secondchance
Akibel Mowar is on his way home from the blacksmith's when he spots it. People are shrieking and fleeing from it, which seems reasonable, as it's a fuckoff huge snake with a mirror for a face. A big mirror.
Kib can't so much flee. He can shriek - he can lurch in the direction of the nearest house and try the door - it's locked. He can amble briskly...
He can break into a run when the snake gains on him and fall flat on his face.
And he can get eaten up.
And it's too bright too bright too bright and he flings his arm over his eyes.
Kib can't so much flee. He can shriek - he can lurch in the direction of the nearest house and try the door - it's locked. He can amble briskly...
He can break into a run when the snake gains on him and fall flat on his face.
And he can get eaten up.
And it's too bright too bright too bright and he flings his arm over his eyes.
I like things with power dynamics. If our world had chosen to assign different things power dynamics I imagine I'd be fond of those, and if we were some enlightened society in which sex had absolutely no associated power dynamics then I think I'd find sex no more interesting than any other form of interpersonal interaction.
secondchance
Huh. The fact that I'm not assigning that significance to it doesn't wreck the mood or anything?
secondchance
No, but maybe you're normally in still-greater transports or something, it's not like your baseline interest in interpersonal interaction seems low...
secondchance
All right. I don't have anything else in mind at this time, although I imagine that doesn't guarantee nothing will ever come up.
secondchance
Okay. Then I'd be delighted. Should I sneak in through the window or expect to be carried down the hall?
secondchance
I am not sure I like it as much as you do but I do like it better than climbing through the window.