"By 'you were only burning your half' you mean 'there was obviously no sense in which that was physically what you were doing', right?"
"A different pile in a different building," he clarifies. "The fire never got out of the warehouse. It wouldn't have been as funny if I'd burned their money too."
He enters the underground parking garage of a decrepit-looking apartment building.
"Congratulations. You want a slice of cake with two letters from 'we'll all miss you at the office' on it?"
"You're such a charmer," he says, half-giggling every word. "C'mon, we're almost at my place, if you wanna give me cake you can do it there." And he resumes progress toward the back of the garage's top level, where he parks.
Cam lets himself out of the car. He seems to know how cars work, despite being a demon from the future.
The Joker leads him to some stairs, and up the stairs to the roof of the garage, and across the roof to where someone's living room window has been slightly modified to swing open like a big glass door. In he climbs, whistling.
Cam follows him in. "This where your friend is due to meet you? At some point?"
"All right. I would like to get on finding the nuke relatively promptly, but I guess I don't know what I'm going to wrap it in yet."
"Part of the reason I wanna introduce you is so you can have somebody along who knows the city and the situation but isn't as eye-catching as I am," he says. "Even if I took the makeup off, these scars are pretty famous by now." He taps his cheek illustratively.
"I could fix 'em - but I'm not sure I am disposed to and since I'm not an angel it'd be more unpleasant than getting them in the first place was."
"Getting them in the first place wasn't exactly unpleasant," he says serenely. "Fixing 'em up would probably be just as much fun. But I like 'em, anyway, and I get by okay like this. I'll ask you for it if it seems like a really good idea for some reason, but I'm nnnot jumping at the chance."
It's clean, but cluttered - playing cards litter the floor, although most of them have been swept under furniture, and there are piles of assorted sharp objects on two of the three small tables in the living room. (The third doesn't have room for anything other than one ancient-looking TV.) There are mysterious stains, scratches, and scorch marks around the front door. The kitchen, adjoining the living room and separated only by a long counter island, is by contrast completely immaculate.
He looks at the Joker.
He looks at Cam.
He looks at the Joker.
Nom churro nom.