally have yellow hair? I thought so but it just occurred to me that my sources might all be fairy tales and those might not be reliable about normal hair colors. Mother has black hair, like you, but she's as pale as I am."

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"Hair does come in various shades of yellow - come to think of it, I'm not sure why it's called 'blonde' when it's hair, all the other colours are described more or less normally - but I'm not sure I've seen any as golden as yours. It's usually less... shiny, vibrant, even when it's a similar colour."

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"And you mean when it's not actively glowing."

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"Yes. No one else's hair glows, that I know of."

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"So I guess pregnant women don't often eat magic plants."

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"I haven't heard of it happening another time."

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"If I'm the princess I'm eventually going to need to get married and have children, right? That's also not just a fairy tale thing?"
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"Traditionally, yes. Maybe not if your mother had another kid and they had children, but... well, she hasn't. I expect that if you really are immortal that'll take some of the pressure off, though; the reason you're supposed to have kids is so someone's lined up to be king or queen after you die, so the less likely you are to do that, the less of a problem it is."

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"I can probably not-age, and I can heal from anything that doesn't kill me as long as there's somebody around to work my hair and I still have my hair, but that isn't quite safe forever. But I suppose I have a while."

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"Yeah. Even if you were completely normal, nobody'd be likely to start worrying for another few years, maybe as much as ten. And you're a magical glowing flower princess, so normal rules might not apply."

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"Okay, one thing I don't actually have to start worrying about, I guess."

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"I guess that could be worrying, yeah. I don't know. It sort of depends on whether or not you meet anybody you feel like marrying, doesn't it?"

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"Well, yes, but it depends on that instead of on something I can just - put on my to-do list. I have no idea what fraction of people I will even like. I have met two and one of them was my mother."

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He laughs. "You'll meet plenty of people in Corona City! Well, see them, at least. You don't have to go up and say hi to everybody if you don't feel like it. There'll be people at the Snuggly Duckling, too, but fewer of them."

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"What sort of people besides thieves and missing magic princesses tend to be at inns?"

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"At this particular inn, a lot of sorts of people like thieves," he says. "But generally friendly ones. I've been through there enough times that I know the innkeepers and some of the other people who stay there a lot. At other inns, ones built on main roads instead of in the middles of forests, you get merchants and assorted travelers; the Duckling's far enough out of the way that if someone's staying there, it's as likely as not that they're running away from something."

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"Aren't you currently running from some other thieves?"
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"Not exactly. Close enough, I guess - but they're not local, they won't know anybody; if they find us at the Duckling and want to start something, everyone else is likely to come down on my side."

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"And you're pretty sure none of them are going to - kidnap me and hold me for ransom or try to figure out how my hair works in a destructive or exploitative manner."

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"None of them is going to have any idea that your hair does a thing besides be exceptionally long," he points out. "And I doubt they're going to guess you're a princess, either. If they guess anything about you, it - won't be something that makes them likely to kidnap you."

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"...what would they guess about me, then?"

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"...I'm not sure how much your literature has gone into this, but people sometimes make assumptions about a man and a woman traveling together," he says.

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"Oh, are they going to think we're married?"

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"...Not... exactly... how much has your literature gone into?"

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"...you're trying to avoid telling me something, aren't you."

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"I'm trying to avoid telling you something if you already know enough about it that me telling you won't do you any good and will embarrass us both. If you don't know it, well, it might still embarrass us both but I'll tell you if you like."

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"I don't know what thing you're trying to maybe avoid telling me."

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"...okay, how much do you know about the process of getting married and having children, and the ways in which those things are separate from but relevant to each other?"

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"...I am pretty sure getting married is at least mostly ceremonial? People decide they want to be together for the rest of their lives and stand in particular places and say so in front of other people and there is kissing and an exchange of rings. And as far as where children come from I have been assured that it requires the presence of a gender that did not occur within the tower I did not expect to ever leave so I did not have to worry about spontaneously falling pregnant. It may also involve kissing."

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"Okay," he says. "So. Yes, getting married is a ceremonial thing. It is also supposed to be a precondition for doing the things that lead to children and related activities - kissing is a related activity - but people being people, they don't always do everything in the socially approved way. If we get to the inn and I introduce you as Mrs. Quick, people will assume we're married, if you can call that an assumption. If we get to the inn and I introduce you as any variation on 'my friend Rapunzel', they're going to assume that we're not married but are doing things that lead to children or related activities anyway. Respectable people would look down on us for that sort of thing; the kind of people you find at the Snuggly Duckling might think it's funny and tease us about it, but won't get snippy or anything."

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"...'Related activities'," says Rapunzel.

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"Things that lead to children and related activities are supposed to be something that men and women don't talk about with each other, at least not unless they're married or going to be and sometimes not even then. But, well, I don't see any other sources of information around, so if you have questions I will try to answer them. Just please don't ask anyone else questions about it unless they and the only other people who can hear you are women about your age or older who seem friendly. Adults aren't supposed to talk to children about it at all unless it's immediate family explaining things to immediate family, and a lot of people think it's rude or embarrassing even if the topic is raised among socially approved combinations of people."

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"I am so confused. Maybe you can just recommend me some books and I can read them after the dust settles."
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"I'm not sure anyone has written books about this that will make sense to you given how little you know already," he says. "I definitely didn't find out about it from books."

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"How did you find out, then, from guys around your age who seemed friendly? Since you don't have an immediate family?"

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"I - uh - it's complicated," he says. "The ways I found out are not normal and will not work for you and would not be worth it if they did."

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"I am too confused to even have questions."
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"And I don't know where to start explaining, I've never had to before, everyone else either knows things already or doesn't want to talk about it. Usually both."

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"And you're quite sure there aren't adequate books, so my options besides getting an explanation from you are waiting until I make female friends my own age, somehow, somewhere, or asking the king and queen."

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"If there are adequate books, I definitely don't know where to find them," he says. "Which means they're probably pretty hard to find. I don't know - I think some of the problem I am having coming up with an explanation is that I don't know how little you know and can't think of a way to find out that doesn't run a risk of you suddenly becoming extremely embarrassed or offended. And I don't even know how much of a risk, because I don't know what you know about what or how you feel about it if you do."

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Rapunzel puts her hand on her face and sighs. "Okay, so now I'm aware that you are concerned about this and don't intend any ensuing embarrassment or offense, I'll let you know if you can skip something, does that give you enough leeway to start?"

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"...I can try, anyway. Okay... a lot of the reason why people who aren't married and might not even want children end up doing Things anyway is because they're really fun if everything's going right. The Things and most of the Related Activities involve parts of people that are, not coincidentally, supposed to be covered by clothing at all times in public. And most of them also need at least two people, but there are some Related Activities people can do by themselves."

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At the last sentence Rapunzel goes bright pink.

"Okay," she manages.
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"See, I guessed that might happen," he says. "And now I think I can guess at one part of the explanation I can skip. Do you still want the rest? Do you know enough to start asking questions now?"

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"I'm pretty sure I don't know anything you didn't tell me about - things and related activities - involving two or more are you serious - people except the thing where different genders are required for some reason."

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"'For some reason' is because men and women have different... relevant parts... and Things That Lead To Children are the two kinds of relevant parts interacting with each other. More than two people isn't usual, and it's not talked about much even compared to the rest of this subject, but it's possible."

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...Rapunzel mostly looks puzzled.

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"...Women have a thing that things can go into, and men have a thing that can go into things, and when they go together in the obvious way, sometimes the woman gets pregnant. Is that a helpful elaboration?"

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"...yes."

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"Okay. Anything left that you're confused about and want me to explain?"

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"I suspect I can work out enough to be getting along with from yea much."

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"Okay."

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"And for any given pair of a man and a woman people are going to expect that even if all you say is that I'm your 'friend'."

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"For any given pair of a man and a woman travelling together away from anyone else, or sharing a room at an inn - I can try to get us separate rooms if you prefer for that or any other reason, but the Duckling's small enough that they might not want to give us one each, in case someone else comes along and needs one - yeah, people will expect that. It'll be different when we get to Corona City; people might take 'friends' at face value, as long as we don't conspicuously mention travelling there alone together through the forest. But showing up at an out-of-the-way inn together just the two of us - they're going to make assumptions."

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"Why are they going to do that? It doesn't seem obvious at all."

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"...It's... one of those socially complicated things. I suppose you don't have much experience with any socially complicated things that require a population of more than two. Hmm. I could say that it's - because people are supposed to only do Things with people they're married to, but they don't always follow the rules, people who are following the rules usually avoid doing anything that implies they might not be. Such as for example travelling alone together in the forest where no one else would be likely to see them if they did. So it's sort of assumed that if a man and a woman are obviously in a situation where they could be doing Things where no one would see them, they probably have, because otherwise they would have made sure not to look like they might be."

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"That seems like an awful lot of trouble to go to just to make sure you look like you're following rules on top of also actually following them."

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"I don't promise that it makes sense, but that's what happens. Silver teacup competitions don't make sense either, but they happen too, although not usually with exactly and only two people measuring their relative numbers of exactly and only silver teacups."

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"I was assuming the teacups thing was an oversimplification of some kind."

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"Yeah."

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"But nothing beyond some teasing and assuming we want to share a room will happen if they make this assumption at the inn."

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"Yeah."

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"Okay. I have... no idea how to share a room."

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"The room will have a bed in it. Unless you have other preferences, you can sleep in the bed and I will sleep on the floor, because I've slept in much less comfortable places and it doesn't bother me particularly, and I'm guessing that you don't want to try sleeping in the same bed as someone else. If you don't even want to try the sharing a room part, I can insist really hard and possibly pay extra and they'll give us two rooms. Is any of that helpful or were you wondering about something else?"

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"That's helpful. Trying to sleep in the same bed sounds really awkward. ...Also, Gothel says I talk in my sleep. If that matters."

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"I don't think it'll keep me awake, and I don't see it mattering any other way. I've slept in the same bed with people but usually when Things were involved. In fact, generally, if two people are described as sharing a bed, it's more likely to mean using it for Things than actually sleeping in it."

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"Do people usually not just sleep in the same bed? I mean, wouldn't people be tired after staying in inns together in the way everyone is apparently likely to assume if they don't?"

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"Well, if they're there overnight and all, yes, some sleeping is likely to occur. But when people use the phrase, the sleeping part tends not to be what they're referring to."

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"Oh, I see."

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"You are being what I assume is very indulgent of my presumably horrifying ignorance."

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"I'm not really horrified," he says. "I don't mind explaining things, even when it's difficult and I'm afraid of embarrassing you."

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"Well, thank you anyway."

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"You're welcome."

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"Do you suppose you're unusually nice?"

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"...I'm definitely unusual. Whether I'm unusually nice is a complicated question."

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"What's complicated about it?"

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"Well, 'nice' isn't all one thing. Someone else might have had a much harder time explaining all that stuff, and might have gotten upset about it or refused, but that could be because they're more easily embarrassed and not because they're less nice. I'm more willing to give people money or spend money on them than most people are, but I don't think that's because I'm nicer, I think it's because I think differently about money. And there are people who would say that because I'm a thief, I must be less nice than anyone who follows more laws than I do. I generally think those people are wrong."

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"Think differently about money how?"

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"Well... people who have a lot of money tend to hoard it and then spend it in weird ways - I refer you to the silver teacups - and people who don't have much money tend to be very careful how they use it in case it runs out. But the way I live, sometimes I have tons of money and sometimes I have almost none. I'm used to going back and forth like that, and having to abandon most of my stuff every so often, and never settling down in one place for long. So to me, running out of money isn't really a problem. Or if it is, it's one I can solve really easily - it doesn't scare me, it's not a big deal. Which means if I happen to have a lot of money and happen to see somebody who needs some, there's nothing stopping me from giving some away. And maybe that makes me unusually nice, but maybe it just means that everyone else has good reasons to hang onto their money and I'm just weird that way."

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"I guess that makes sense."

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"And on the other hand, if most people saw the princess's crown through an open window, they wouldn't grab it and run. So maybe that makes me unusually not nice, in that one particular way. But then, if I don't ever do that again, am I still unusually not-nice about stealing crowns?"

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"I think that makes you unusually - impulsive, I guess? Not necessarily not nice."

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"'Unusually impulsive' does seem like a good description of me."

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"Do you do a lot of impulsive things besides stealing crowns, then?"

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"Restoring lost princesses. Dumping traitorous temporary associates in muddy ponds."

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"I'm an impulse?"

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"I could hardly have planned you ahead of time, since I didn't even know there was anyone in the tower. But here I am, taking you to Corona City, pretty much the opposite of the direction I was going to be travelling."

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"There's a difference between - having a disposition that would always lead you to do the same things with a lost princess you ran across, and impulsively deciding to do a set of things with said lost princess on finding her, I think?"

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"Well, maybe. But I think what I have is a disposition to impulsively do whatever seems like the best or most interesting or most exciting or nicest thing at the time, not necessarily in any consistent priority order, not necessarily always just those four things."

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"No wonder you have such an adventurous life."

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"Yep."

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"Is taking me to Corona City the best or the nicest or the most exciting or the most interesting?"

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"Probably at least one of those. It's definitely nice and interesting and exciting, and more of any of those things than turning around again and heading for Orimere."

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Rapunzel giggles.

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"I don't think I'm impulsive, but maybe that will change if I spend more time with things to do with impulsivity."

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"I guess we'll find out."

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"I guess so. After I'm - repatriated - and you've been excused for taking the crown what are you going to do?"

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"I have no idea. Well - stick around long enough to make sure you get along with your parents, I guess, in case you develop a sudden need to run away. I don't think you will, but I don't feel like leaving it up to chance. After that, though... I'll probably do something impulsive."

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"So you'd help me run away if I needed?"

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"Yeah."

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"Thanks."

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"You're welcome."

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"Huh. It really is called the Snuggly Duckling."
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"Yep," he says. "Doesn't that duckling look snuggly? I think it's my favourite inn sign out of all the inn signs I've ever seen. And I've seen a lot."

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"Are ducklings actually soft?"

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"They sure look it. All little and yellow and fuzzy. I've never petted one, so I don't know if they're really that soft or not."

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"It would be disappointing if they weren't."

She's slowing down as they approach the inn. Her hair makes little distinct wsh wsh noises in the underbrush with every step.
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"...It might be a good idea to bundle that up somehow before we go inside," he says, gesturing at the hair trail. "So nobody trips over it or anything."

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Rapunzel nods and starts winding her hair around her arm like it's a spool.

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It's kind of amazing to watch.

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Eventually she has it all. It fits on her arm, but only just.

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All right then. In they go.

There are about eight people in the room - ten, once Rolan and Rapunzel walk in. A few of them look up and smile at Rolan, and then make various other expressions at Rapunzel - surprise, curiosity, and in one case, snickering.
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Rapunzel speaks in a low voice - "Is he laughing at me?"

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"Yeah, sort of. Assumptions," Rolan murmurs back. He smiles back at the various smilers, then heads for the innkeeper, who is over there serving ale.

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Rapunzel sticks close by him, looking around but keeping all her limbs near her.

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It's possible that she might not have the cultural context to identify some of these people as looking intimidating, and they certainly don't seem to react to each other that way - there is a general atmosphere of friendliness. But by most standards, they're a pretty intimidating bunch.

Rolan reaches the innkeeper and requests a room. The innkeeper requests money. An exchange is made. Rolan takes his room key and leads Rapunzel out of the room with all the people in it and down the shortish hallway.
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Rapunzel goes on following him.

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They reach a room; he opens the door with the key; in they go. It's small, but contains the promised bed.

"We can go back and meet some people if you want, but you didn't look like you wanted to."
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"There were several of them."
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"Yep."

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"If you want to introduce me to someone who you think I'd like I don't mind but I don't know if I'm quite ready for multiple people at once?"

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"Okay," he says agreeably. "I like those guys fine, but I don't think I'd particularly recommend any of them to you. Do you want to stay here while I go ask about portraits of the Queen?"

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"Is anyone likely to come here while you're gone?"

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"No, and if I take the key, you can lock the door and the only people who will be able to open it are me and the innkeeper, who is going to be busy out there for a while and has no reason to come into our room while we're staying in it."

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"Okay then. Yes please."

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"I'll go see, then. I'll be back in not too long - probably just a few minutes, maybe closer to fifteen if I get caught up talking to somebody."

He goes.
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Rapunzel investigates the contents of the little room.

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One bed. One chair. One small wobbly table. A slightly dusty floor. A tiny window.

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She inspects the view, and then she takes advantage of the few minutes' privacy to do some writing, since she did bring paper for a reason.

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He comes back after a few minutes, carrying an oval metal case with a little latch.

"Hi. Turns out one of the guys keeps a picture of the Queen with him," he says. "Because she is pretty and nice. He let me borrow it."
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"That's nice of him." Rapunzel holds out her hand.

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Rolan hands her the case - it's only about as long as the palm of his hand. Inside is a little portrait of the Queen.

She looks a lot like Rapunzel, if you ignore the hair.
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"I look almost just like her if I had - short brown hair."
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"Yep," he says. "Even more than I remembered. Can I bring Vlad his picture back or do you wanna look at it some more?"

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Rapunzel is quiet for a long moment, looking, then hands back the portrait.

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Rolan goes; Rolan comes back. It barely takes a minute this time.

"It's all kind of adding up, isn't it?"
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"It has been and it is continuing to."

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"Yeah."

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Rapunzel sits down on the bed, tucks her page of notes into her bag, and hugs her knees.

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...He looks at her.

He pulls the chair a little closer to the bed - about muffin-passing distance, if any muffins remained - and sits in it.
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Rapunzel looks like she's trying not to cry.

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"...Do you want a hug?" he asks quietly.

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She nods.
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He sits beside her on the bed and hugs her.

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She leans on him and gives up on not-crying.

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Hug hug hug. So many hug.

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And a considerable many of crying, too.

She calms down, eventually.
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Rolan is still hugging her.

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She does not object.

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That is good! If she objected, he would stop. But instead of that happening there is more hug.

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"I was raised by a terrible human being."

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"Sure looks like it," he agrees, hugging her some more.

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"And maybe you're lying to me, somehow, but even if you could paint that fast paint doesn't dry that fast - and anyway to hear Gothel tell it the minute I stepped into a roomful of people I should have been torn apart or locked away - it's possible she's just deluded but - I don't think so."

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"Yeah." Hug. Hug hug.

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"We'll be able to see - the king and queen - tomorrow?"

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"Yeah. At the pace we've been going, if we leave early enough in the morning we should be in Corona by midday."

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"And they're not that hard to get audiences with? Girls don't turn up once a week claiming to be - me?"

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"I don't think a girl has ever turned up claiming to be you. I've never personally tried to get an audience with the king and queen, but all the impulsive things I do have left me pretty good at improvising. We'll find a way."

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"Okay." She swallows and wipes her eyes. "It's been a long day, I think I want to just go to sleep and maybe get an early start tomorrow."

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"Okay."

Just a little bit more hug, then.

There. That is enough hug. Now he can let go.

"Ooh, we got two pillows. Can I have one?"
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"Of course." She hands him a pillow. "And this is more blankets than I need too, I wind up in a - nest of hair if it gets cold."

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He giggles. "Okay, I'll have some extra blankets, then."

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She peels off all the blankets except for one sheet and offers them to him, and then she and her hair go under the remaining sheet.

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Rolan makes himself a blanket nest on the least dusty patch of floor he can find, and curls up in it, and goes straight to sleep.

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Rapunzel winds up lying awake for a while, staring at the wall.

Then she goes to sleep too.