Cor checks the blood for wet shine, checks the charcoal marks for gaps, looks in the mirror too, makes sure he has his knife and his little bag of ash.
He chants, he gambles, he - destroys, he destroys, he destroys -
"It's pretty weird. But you can't do that kind of magic in the afterlife, so his hanging around this long is useful."
"Um...sort of for the same reason you can't see the stars in the daytime. The afterlife is made of magic."
"Oh, definitely useful. You can get from any place to any other place effortlessly and block people you don't want to interact with and you don't have to deal with any kind of biological inconvenience and you can read any book ever written..."
"Our god has limited power over the earth, and she makes mistakes, but her heart's in the right place."
"We can probably do it. I'm not sure of all the logistics off the top of my head but it certainly ought to be doable."
"Yes. Okay, I'm going to call some people who are better at logistical math than I am, and they'll ask you questions about your planet's population distribution while I grab some magic people and start on the terraforming and/or pocket dimension problem?"
"Yes, all of the people I know who I would grab for logistics are angels--that's a kind of divine being created by God who are made of the same kind of magic Heaven is and I use, they can do the same language thing I can."
"Convenient. Uh, at some point I should send someone - I currently only know how to send people, not unaccompanied objects - to my world to tell people that my spell worked so they can redirect efforts on that end appropriately."
"Speak Senserke, though carrying a letter would do in a pinch. Find my colleagues and tell them I made it and found help."
"But, like, going through gates doesn't cost destroying-things magic such that I should make sure they can teleport or anything."
"Okay, that's probably going to be an angel just in case, you know, things go extra catastrophically wrong and it becomes advantageous not to care about oxygen."
"Yes, that seems like a good idea."
She closes her eyes and does something that mundane instruments would pick up as an infrasonic high-amplitude humming noise.
A second after she stops, the people begin to appear.
They represent a variety of apparent ethnicities and ages, and tend to fall somewhere on a spectrum from normal levels of expressiveness to oddly blank.