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"Yeah, guess so. It never came up with water or earth - they're heavier, I guess, not so easily perturbed by a little wind to stabilize me."

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"Yeah. But fire, well - fire moves. So," he says, "try that again - you can step back a little closer to the sink first if you want, I won't laugh - and this time, pay attention to both elements, and try not to let them conspire against your shirt. It's a perfectly nice shirt and doesn't deserve to catch fire."

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Beila steps closer to the sink, refills her bottle, throws the punch a few times at full speed without fire to get a closer look at what she's doing with the air, and then - tries again. A modest little tongue of flame, which does not deviate from its path, is produced.

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Jun applauds.

"There we go," he says. "Do it again, but put more force into it. Try to really feel the fire."
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"I was keeping it underpowered in case I was wrong about how the air interacted," says Beila. And she does it again. With more force.

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"Good idea," he says, "bad habit. There, that's much better."

He corrects her form a tiny bit, then has her repeat the move.

"Are you getting a sense of the element yet?"
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"In the sense that I know the difference between how I punch fire and how I punch air, now. But that's not much. Why is it a bad habit?"

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"Underpowering your strikes to get less fire seems logical, and it works just fine as a beginner, but if you rely on it now it'll come back to bite you later when you're learning control. Watch."

He does the same punch three times. One releases the same narrow bolt from earlier, and this time it splashes against the far wall, leaving behind a pretty star-shaped scorch mark; the next produces a teardrop-shaped plume of flame that reaches six feet in length before finally dissipating; and the last barely coughs out a candle's worth. The motion of his body is almost exactly identical all three times, crisp and forceful in the classical firebender style.

"You'll learn how to do that eventually," he says. "And before you do, if you have to control it another way so you don't light yourself on fire, that's fine. But keep in mind that it's a bad shortcut, and don't do it any more than you have to."
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"Okay. Maybe I should just do this wading in the ocean or something when I'm practicing on my own."

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He laughs. "That's one option."

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"Man, if I had started anywhere in the Cycle that had me doing fire before water, I would be so scared to work with this," laughs Beila, shaking her head. "Without a healer on hand, anyway."

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"Good thing you didn't, then, isn't it?"

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"Yes. Especially since I need air to do anything else." She tries the punch again, full power, carefully confining her helpful winds as close to her arm as can be so they don't disturb the flame.

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"Very nice," Jun approves. "That was almost three feet. Try it again."

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Again, and again.

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"You're spreading out," he observes. "See how the flame gets much wider by the end? Try to narrow it down."

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Beila bites her lip, and nods, and stares at the point she wants to aim her flame at, and allocates some of her brainpower to the control of her half-conscious air -

Punch.
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If the flame is any narrower this time, it's not noticeably so.

"Try again," says Jun, undeterred.
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Beila tries three times in quick succession.

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By the third, the flame is starting to narrow a little.

"Good!" says Jun.
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"Well, I am supposed to be a prodigy," laughs Beila, and she does it again, and again, switching hands each time.

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"Considering that you've been working with an extra element this whole time, I am very impressed," he says. "Pay attention, now. Can you feel the difference between a strike that goes narrow and one that goes wide?"

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"Something I'm doing with my arm or something I'm doing with my brain?"

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"More your brain than your arm, but more the element than either," he says. "It'll be something you're doing with your brain when you learn how to control it. Right now it's doing its own thing, and your job is to figure out what that is."

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"...Rephrase that?"

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