Lily's Dream, Age 7
Lily's angry. She always is.
This time, she's angry because her parents are getting rid of her. They say they're not. She knows they are. Why else send her to some horrible town she can't find on a map, where there isn't even TV service, to stay with a man they've never once mentioned?
They say he's her great-grandfather. That she should respect him and do what he says. Mother is tense the entire drive down, and Lily keeps the anger in her chest bottled up until it buzzes under her skin.
She hasn't even gotten to really bring anything. No books (her parents found out one of them was stolen from the library, so Lily lost book privileges), no games (she stole a Game Boy cartridge from a classmate two weeks ago), not even any music (she didn't even actually steal anything there, but her brother decided to lie; plotting her revenge has been her only source of entertainment that isn't staring out a window, since she's not allowed to talk while mother's driving).
Everything here looks poor and dusty and old, and Lily's skepticism rises. Her perfect rich mother is out of place, here, and her fancy city car is complaining about the pot holes and the dust.
But there'll be an old man on his porch, and her mom won't even get out of the car, and Lily won't turn around to say goodbye -
An old man with wrinkles on his face like mountains, who looks like someone made him out of the dust. An old man who lives alone, joints swollen with arthritis but eyes keen beneath all the wrinkles, with grey coarse hair and threadworn clothes. A house with no AC, no TV - no electricity at all - and water from a well. A house where the only rule is no alcohol is to cross the property line. She hates it, she decides, before she gets out of the car.
She hates everything.
(She'll wonder, months later, while she's seething with anger that her parents have decided to take her back, why they ignore him, why he lives here alone, abandoned by his family when he's spent his whole life fixing things. She'll be in his workshop, surrounded by the pieces of something she's repairing - she'd taken over all these finicky jobs, and she'd started to daydream about taking over the whole shop. She'd been learning how to use the register that last week, and no one minds if she's rude to customers. She'll be sitting cross-legged on the floor, and he'll be at the desk, and he'll look so, so sad, and say - Not a single one of us should have to say a single word to the people who've broken us, little dustbunny. And I hurt your grandmother more than anyone has.)
(She'll stare at him for several long moments, tools held loosely in her hand. And then she'll bend her head and go back to work, and she'll make dinner for him that night with vegetables the neighbor gave her when Lily helped carry in groceries, and when her parents come to take her away, she won't say a single word to them, not ever.)
(But that's then.)
This is now, and now it's several weeks into her stay, and she's scowling at a stupid broken radio because there's nothing to do here except poke things in her great-grandfather's shop. She got bored of stealing a couple days before. No one here reacts, not really. Her great-grandfather's sitting nearby, only half watching her, a weird level of inattention that feels like freedom, not neglect.
"I wish you were here," she says, suddenly, picking up a piece and turning it over in her hands. He dies not very long after her parents steal her away, she knows that, but...
"I'm sorry I'm not, little dustbunny," he says, and his voice is as real as ever. Tired, and a little amused. "I'd like to be in your audience."
Turn. Turn. Turn. "I want you to fix it. Lots of stuff's broken here." She doesn't know at seven what's wrong with this stupid thing; she does at twenty, and her fingers travel of their own accord to repair it. "I think including me."
He looks pained. "I know," he says, voice raw.
"Can you tell me what to do?" she asks. "What the catch is, how to fix this?" She picks up another piece of the radio.
"No," he says. "No one can tell you that, little dustbunny. There's no shortcuts, here, no tricks with glue or thread. Not when something important's broken."
"Then what do I do?" she asks, hands tightening on something metal until pain shoots up her arm.
He's before her, then, kneeling in the midst of what had been a total mess the last time this happened. Then, the only thing she couldn't fix was a radio. His hands, large and dry and cracked, envelope hers.
"You get up, little dustbunny, and you give her hell," he says, and the metal thing slides out of her hand, leaving behind something - else -