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"You disagree?"

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"Well, I agree that everyone on the continent dying is bad, but commanding ridiculously powerful supernatural entities could also do really bad things and I don't know the scope of those things. Isn't there anyone besides Ulmo who'd know more?"

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"It's not just the dying, orcs are bound to serve Melkor and you could help all of them. I don't know who'd know more. Huan's dead. Melian's dead. Everyone is dead."

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"We have probably at least a few decades to think about it. I was going to let you heal insofar as you can before we even think about it."

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"Okay."

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Is she done eating by now? He's getting tense again.

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He leaves.

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She goes to her music teacher.

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Who has dug up lots of old symphonies and is happy to work through whatever she's interested in.

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Cool.

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They spend the day on magic songs. He also shows her some of the ones where the shape of the magic is determined by the singer. By the end of the day, she can do visual illusions, though not as gripping or detailed as his.

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She couldn't do that with sorcery! She'd have to cheat with a bunch of fairylights. This is cool.

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He seems delighted to have a student with a fairy voice, if nothing else, and doesn't even notice when it's gotten dark.

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She does. "Good night," she says, and she goes back to her room to have dinner.

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He brings dinner. "Do you not require protein or anything?"

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"...Huh?"

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"Food. Does it need to have specific nutritional content for you, or is that like the idea that meaning attaches to sounds when people speak?"

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"...There's foods with medicinal properties? I'd get bored if I ate nothing but one thing, maybe unless it was haws from my tree? What's protein?"

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"...do you know any chemistry or physics?"

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"Not really? Just commonsense stuff I picked up from learning transmutation, and, like, 'if you drop things they fall'."

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"We can't do transmutation, so I don't know what you'd consider common sense."

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"Metals are more like each other than they are like other things, so it's easy to transmute a metal into another metal, that sort of thing. Mercury's harder because it's liquid."

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"Oh. All right. In this world there are about eighty fundamental kinds of things. Metals are many of them. We call them fundamental because you can isolate a single tiny essence of them - the smallest aluminum, the smallest gold, the smallest oxygen - and then so far we can't break those tiny essences, and we think that if we did we wouldn't get an even smaller aluminum, we'd get something else entirely.

Now, if you take all eighty things - some of them only exist in Valinor, so it'd be hard, but if you did - and you write up their properties, you get certain regularities. In particular you get regularities in how they link up with each other and with other things. Metals are kind of a category of regularity. So are gases. To make this simpler than it really is, the regularities come from how many other things they'll connect with - like, imagine everyone has arms and they use those arms to catch hold of other essences. Carbon has four arms. Helium doesn't have any.

Most of the world is made out of essences holding hands, or floating around freely if they're the kinds with no hands. They're only stable if everyone has all of their hands occupied. Does all that make sense?
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