She laughs. "Okay then. For somebody pushing forty I guess he's crushable. You just telling me for my information?"
"Well, I mean, I'm not planning to dash backstage and ask if he wants to make out with me," he laughs.
The next day, after she lunches, she flies Liqing back to the venue and goes looking for Jun. Shifu Jun, she supposes.
"It's not the comfiest," he says, "but it does the job. Have a seat."
"Something tells me," he says, "that you're the type who'd rather know the point of something before you do it. Am I right?"
"Yes. Not that I was, say, annoyed with Shifu Riko for taking me to your show as a 'celebration' without explaining the ulterior motive, but if it's going to be something I spend lots of effort on, absolutely."
"I figured," he says. "So I'll explain. Have you ever thought about why the four kinds of bending developed the way they did? Why there are such specific styles of movement associated with the original combat disciplines, and why they all stayed more or less constant for thousands of years?"
"I think it must have something to do with how the elements themselves move. If I want to bend sand, I can use a lot of loosely adapted waterbending forms -" She uncaps her sand bottle, pulls out half the sand and conducts it in a loop around herself and back into the bottle. "Even though that's earthbending, and a waterbender besides me couldn't do it. And metalbending's different still, although it's not so much like anything else I'm familiar with."
"As far as I can tell, and obviously I can't speak directly for the other elements, that's just it. The classical forms are the easiest, most efficient, most effective interface to their elements, because they each use the kind of movement that their associated element understands the best. I didn't know that about sandbending, actually, but it fits my theory pretty well. Which brings me to why you're going to learn classical combat firebending. What I want to teach you with it is the kind of deep understanding of the element that lets me play pretty tricks with it all night long. But you're not going to get that any other way than with practice, and the best way to practice firebending is with the classical style, because it's the most direct contact with the element you're going to get short of setting yourself on fire." He flashes a smile. "Which I don't recommend."