Blues in Candy Arda
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This is noticed. He drops by with a plate of snacks she likes. "Are you planning to unbury yourself for Harvest?"

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"Thank you!" She takes one snack and nibbles accordingly.

"Oh, probably," she agrees, grabbing a second and then experimentally humming a bar and making a face of displeasure. She writes herself a note. "I don't think figuring this out will take me so long that I'll miss it, and if it does I can have it at a decent stopping point in a month or two in preparation."

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"...Festival's in a week."

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"Yeah. This season goes by quickly, doesn't it."

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Wow she has been truly burying herself in work, hasn't she. She should tone it down a little, that sort of thing is probably unhealthy.

"Aheh. Yes - yes it does. Um, yes, I'll be there, I should uh. Clearly put this down for a little while."

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Hug. She's not willing to talk about why she needs a hug right now, but if it's just up for offer, yes, hug, definitely.

"Thanks," she says. "I'll um. Try to take better care of myself in the future and recall that time's a thing that exists."

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"Well, to be fair it's only sort of a thing that exists. But do take care of yourself."

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"Just because we have all the time in the world doesn't mean I should lose track of it entirely," says Calassúrë, smiling a little. "Yeah, I will. Thanks for checking on me."

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"Do I get to hear the song?"

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"It's less a single song and more like a - basic framework of a song that I can adapt into multiple songs that'll combine two magical effects at once." She pauses, evaluates that sentence, then shakes her head at herself ruefully. "Yes, you can hear one that I've made sound not awful. Would you like to hear it now?"

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So she sings.

She's definitely talented, but Makalaurë probably beats her in sheer singing ability. This isn't much of a surprise, he's got everyone beat in sheer singing ability. But her song is interesting, and somewhat paradoxical to itself. It's a novel combination of two types of magical song - healing and calming - and they flow together well; both styles clearly play a part in the song's structure. Below that, there is a subtle and complicated melody, binding the two together. It's unconventional, but still very pretty.

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"Oh, clever!!! I bet this'll be a whole new field, in a bit - you should write up how you designed it! It's lovely, too."

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She giggles and ducks her head, pleased.

"Thank you! I'll probably write up a paper on it once I work out all the kinks, some of the underlying principles aren't quite up to my standards yet? And it sounds impressively awful if you don't take the time to make it pretty after the underlying structure is set. The song will work, it just - you can probably imagine how discordant it can get?"

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"Yeah. It's not that hard to do magic songs if you don't care if they're dreadful, but - we do care if they're dreadful."

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"Yes. I can stomach it during experimentation if I'm trying for an end result that is beautiful structurally? But I do need it to be not dreadful eventually."

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"You've got the structural beauty part down, it was truly impressive. You should still get some Treelight occasionally."

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"Thank you, and - yeah. I'll work on that. Burying myself in songwriting isn't the worst thing I could ever do with myself, but I doubt it makes me super pleasant to talk to."

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"I'm not really trying to shove everyone into being pleasant conversationalists. But -" Hug.

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Giggle, hug.

"Sure, but I like being somewhat pleasant to be around."

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"I keep trying to convince my father it has some things to recommend it!"

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"It makes dating easier," she says, dry. And oh no she made herself sad, quick, time for a distraction from that specific topic. "But also I think there's probably been enough terrible things in the world, I don't want to add to it by being unpleasant."

Yes, good, crisis averted.

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"Did you read the transcripts of Melkor's parole hearing? I'd say we've had enough horrors to have earned nothing but joy and happiness for the rest of forever."

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