She finishes rearranging last summer's leaves of paper by topic, ties them up, stacks them in her closet for reference, goes to lean on the windowsill, and contemplates what to do with the remaining hours before Mother returns.
The options - while the oven is spoken for, anyway - are mostly crafts (assorted) and music (her own voice, her guitar, her piccolo, and her xylophone). She has a lot of crafts, really. Mother understands that while Rapunzel doesn't mind being left alone she does mind being left with nothing to do. At this point Rapunzel is reasonably accomplished, at least according to her own aesthetics since she has no peers to compare against, at: rug-hooking and painting and interestingly layered-and-carved candles and embroidery and pottery and beading and knitting and sewing and other things she's come up with to do with the same materials. Half her books are patterns and recipes and sheet music. Most of the tower is space for her to work on projects, except for Mother's rooms and the family room and the kitchen on the bottom and Rapunzel's bedroom at the very top. She sits in a sling of her hair, hooks it at the ceiling over the empty center of the spiral staircase, and lowers herself down. She nearly enters the studio; contemplates the tub of clay and stops; reaches for her guitar where it's propped on the stairs within reach and stops. She does pick up a stray xylophone mallet and toss it towards the corresponding instrument, where it plunks out a middle C before clattering to the floor.
Maybe it's time to pick up another hobby. Mosaics? There's a collection of glazed, broken shards from past pottery projects and dishes that have fallen, maybe enough that she could chip them into smaller pieces and make something of them. She has plaster left. Or at least start an elaborate mixed-media - something.
That doesn't sound interesting either.
She winds up on the bottom floor in the family room where the stairs end. She sighs and picks up one of the ubiquitous combs and starts draping her hair over the furniture so she can get at it all. This is always something to do. It doesn't get remotely as tangled as it would if it weren't magic - it doesn't really tangle at all - but it still looks and behaves best when maintained, and there's a lot of it.
When she has brushed it all out, and gone back through her studios (via the stairs, since she pulled her hair down after her and can't climb it back up) to note what she's low on and should add to Mother's shopping list, and practiced the tricky part of that one sonatina on her piccolo until she manages it correctly all the way through one time, Mother comes home.
Rapunzel goes to the window, hooks her hair around the relevant protrusion, and heaves the rest of it over the edge. Mother hangs on, Rapunzel hauls her up. Regular hair would suffer some damage in the process - Rapunzel has looked at what Mother leaves on her own hairbrush, how easily it'll snap, how often it's split - but Rapunzel's is fine. Mother steps lightly into the room, Rapunzel gathers her hair in again. They hug. Mother sets down the day's shopping.
"I'll go make the sauce for the beef," says Rapunzel, when she identifies which bag has the herbs, and she slides to the ground floor on her hair again to get started.
And she serves dinner, and Mother tells her about her day, and wants to see what Rapunzel has been working on, and likes the piccolo piece but is less impressed by the morning's half-a-sampler. Mother sits down with some tea. Rapunzel hairs her way back upstairs to write, and is called down fifteen minutes later because Mother is feeling "run down".
Rapunzel gets her a comb and sits at her feet and sings. The whole tower brightens. Mother looks much better.
Rapunzel hugs her again, remembers to offer her the shopping list - she's low on white paint, which is a long trip to fetch, but she goes through a lot of it - and she goes upstairs again.
The next day Mother makes sure there's enough food in the house for Rapunzel for the next three days because she's going to get the paint. Rapunzel hugs her again, while they're on the by the window. "I love you very much, dear," Mother says.
"I love you more," recites Rapunzel, smiling a little.
"I love you most."
And off she goes, down to the lawn, letting go of Rapunzel's hair, saddling up the burro, riding into the forest that surrounds the tower.
Rapunzel hauls her hair back up and goes downstairs to make a batch of muffins or something and design a new pair of slippers for Mother, which she'll piece together later. Mother works very hard to keep her supplied and safe in their tower and Rapunzel appreciates it.
There's always something to do.
Someone climbs in the window at the top of the tower.
He's paying more attention outside than in, because the bottom of the tower is pretty clear on its lack of a viable exit, and this climb is not a climb someone much less limber could make. Is there a floor in there, yes, does it hold weight, yes, good, in he goes.
He realizes his mistake pretty much as soon as he stands up and steps away from the window. It's too clean - there's things - is this someone's bedroom - who the hell lives here, flying forest hermits?
"I'm sorry, I didn't know anyone lived here," he says, sounding mildly alarmed about it. "A ruined tower looked like a reasonable place to spend the night - how do you get out of here, is there a secret door? Because I don't think I can make that climb again this soon. It was hard enough on the way up."
"I'm not that good a climber," says Rolan. "I need like - half an hour and maybe a snack, if I'm going to do that without falling and breaking my neck. Are you saying there's not a secret door? I remain confused about how you get out of here. Or do you farm mushrooms in the basement or something? This is a fascinating look into the lives of flying forest hermits."
He goes for the comfy one, because it's closer and the desk chair is tucked in. Sit sit nibble nibble. "This is a really good muffin, did you make this? - I guess the answer to that might come under 'much of anything'. It's still a really good muffin. I am impressed with you and/or your flying forest hermit cooking staff."
"The flying forest hermit thing," he adds, "in case you're confused, is because when I climbed in here and saw how lived-in it looked, after the ordeal I went through getting up the side of the tower, I wondered who could possibly live here and thought that it might be flying forest hermits. And now I just really like the phrase. Flying forest hermits, kind of catchy, isn't it?" Nom nom muffin.
"Well, there goes that explanation. It's probably possible, though. Lots of things are possible. I could fly down from a height like this, if I had a big enough kite and a clear landing space. I did that once. Wouldn't want to try it in this forest, though, that's a good way to get stuck in a tree and laughed at by squirrels."
Nibble nibble muffin.
"Haven't you ever seen a squirrel? I guess if you never leave the tower you might not have. They have very fluffy tails. I bet they'd be nice to pet if you found a friendly one, but I've never found a squirrel that friendly so I can't know for sure. I did pet a mouse once. Some kid had a pet mouse and they were sitting in the town square together, it was the most adorable thing. The mouse's name was Bubbles. I forgot to ask why. Can't even remember what town it was. Might have been near the capital, but I wouldn't swear to that in a court of law."
"That very well might be true," he says. "And I've been surprised a fair amount in my life, I might be more used to it than you are. Probably you don't get very many surprises sitting in your abandoned tower all day. Probably it's just the occasional squirrel dropping in to say hi and ask if you've got any spare chestnuts. That's a joke, squirrels don't talk. That I know of. I guess they could be doing it where nobody else can hear and we just wouldn't know about it."
"I'm getting the sense that you wouldn't like it if I did, and I don't really have a good reason to. If you want to keep being a very solitary non-flying forest hermit, that's no business of mine. I imagine it gets lonely, but maybe you don't care about that as much as I would. Or maybe you secretly talk to squirrels. Do you secretly talk to squirrels? You don't have to tell me, I bet the squirrels made you swear a solemn vow of silence. On a chestnut."
"Okay." He finishes the muffin. "That was a really good muffin, miss non-flying forest hermit who doesn't talk to squirrels. I have no idea where you get muffin ingredients, but you do amazing things with them. Maybe it's owls. Do you have an owl friend who steals small bags of flour from nearby towns and picks cranberries for you by the light of the moon, carrying them here one at a time in his beak? That would be very impractical. Maybe he has a little cranberry bag that he can carry in his claws. Talons? I think it's talons when it's a bird."
"You're a very nervous non-flying forest hermit. Is it me? People usually don't find me that scary. I'm not cut out for intimidation. I prefer running away. I find it solves almost all of my problems." He sets his satchel on his lap and sighs. "The rest I mostly deal with by making new friends, but all the running away kind of interferes with forming lasting relationships. Maybe I should get a pet mouse."
"Yes I am," he says. "I'm just waiting until I'm steady enough to trust myself getting down that wall again, because my minimum standard for any running-away plan is that it has to be less likely to kill me than the alternative. Except under very special circumstances. Are you the kind of very special circumstances I should be risking my life for?"
"Poor life choices, like I said. I wasn't planning to end up with this. I am a thief, but usually of things that are easier to sell and less sentimentally or practically valuable to their original owners. It practically dropped into my lap, though, so - this is where the poor life choices come in - I took it, and fast-talked a couple of guys into helping me escape, and in the course of that adventure they figured out what I had and demanded a share, which I was fine with. I was less fine with it when I heard them talking about how they planned to hit me over the head, turn me in, collect the reward, and keep whatever they got for selling the crown all to themselves. So, I decided I'd play a little trick on them, and to make a long story short, two hours ago I was being chased by the Royal Guard and a pair of muddy grumpy tough guys. But I lost them all several miles of forest ago, and I managed to lead them in separate directions so the Mud Brothers probably won't get caught in my place unless they're very unlucky. And now all I have to do is find something to do with this crown. Would you like a crown, by any chance?"
"No. I'm getting the sense that you'd be upset about it, and you probably don't have anything that would sell for a substantial amount, and I'm not going to go looking to see if you do because I definitely get the sense you'd be upset about that. In case you're getting the wrong idea about the world beyond your forest hermit tower, by the by, most people's lives are not nearly this exciting. I just happen to be very adventuresome."
"There's kinds and kinds of upset. Most people get annoyed about it if I take their stuff. I don't mind annoying a rich person who did not really need that fifth set of silver-plated teacups. I mind making people upset upset. Which is why taking the crown was such a terrible idea. But trying to put it back would probably be a much worse one, so here I am."
"If I had to guess, I'd say it goes something like this: The first set is to use, so all your friends know you're rich enough to use silver plated teacups. The second set is so you can have bigger silver plated tea parties and impress more people. The third, fourth, and fifth sets are because you keep finding out your neighbour has more silver plated teacups than you."
"Well, see, it's impolite to just brag about how much money you have. The proper way, for those kinds of people, is to buy lots of obviously expensive things and show them off without ever saying that that's what you're doing. And of course, the neighbour saw that their neighbour had two sets of silver-plated teacups, so they had to buy three. It's all very silly, but that's how it works."
"I'm not sure needs is the right word. It belonged to the princess who disappeared as a baby. It's not really doing anybody any good sitting on a pillow in some room of the palace or other and going out to get polished every so often, but the king and queen are probably still going to be pretty broken up about losing it."
"No," he says. "I've heard of babies being stolen - but there aren't that many people in the world who will steal a baby, and even fewer who'll do it more than once, and they tend to get caught if they live close enough to where they took the kid from. I've heard of babies just plain vanishing inexplicably - but mostly just the princess. And someone could have stolen her too, for all I know. It makes more sense than thinking she dissolved into sunshine or crawled out in the middle of the night never to be seen again. The other few times I've heard of a kid just plain disappearing like that, it turned out something else had happened to them and somebody was lying about what."
"Yes," he says. "Both of those sorts of things live in this very forest, in fact, although not a lot of either. You might have noticed that none of them have ever eaten you. Wolves and bears don't usually bother people unless the people bother them first, or unless they are unusually hungry and there's absolutely nothing else around to eat. From a wolf's perspective, people are mysterious and best avoided. Now, sheep, wolves will happily eat sheep all day long if they can get at them. But babies are much harder to get to, since they tend to be kept indoors or at minimum accompanied by other, bigger people."
"I used to be pretty scared of the world, myself," he remarks. "But once I really got out there, I found out that even the scariest things weren't as scary as they used to seem. Maybe it's different for you, though. You don't seem like you'd enjoy living the way I do. I don't get to bake nearly as many muffins as I might if I settled down in one place with a reasonably honest job."
He gets up and goes over to the window and leans out and looks down.
"...Are you sure you don't want a crown? Well, no, maybe I'll come up with some scheme or other to get it back where it came from."
...and about a third of the way from the window to the ground, one of his handholds crumbles away just as he's reaching for the next one. He flails and manages to grab onto the protruding corner of a stone block, which promptly snaps off in his hand. Despite both of these unhappy accidents, he still manages to cling flat to the side of the tower for another couple of seconds, until his satchel slips off his shoulder and unbalances him and he falls.
He doesn't scream or anything - he cries, but very quietly. She won't hear it and she might not even be able to tell by looking, from that high up. What is visually obvious is the fact that both his legs are bent in ways human limbs do not normally bend.
"When she was pregnant! The queen got sick! And someone brought her a magic flower! A glowing! Golden! Magic flower! And she ate it and got better and had the princess! And the princess was born really blonde! And she'd be about your age!"
"I'm afraid of being tied up and force-fed so I don't escape while half-willing soldiers are marched past my hair twenty-four hours a day to keep wars going longer and cheaper and for less reason! I'm afraid of being a bargaining chip in international politics with no say in the matter! I'm afraid someone will chop it off my head and it will stop working and then no one will get to use it at all and one day I'll die! It doesn't sound from your description like the queen's really responsible with healing magic if she ate that flower instead of going to visit it!"
"The queen was too sick to get out of bed! People went and got the flower for her because they like her and they didn't want her to die and leave the kingdom without an heir which by the way it has been for eighteen years anyway! Here's an idea, wait until she's about to die again and then come flouncing into the capital, no one's going to use you as a bargaining chip when they're busy making you fucking Queen! That was a sarcastic suggestion in case you can't tell with all the yelling! It'd work but it'd be a pretty awful thing to do to her!"
"I'm frustrated because you won't see what's in front of you and you remind me of me when I was a little kid! I grew up in an orphanage! They were pretty awful! They told us we'd be worse off anywhere else and I believed them until I ran away and figured out it was much better out here! Maybe you'd think the same thing and maybe you wouldn't but you're never going to find out for sure from in there! And all this yelling is hard on my voice!" he yells.
"So basically what you're telling me is my loving and devoted mother kidnapped me, that I'm secretly the lost princess, that most of what I know about myself is a series of selfish lies - can you see why that would be hard to swallow from a total stranger who only produced this guess after I healed him?"
"Yeah," he sighs, sitting inward-facing on the windowsill with a remarkable lack of concern for the height given how recently he fell from it and his avowed desire not to do it again. "But can you see how - if it's just my word against your mom's about things out there in the world and you just decide to trust her and not me because you've known her for longer, if she is lying you're never going to find out about it? I really, truly don't have any ambitions whatsoever about your hair. I'm just particularly concerned about the king and queen right now because I'm upset about stealing the princess's crown, and they're a good king and queen and I like them and so do a lot of other people, and I really don't think any of the things you're afraid of are going to happen. That's not to say they couldn't, there are people in this world who'd do those kinds of things and sometimes they get their way, but the fact that you're the vanished daughter of some very nice people who also happen to be royalty makes it damn unlikely that the nasty folks would get anywhere with you. They've gotten a lot more security-conscious since losing you the once."
Rapunzel pauses.
"Mother has claimed to have been looking for somewhere safe where I could be - useful without making things worse. Since I asked her to a few years ago. So if she never found anything that would be - "
She pauses again.
"How long would it take to get from here to someplace where I could check to see if the king and queen would also consider my hair evidence that I'm the princess - and if you're wrong about everything how reliable are you at losing pursuers in the forest?"
"Losing pursuers, in the forest or otherwise, is one of my particular talents," he says. "If you're going to be running away from things, you couldn't ask for a better companion. Hmm... the capital's pretty close. Would asking the king and queen themselves suit your need for proof? It would sure suit my sense of dramatic timing, with the lantern festival coming up so soon. I could even give them the crown back, or better yet have you give them the crown back, and then I bet they wouldn't have me arrested."
"It seems like a possibly bad idea to combine returning the very definitely stolen crown with suggesting that I ought to be wearing it. Unless it'll supposedly magically fit only my head, or something. What I want to know is if I can go, and check, and if the answer is no safely get back before Mother gets home."
"It's not a bad idea at all if you return it after they agree that you're obviously their daughter. Timing is key. When is your mother going to be home? Travel time to the capital and back, with a stop in the middle to ask the queen or somebody else for the flower story, should be a few days at most, but if your mom's coming back tonight that's not much help. You could probably get the story from just about anybody in the capital who was old enough at the time to remember it, but I don't know that for sure because the guy I happened to hear it from was one of the guards who helped bring back the flower, so he might have known some details the general public is missing. You can definitely get a good idea of how nice the king and queen are from just about anybody you pass in the street - ask ten people, maybe one of them has a problem, two if you're in a bad neighbourhood. In case that's also something you want to know."
"There used to be a door but Mother bricked over it when my hair got long enough to use the window. I can get you up and down, and I can get down myself - once. If we come back will you climb up with the end of my hair so I can use that? I'm pretty good at maneuvering with my hair and I'm sure I'd hurt myself if I tried to climb the tower proper."
"Yeah, I could do that," he concludes. "I'd want to leave my bag with you, all things considered, but it's doable."
Rapunzel wants:
- To know the truth.
- If a princess, to be a princess - if that's safely possible.
- To be useful to more than two people with her power. If that's safely possible.
She has:
- An at least apparently helpful stranger who did definitely break his legs before he knew what her hair did and probably didn't engineer the entire situation.
- Three days without her mother home.
- Possible princess status.
- Contradictory biographical information, and background knowledge from books about the major historical events of Corona that has been definitely curated and possibly doctored by her mo-
Gothel.
She didn't like it when Rapunzel called her that even though it was never intended originally to impugn her maternal status. She told her to stop. She's her mother and ought to be called that.
But she's got a name, and it's - more neutral. Considering. If little-girl-Rapunzel who never imagined that her mother would lie to her considered it a reasonable term of address then she can use it now without feeling too terribly disloyal.
She has three days before Gothel comes back.
She can get out of the tower, she knows, it shouldn't be harder than lowering herself to the ground floor. Getting back will be harder, especially if her helper is no help, but, well, if she's caught out of the tower she could claim to have overbalanced leaning out the window innocently. She's clumsy enough to do it even if that particular accident hasn't happened before. Certainly she's just seen that her hair suffices to cover for damage from serious falls.
And if her helper is no help, he already knows where she lives and she certainly can't fight him off and for the time being he's not doing anything frightening, so it's probably best to play along until she can find Gothel again.
So - she can best get what she wants - if she goes with him and finds out as much as she can. Maybe he's right and she shouldn't feel a second's guilt about disobeying Gothel. Maybe he's wrong but well-meaning and she'll be home safe before Gothel is. Maybe he's lying and ill-intentioned and her docility will at least postpone a more open show of aggression, which is all she can reasonably hope for alone.
Rapunzel puts the new stacks of paper where they go in her closet, and starts packing. Blank pages and pencils and her piccolo (it's portable, if she's abandoned somewhere she can try busking or selling it) and there's really no hiding her hair is there - she had a snood for it when she was a child because it became large enough to trip on but not long enough to drag out of the way of her feet, but it was last used when there was only ten feet of the stuff. The fabric surely won't stretch for seventy. She's not going to be able to tuck it into a hood; it's been too long to braid even with Gothel helping since she was nine.
She'll want to pack food, too.
She hooks her hair to the ceiling and rappels down.
"I've forgotten your name if you ever said it."
She looks up at her hair where it's still over the hook.
She could still go back up and call it off and leave him down here.
But she decided that wasn't the best choice and she had reasons.
She tugs her hair down. It falls in a cascade of gold to the grass.
"Lead the way."
"It wouldn't, not directly. But it would hurt. I know there's plenty of solitary people in the world, but I'm not one of them. Even if it's just saying hi to them in the street or watching them from a window, I'm a lot happier with people around. I can live without 'em when I have to, but I couldn't do it forever."
"I have a lot of hobbies, but most of them just - fill time. Or they're useful a little bit for me and Gothel and that's it, I sew us clothes or bake us muffins or whatever. I don't get to heal huge numbers of people who need it, nobody else listens to the music I write or looks at the art I do, and if I read a book and have a really good idea about how how something ought to be run I can't tell anyone."
"They made laws that all children under fourteen have to be sent to school to be taught and fed - out of the Crown's pocket if nobody closer to home is paying for it - and can't be made to work anymore. They shut down the place I came from when it kept trying to dodge the rules - this was a year or two after I got out, so I didn't get that much out of it, but there were kids my age who did. And I went to school a few times before I got too old. They managed to charm the Duke of Orimere well enough to get a trade agreement that cut the prices of some foods almost in half - I can never remember the list, and it was years ago now, but it was pretty amazing at the time. The Duke of Orimere isn't known to be very charmable. And there was a local baron of a couple of villages and a pond who kept treating his villagers like crap after they kept fining him for it, and they got fed up after the third time around and revoked his title and exiled him."
"Yeah. I was eleven or twelve; you would've been... nineish? I think you can get an exception at twelve if you're in a registered apprenticeship, but somehow I don't think you got one of those. I mean, not that I'm one to complain about illegal things just because they're illegal. But I think those schools are a big help to a lot of kids."
"And - to clarify - most of the kids are neither starving nor having problems at home? I think I have been - either through Gothel's sincere personal biases or deliberate misinformation - led to believe excessively badly of the outside world. Assuming you aren't putting on an elaborate persona of some kind, anyway."
"Most of them aren't starving, most of them don't have problems at home. Some of them could probably even learn plenty of stuff if they weren't getting taught - you did, I did. But the way they've put it together, it really only works for everything if they can get as many kids into it as possible, even the ones who don't have problems. Because you can't always tell which ones do or don't until you've seen them a few times."
"Sometimes families that don't have enough money for food are too proud to admit it, and it might be the parents who're starving to feed the kids, and hiding it from everybody. And a scared kid might not act scared in front of their parents - they might've learned it's not safe to."
"Stay a night in it, eat some terrible travel rations. I have terrible travel rations if you want to try them, but they're pretty terrible. Your muffins are much tastier." Nom. "And then I was going to leave in the morning, maybe aim to be out of the kingdom by tomorrow night, maybe not. I prefer improvising to making detailed plans. I can do detailed plans, mind you, but improvising is more fun and responds better to unexpected setbacks."
"This might take some explaining," he starts. "But I guess we have time. So to start with, I was staying at an inn and my room happened to have a window that was right across from the second-floor window of the famous jeweler's next door, and I happened to be sitting in my room looking out at the extremely limited view when the jeweler got the crown in for a polishing, and I happened to see him leave it right where I could see it while he went into the inn to have a drink or something. There were royal guards outside the door of the jeweler's place, but they couldn't see the window I was looking that, so I guess they didn't know it was open. And it was just such a perfect moment - if I moved right then, I could steal a royal crown. So I did. Out my window, in the jeweler's, grab the crown, climb back across - that was one of the tricky parts, I just barely made it. Nobody knew a thing. But then I didn't know if the jeweler had come back from the inn while I was taking the crown, so it wasn't safe to stay where I was because my room would be the obvious first place to look, and it wasn't safe to leave through the downstairs because if he was still there he might spot the crown in my bag - I've moved stuff around in there since then so it's less obvious, but at the time it was pretty blatantly poking those three points at the top into the side of the bag and I didn't have time to fuss with it and make it stop. This is where the Mud Brothers come in - they have names, I just can't remember them - I'd seen them before a few times that day, they were staying down the hall, and they looked shady enough that they might take a deal like 'I'll give you ten suns if you help me climb out your window onto the roof of the next building over'. Well, they took the ten suns, but they wanted to know what I was carrying, and they suggested I hide out in their room until the search moved on and then leave with them later, and I think I told you the rest."
"It's a nice dress! Nah, I bought this. I haven't had one of those good times in a month or two - I was just settling into one when I dropped it all for the crown thing - and with all the running away I do, it's not often I can keep more than a couple sets of clothes for more than a few months. I always end up in whatever I was wearing when I last ran away."
"So? It's the same word you've had all along for anything else I've said. I'm not trying to prove anything about myself, I'm just using it as an example. Saying that I sometimes lie about some stuff but mostly for immediate practical purposes and not anything that big doesn't make me less trustworthy, does it?"
"She does all the errands because I don't leave - except today - and she always remembers to get what I ask for, and things she thinks I'll like. I go through a lot of paper and a lot of books and it's heavy - she managed to haul me a xylophone, in pieces - when I was little I was clumsier because sometimes I'd try to run or dance or something and if I was crying too hard to make my hair work she'd do it for me and kiss me on the head - she tells me precisely what she thinks about things I get up to in my spare time, music or craft projects or recipes, she doesn't lie to me because it might make me feel better - when I don't understand things in my books she explains them to me."
"Whatever Gothel brings me, pretty much. Novels and folk tales and some history and I have an illustrated bestiary of the continent. Some of my sheet music has lyrics. It doesn't exactly substitute for life experience but I know some things like 'one's feet will hurt if one walks a lot and this doesn't imply grave injury'."
Pause.
"I guess she could've found a magic flower and noticed it missing."
"...She's older than she looks. If she's gone on a very long errand I can tell the difference, and then she looks young again, not even that much older than me, after she uses my hair. I'm not that old yet but I'm assuming it'll work on me too, the rest of it does."
"Hair does come in various shades of yellow - come to think of it, I'm not sure why it's called 'blonde' when it's hair, all the other colours are described more or less normally - but I'm not sure I've seen any as golden as yours. It's usually less... shiny, vibrant, even when it's a similar colour."
"Traditionally, yes. Maybe not if your mother had another kid and they had children, but... well, she hasn't. I expect that if you really are immortal that'll take some of the pressure off, though; the reason you're supposed to have kids is so someone's lined up to be king or queen after you die, so the less likely you are to do that, the less of a problem it is."
"At this particular inn, a lot of sorts of people like thieves," he says. "But generally friendly ones. I've been through there enough times that I know the innkeepers and some of the other people who stay there a lot. At other inns, ones built on main roads instead of in the middles of forests, you get merchants and assorted travelers; the Duckling's far enough out of the way that if someone's staying there, it's as likely as not that they're running away from something."
"None of them is going to have any idea that your hair does a thing besides be exceptionally long," he points out. "And I doubt they're going to guess you're a princess, either. If they guess anything about you, it - won't be something that makes them likely to kidnap you."
"...I am pretty sure getting married is at least mostly ceremonial? People decide they want to be together for the rest of their lives and stand in particular places and say so in front of other people and there is kissing and an exchange of rings. And as far as where children come from I have been assured that it requires the presence of a gender that did not occur within the tower I did not expect to ever leave so I did not have to worry about spontaneously falling pregnant. It may also involve kissing."
"Okay," he says. "So. Yes, getting married is a ceremonial thing. It is also supposed to be a precondition for doing the things that lead to children and related activities - kissing is a related activity - but people being people, they don't always do everything in the socially approved way. If we get to the inn and I introduce you as Mrs. Quick, people will assume we're married, if you can call that an assumption. If we get to the inn and I introduce you as any variation on 'my friend Rapunzel', they're going to assume that we're not married but are doing things that lead to children or related activities anyway. Respectable people would look down on us for that sort of thing; the kind of people you find at the Snuggly Duckling might think it's funny and tease us about it, but won't get snippy or anything."
"Things that lead to children and related activities are supposed to be something that men and women don't talk about with each other, at least not unless they're married or going to be and sometimes not even then. But, well, I don't see any other sources of information around, so if you have questions I will try to answer them. Just please don't ask anyone else questions about it unless they and the only other people who can hear you are women about your age or older who seem friendly. Adults aren't supposed to talk to children about it at all unless it's immediate family explaining things to immediate family, and a lot of people think it's rude or embarrassing even if the topic is raised among socially approved combinations of people."
"If there are adequate books, I definitely don't know where to find them," he says. "Which means they're probably pretty hard to find. I don't know - I think some of the problem I am having coming up with an explanation is that I don't know how little you know and can't think of a way to find out that doesn't run a risk of you suddenly becoming extremely embarrassed or offended. And I don't even know how much of a risk, because I don't know what you know about what or how you feel about it if you do."
"...I can try, anyway. Okay... a lot of the reason why people who aren't married and might not even want children end up doing Things anyway is because they're really fun if everything's going right. The Things and most of the Related Activities involve parts of people that are, not coincidentally, supposed to be covered by clothing at all times in public. And most of them also need at least two people, but there are some Related Activities people can do by themselves."
"'For some reason' is because men and women have different... relevant parts... and Things That Lead To Children are the two kinds of relevant parts interacting with each other. More than two people isn't usual, and it's not talked about much even compared to the rest of this subject, but it's possible."
"For any given pair of a man and a woman travelling together away from anyone else, or sharing a room at an inn - I can try to get us separate rooms if you prefer for that or any other reason, but the Duckling's small enough that they might not want to give us one each, in case someone else comes along and needs one - yeah, people will expect that. It'll be different when we get to Corona City; people might take 'friends' at face value, as long as we don't conspicuously mention travelling there alone together through the forest. But showing up at an out-of-the-way inn together just the two of us - they're going to make assumptions."
"...It's... one of those socially complicated things. I suppose you don't have much experience with any socially complicated things that require a population of more than two. Hmm. I could say that it's - because people are supposed to only do Things with people they're married to, but they don't always follow the rules, people who are following the rules usually avoid doing anything that implies they might not be. Such as for example travelling alone together in the forest where no one else would be likely to see them if they did. So it's sort of assumed that if a man and a woman are obviously in a situation where they could be doing Things where no one would see them, they probably have, because otherwise they would have made sure not to look like they might be."
"The room will have a bed in it. Unless you have other preferences, you can sleep in the bed and I will sleep on the floor, because I've slept in much less comfortable places and it doesn't bother me particularly, and I'm guessing that you don't want to try sleeping in the same bed as someone else. If you don't even want to try the sharing a room part, I can insist really hard and possibly pay extra and they'll give us two rooms. Is any of that helpful or were you wondering about something else?"
"I don't think it'll keep me awake, and I don't see it mattering any other way. I've slept in the same bed with people but usually when Things were involved. In fact, generally, if two people are described as sharing a bed, it's more likely to mean using it for Things than actually sleeping in it."
"Well, 'nice' isn't all one thing. Someone else might have had a much harder time explaining all that stuff, and might have gotten upset about it or refused, but that could be because they're more easily embarrassed and not because they're less nice. I'm more willing to give people money or spend money on them than most people are, but I don't think that's because I'm nicer, I think it's because I think differently about money. And there are people who would say that because I'm a thief, I must be less nice than anyone who follows more laws than I do. I generally think those people are wrong."
"Well... people who have a lot of money tend to hoard it and then spend it in weird ways - I refer you to the silver teacups - and people who don't have much money tend to be very careful how they use it in case it runs out. But the way I live, sometimes I have tons of money and sometimes I have almost none. I'm used to going back and forth like that, and having to abandon most of my stuff every so often, and never settling down in one place for long. So to me, running out of money isn't really a problem. Or if it is, it's one I can solve really easily - it doesn't scare me, it's not a big deal. Which means if I happen to have a lot of money and happen to see somebody who needs some, there's nothing stopping me from giving some away. And maybe that makes me unusually nice, but maybe it just means that everyone else has good reasons to hang onto their money and I'm just weird that way."
"And on the other hand, if most people saw the princess's crown through an open window, they wouldn't grab it and run. So maybe that makes me unusually not nice, in that one particular way. But then, if I don't ever do that again, am I still unusually not-nice about stealing crowns?"
"I have no idea. Well - stick around long enough to make sure you get along with your parents, I guess, in case you develop a sudden need to run away. I don't think you will, but I don't feel like leaving it up to chance. After that, though... I'll probably do something impulsive."
Rolan reaches the innkeeper and requests a room. The innkeeper requests money. An exchange is made. Rolan takes his room key and leads Rapunzel out of the room with all the people in it and down the shortish hallway.
"And maybe you're lying to me, somehow, but even if you could paint that fast paint doesn't dry that fast - and anyway to hear Gothel tell it the minute I stepped into a roomful of people I should have been torn apart or locked away - it's possible she's just deluded but - I don't think so."