Time passes.
Lev's life falls into a sort of routine. He spends his days with Oswald, who panics when he feels like he is restrained in any way, and figures out how to hold him so as not to panic him. They listen to jazz on the radio, and Oswald tells him all about the jazz that has come out in the past decade. He talks to Oswald about anthropology. Sometimes he reads, with his arm around Oswald's shoulders. And sometimes they talk, elliptically and not very coherently, about the people they love who are part of the cult, and about their shared experience of Samson. Oswald can't say very many complete sentences about what happened but it's obvious they experienced the same things.
Oswald is... handsome, and it would be a lie to say that Lev hadn't noticed that, but he doesn't know at all what he wants to do with it. And perhaps more importantly Oswald is the only person in the world who can really understand what it's like-- to be part of the cult and sort of know what is going on and not be as good at lying to yourself as you'd want to be, to be in Samson Trammel's power, to know exactly how bad a person you are, to love someone who loves a God.
In the evening, Lev returns to an apartment with Agravaine and Mordred, or a bit later to a hotel room with just Mordred. Mordred continues to be wonderful. Lev knew he was kind and gentle and patient and willing to rescue him from mental asylums. To this he adds intelligent and insatiably curious and good with languages and an excellent writer. He's a good liar, which is a trait Lev both appreciates and shares, and a good person, which is not a trait Lev has at all but still one he admires.
At night Mordred reads to him and he sits at Mordred's feet not close enough to touch.
And Lev... watches. Notices how good Mordred is at picking up new phonemes. His carefully dropped r's, too-consciously distinguished 'lot' and 'thought', the conscientious way he pronounces 'voice' and 'verse' the same; the loudness, Lev thinks, is natural, Mordred always talked loud and fast like a New Yorker. Agravaine's prep-school vowels and elocution-class consonants, the kind of accent no one has unless they're taught it. Mordred mentions going to college and... it's not just rich people who went to college, Lev went to college... but Mordred has a job and a tiny apartment of the sort a journalist in New York City has and he could probably afford to buy Lev's entire tenement growing up.
He watches Mordred and Gale. He watches the way they almost-not-quite touch; he watches the way Mordred's face lights up when someone mentions Gale, and how happy Gale seems when they're together; he watches the feelings that flash across Mordred's face too quickly for Mordred to even notice them. He knows Mordred and Gale love each other. He does not know if they know. To both of them he drops hairpins: says gay in the right tone of voice, expresses an interest in red ties, suggests visiting a teahouse; the only thing he gets out of it is a red tie and a box of quite bad black tea. But perhaps the words have changed; everything else has.
(The Slide has closed, and there are no more balls, and his favorite cafeteria doesn't have a single fairy there anymore, and in the Lower East Side he cannot find a single man in makeup, and the bathhouses are open but he's never been the sort of fairy who goes to bathhouses, and they won, the purity crusaders won while he was gone, you can drink again but there is not a single place he can go if he wants to meet people like him for anything other than a quick fuck.)
It's been a matter of safety that he track the things he's tracking about Mordred, what does this person want from me and is he in a bad mood today and what can I do to keep the peace. Lev is conscious that if Mordred stops paying for his food he would be selling apples on the street until he starves. Perhaps ten years ago he could have gotten factory work, but he is clumsy and slow and has never worked with his hands and there are dozens of men for every job; perhaps ten years ago he could have sucked dick for money, but he is fifteen years too old to be a punk however babyfaced he is, and the Slide is closed and he doesn't want to try until he knows exactly how likely it is he'd wind up in Riker's. Now he has one hope, a queer who may or may not know he's queer and old money who desperately wants everyone to think he's not, and all he seems to want is for Lev to be happy and Lev knows how unlikely that is.
On Fridays he lights the candles and sings and prays.