"Four styles of entering the mindscape-or-dreamworld," says Belle. "It doesn't give instructions, just talks about how there's the ones who breathe their way there and the ones who follow their heartbeats and the ones who 'make as though to sleep' and the ones who can do it just by wanting. I'm not sure if these are things people are just stuck with based on who they are, or if you can pick one."
"Maybe. Did the language in the book you were looking at suggest that entering the dreamworld was inherently dangerous? There are lots of little warning flags all through these books."
"Were there a lot of them? Were they clustered or sprinkled through the prose?"
"And they don't obviously break down into meaningful parts or anything?"
"One I think is another name for the Dream-world, or a description of it. The rest, I'm not sure."
She peers at the four methods of mindscape visitation again, reads on until the topic changes, rereads that section, and says, "Well, if wanting a better look at my mind could hurt me, I'd be dead already. I really doubt that wanting it with my eyes closed is going to do me any harm."
She moves to a more comfortable chair, finds a pose she won't feel inclined to move from, and shuts her eyes.
The sustained wanting isn't particularly special.
To start.
And then she gets inklings of something, like the images that appear behind one's eyelids if one presses on them, but more - familiar.
And then it's harder to feel the chair under her.
And then she can't hear the Beast's breathing, or birdsong outside, or anything but her own heartbeat in her ears and her own breath through her throat.
And finally, as she wants her way forward through all this -
another place fades in, just as slowly as the real place faded out.
She floats, in the center of a sphere of rose-vines, if roses grew on prickly vines. The prickles all face out and the flowers all face in. And the roses are every color, and every petal is patterned intricately.
"Whoa," she says, but the instant she speaks the rosevine sphere is gone and the world is back, with no slow fade-out or fade-in, and she finds her eyes open without meaning to open them.
"I got someplace, all right," Belle reports. "It was like a sphere of vines with multicolored roses on the inside - pointing at me, I was in the middle - and thorns pointing out. Apparently I lose it if I talk."
"Good for me. Belle the Enchantress has a nice ring to it. And, more importantly, could make the forest stop moving." Pause. "I'm going to try that again, see what I can see."
She's at it for much longer this time.
The rosepetals have patterns on them that seem to nest infinitely, fractally - and she can see them just as clearly as she needs to, each level of detail flooding into focus as soon as she needs it. The roses themselves open and close in response to what she's thinking about.
It is really fascinating. She's not sure what tidying she's supposed to do - there's nothing here but metaphorical thought-plants, all quite nicely arranged - but she sticks around for a few hours, anyway, re-meditating her way in when she accidentally moves or makes a sound and calls her mind back into the real world.