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A mother and son try to subvert a utopia... sort of
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"If he was like a son to our Father... does that make me the Adversary's sister?"

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"I'd say a niece."

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"So who's Miraclewoman? Our wicked stepmother?"

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Her children crack wise as Velvet hits its emotional crescendo.

They don't care--of course they don't, they're newborns, they haven't a frame of reference for something like this.

A niggling doubt creeps into the back of her mind: I'm not ready, they're too alien, they're already slipping away.

She strangles that thought in its infancy, before it can be picked up too easily by telepathy.

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They don't have a frame of reference, so she gives them one.

The emotions she's been holding back? She lets them pour forth now.

(Most of them, anyway)

She cries, and she doesn't apologize for crying--not in words and not in thoughts either.

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Summer recalls the relatives Ambrosia lost in the Event. "I'm sorry, Mother. I know it's harder for you to separate your feelings than it is for us. It was a terrible, awful thing."

It does sadden him, it really does. He just had other streams of thought about it that he was exploring.

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"I can separate my feelings if I need to."

She does so.

Ambrosia can't compartmentalize quite as well as a Nephilim, but she's better than most baselines.

"But just because we can doesn't mean we always should."

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"Me and Jess should have thought about you."

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She nods. "It's okay." 

On the screen, the camera has finished panning around the carnage that surrounds Kid Miracleman's final resting place. The shot now lingers, close, on the boys' caved-in face where the elder Miracleman still holds him close. 

"We all start out thoughtless. It takes time to get past that. Time, and effort, and strength." She squeezes Summer's tiny hand in her own. "I know you won't lack for any of that."

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"Maybe we could watch something happier now?"

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"Boo."

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"Don't be childish, Jess."

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"Alright. Let's put on something happy."

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Ambrosia puts on something happy.

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The Little Mermaid is watched. Summer at least is fine with the more cheerful ending--the original was such obvious moral scaremongering. 

 

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Singing off key: "Poor, unfortunate sooouuull..."

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"Go ahead..."

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"Make your choice!"

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"...I'maverybusywomanandIhaven'tgotallday..."

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This film does not spark any heavy conversations. Eventually, it becomes obvious the pair need sleep.

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"I'll get things ready."

Conveniently, Ambrosia has the necessary resources on hand to comfortably put up another child for the night.

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Goodnight Summer. Jess touches in with her half-brother after his mother has tucked both of them in. ...Thank you. It's nice here.

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You being here is nice.

...Has anyone told you about the Plan?

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The one where we stick it to the 'Bloody Socialist Superman'?

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