The creatures have no particular fear of elves, but nor do they seek them, and none of her party have been attacked; she feels safe enough traveling through the forest on her own, stepping lightly, looking for the sweep of the treeline and any springs that might be useful for settlers if elves settle here. Besides, she is a student of the small magics, some of which may be cast quite rapidly if there is need; she could frighten away an animal that took too much interest in her. The ribbons tied around each of her knees and ankles (blending seamlessly with the rest of her travel outfit) are some of her finest small magic, guiding her steps so that she may place her feet as elves ought to be able to and bring no embarrassment to her House. They don't make her truly graceful, but she can walk, and care will do the rest.
She's deep into the forested part of the Unknown Island when she starts finding statues. Old statues. The trees have grown up around them, it looks like, they've been here that long; they're worn and weathered and have lichen growing on them.
And they're all of unicorns.
The oldest sculptures are none too skillful, but as she proceeds inward towards the center of the island, they become newer and better and it's plain to see that they're not of unicorns, but a unicorn. A unicorn with a broken horn; this is not, it soon becomes apparent, random damage to early statues. Someone has carved a specific unicorn, dozens - hundreds? thousands? - of times. And the art has been made with such intense love, and the newest of the statues are so delicately done that they look almost like real unicorns, with all the magic that implies, though they hold still and are on closer inspection all still carved from stone.
Someone loved this unicorn, and lived on this island, and made a thousand statues of her, and now the place is inhabited only by giant animals that certainly could have done no such thing. Isibel wonders what happened to the sculptor. To the unicorn, too.
On she walks.
"We spoke of speaking," Isibel says. "He can count to twenty, and name dragons and unicorns and elves, boats and islands and the lights of the sky, and make intelligible sentences of them."
"I am not surprised," says Isibel. "He did not tell me what they were; perhaps we have not ventured into the necessary vocabulary."
"While a life without surprises would be dull, I believe I could happily pass my days without that one, were I warned in advance," says Isibel, equally dry.
In the morning, Isibel returns to the forest with a fresh notebook and dressed in one of her more conservative outfits, not that she was particularly daring yesterday, and looks for her demonic pupil.
She waves. At some point today she's going to ask him if he wants some clothes. She'll introduce the relevant vocabulary. But not first. "When the sun was down, at night, I slept," she says, miming sleep. "Now I am awake again." She opens her eyes. "And I am here to talk to you and teach you my language." It feels inane, but how else is he going to pick up conversational fluency?
"Elf sleep," he says, and makes a squishing-in gesture with his hands. "Elf sleep night."
"Elves sleep at night," she corrects. "Elves sleep during the night. I am an elf, so I sleep at night."
"Elves sleep at night," he repeats. "Elves sleep at night, sleep at night, sleep at night," with successive gestures perhaps meant to indicate successive instances of this activity.
"Elves sleep every night," says the demon, nodding. "Dragons sleep..." and he spreads his hands, highlighting the gap in his vocabulary.
"Dragons sleep when they are bored," says Isibel, and for effect she looks with utter disinterest at a tree and folds her arms and taps her foot.