| Keyword |
Credit |
Times Used |
Posts In |
|
|
art is a matter of subtractions,
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9 |
2 |
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as any good sculptor will say.
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6 |
2 |
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behind and inside (to still-whole things' dismay)
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5 |
2 |
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can you find, where they hide, the pieces and fractions
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10 |
2 |
|
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composing an object worth viewing,
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1 |
1 |
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creating a project worth doing,
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7 |
2 |
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developed by cutting away.
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3 |
2 |
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discipline, then, is the crux and the key,
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3 |
2 |
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elision the foremost objective
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4 |
2 |
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empty your soul through a colander's strains,
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3 |
2 |
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fishing out flaws and rehousing remains -
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3 |
1 |
|
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get left with your brand-new perspective
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2 |
1 |
|
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hello unrecognizable me
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2 |
2 |
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hollowed and broken and melted and moldered,
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3 |
1 |
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ironed and mended and straightened and soldered,
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13 |
2 |
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irritations removed and new graces shouldered.
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1 |
1 |
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is it different for a project than a heart;
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11 |
2 |
|
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is it right to view one as static and lovable;
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6 |
2 |
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is it wrong to see them as growing, adjustable.
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16 |
2 |
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is there a difference in revision and vision?
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5 |
2 |
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it is different, yes, and the difference is art.
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10 |
2 |
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it's not hard to see all the world in these ways
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6 |
2 |
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jagged edges exist to be sanded
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7 |
2 |
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leave off sugarcoated allays, it's
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9 |
2 |
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more proper and right to be candid.
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4 |
2 |
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nothing is gained without forfeit
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3 |
2 |
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not something most people admit, I hear.
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7 |
2 |
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only lovely things are worth loving, my dear,
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2 |
1 |
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so lace yourself into that corset;
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12 |
2 |
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so shave off your pieces that ill fit.
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2 |
1 |
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we'll make you an object worth seeing;
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5 |
2 |
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we'll make you a person worth being.
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4 |
2 |
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