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"The latest thing I was working on was trying to transmute while moving the transmutation area," says Yvette, because Yvette is very business focused and a little uncomfortable. "Because the area I can transmute really doesn't want to get bigger. I've managed to claw half a cubic centimeter out of it so far but uh, it's sort of like banging my head against a brick wall."

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"Can you do several cubic centimeters in very rapid sequence? One per hand in parallel?"

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"Copying, yes definitely, transmuting, mostly no, depending on the materials I'm working with. Something simple to something else simple I can manage almost quickly. And no, the transmutation's not attached to my hands, I can transmute with my elbow or something just fine, it's a total area, not a per-hand thing."

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"Hm. Can you transmute parts of yourself?"

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"I can copy parts of myself, I've transmuted bits of my hair, nails, venom, and teeth, I haven't tried to transmute skin or anything yet though. But it all works from the same transmutation volume, I don't get a free transmute everything ability for my own body."

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"You can reshape the volume as you like?"

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Nod.

"I can get some distance if I make a very thin line with the max volume stretching out from me, but it definitely needs to start at some part of my body. ... Haven't tried my hair yet. I should probably try my hair."
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"Turn an eyebrow hair into a regular hair," Addy suggests. "Can you join up objects by transmuting the surfaces between them?"

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She attempts this thing, trying to use the hair itself as the anchor for the transmutation. ... This doesn't work. She has to start from skin to transmute it at all.

"Tried the hair, I could transmute it, but the hair itself doesn't work as an anchor. Just skin. Joining up objects depends on the type of surface between them - I haven't been able to transmute air into anything at all, but I've managed to get liquids, so if I submerge two objects in water I can join them up, or if I connect them with a suitably not-filled-with-air substance. I can make air, the problem's that air feels too mobile for me to grab. I've been working on it. I got some soap to mess with the surface tension of water to practice harder things and maybe see about working my way up to air."
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"Hmmm - just skin? What about your eye or your nail?"

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Hmmm! Science.

"Eye, yes. Nail, no."
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"Underside of your nail, into what would be the pink if we were pink sorts of people?"

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"No, but I can work from the part of the nail that's under the skin, which is interesting."
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"That is interesting. Suggests the boundary's fuzzy, and fuzz means you can push it."

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She smiles a bit, and nods.

"I also have been working on some more fine control in transmuting - at first it was just a bland direct dump of whatever copy I made, now I have a bit more ability to pick and choose what I do or don't make."
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"When I had just turned, the edge of whatever transmutation I made was one and the same as the edge of the transmutation area - to get fiddly little details I had to fiddle with the shape of the transmutation area itself. Now, I can just make them in whatever shape I want, as long as it's in the transmutation area. This actually makes it significantly easier to have distance, because before it would always have a little trail of whatever it is I was making leading back to my anchor. I could put it back, but now I don't need to waste my time changing it and putting it back at all. Though it's faster to let the transmutation area be my border if I can."

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"Hmm."

Addy pokes Blair's nose. "Why do you think you have this and not something else?" she asks.
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(Blair is mildly surprised that Addy remembers he exists. He thought they were both too far into the magic nerd zone.)

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"Because I am a highly detail oriented perfectionistic malcontent that wants to make the world better. It sort of, uh, fits."

Blair's power agrees.
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"The world, not specific cubic centimeters of the world. Why so small, so slow? You've got a vampire brain, it could handle a bigger version of the same thing."

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"I'm not sure! It doesn't seem to have anything to do with my ability to handle it. The times that I've worked at getting it bigger it sort of feels like a, a - stretchy kind of hurt? Sort of like I'm overreaching. I don't know what's causing it at all." Pause. "It's annoying."

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"That's very irregular. Some witchcrafts cause mental strain, even headaches, but other sorts of pain feedback - well, on the witch, anyway - almost unheard of. Especially a vampire witch. Hm. Go into more detail on your detail-orientation?"

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"I like knowing all of everything about a topic I'm working on, and having - I suppose control over a situation. Thinking out all of my options, making a neat little to-do list, planning everything out and making sure whatever I'm doing is going to go as well as possible. I can sometimes get stuck, moved to inaction because I feel that I don't know everything or that I might mess up." Pause. "... Now that I've said that all out loud the problem with the size of the transmutation area makes sense."

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"I thought it might. Do you think you could transmute something you already knew very well faster?"

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