It's tricky. Getting into and out of her rose-sphere is routine after a few days, but she still hasn't uncovered an explanation of how channeling works, though she's been informed that there are three options for how to do it (by herself, through a willing helper, or through an unwilling helper). Unlike the fourfold options for reaching the Dreamworld, this does not tell her how to begin fumbling towards a practical understanding, even though she can rule out the last one just on the basis of its description.
Beast can only do so a tiny bit of reading per day, and her pile of books that she can read shrinks much faster than his. She combs the library for multilingual dictionaries, so she can pick her way through the titles of the foreign-language books and at least prioritize them before handing them over.
Finally something in an obscure language that even Beast can barely read - Belle has to look up a lot of words - explains the channeling in a way she can understand.
"My impression of her sanity only drops over time. Did she at least include him? Has he got his own hiding castle somewhere?"
"So," Belle says, turning to her notes, "my impression is that I'll be able to handle it for small spells - anything in the Hedge-witch book, probably, I can look for my father first once I know how to turn having decided on a channel into being able to channel a spell through same - but I don't think I'd be able to hold together any more significant concentration through the medium-sized magic, let alone the larger things that I might need to do to disenchant the castle."
"And all these books are very sure that it's bad to lose concentration on a bigger spell, though none of them will tell us how."
"There are plenty we haven't dug into yet," Belle points out, "but yes, it's something I'd like to avoid finding out the hard way."
"We keep looking," she sighs, "so we'll at least have the option of disenchantment, maybe, when I've learned enough. The effects of willing channeling through another person aren't permanent, and from what you've told me, failing at breaking this curse is."
She reaches for a new book.
And finally she finds some usable instructions - in language she can read, even - about how to channel in each of the three ways. "Excellent," she says, setting about turning this book into notes.
The part on channeling through oneself is first. Belle reads it first.
To channel through oneself, the enchanter approaches his (many of these books, despite their own illustrations, seem convinced that all magic users are male) Dream-world from the inside. He must make a Dream-gate at the borders of his mind, bring power through himself from whatever source he chooses, and channel it out of the gate and into the spell.
Make a Dream-gate. Ooookay. That's helpful. Or, no, there's more detail in there. Now she just has to figure out how to connect to the Sky or the Earth or the Will or the Heart. Perhaps this book has something on that, too?
The Heart refers to emotions, her own or other people's - apparently using either the caster's emotions or the channel's is most efficient, but anyone present or connected to the spell can work. The Will is the caster's intentions, which if properly focused and sufficiently strong can power some small spells all by themselves.
That's Heart-powered.
That's all right. She can summon up strong emotions about her father if she needs them. They haven't been useful before now.
There are further explanations of how to connect to each of these power sources, starting with Will, which is apparently the easiest; the caster need only focus very hard on the desired goal, and the power will become available to send through the Dream-gate. Similarly Heart, using one's own emotions, is just a matter of keeping the emotion and the spell in focus at the same time.
Using someone else's emotions is trickier. Apparently you have to touch their mindscape. There is a separate chapter on how to do that.
She reads the instructions for the hedge-witch spell, "translating" them into her own words until she's sure she understands them all. She thinks she gets it after the Dream-gate part. She'll have to have another look at her rosevines with that in mind.
She noticed the flowers, and the prickles, but she hasn't paid a lot of attention to the vines. But they're nearly as interesting as the blossoms, on inspection. There are - sections. While some vines from each section cross into each adjacent section, it turns out that each vine forms a complete circle with itself if she follows it patiently enough, and most of them do this over a small enough area of the sphere to help define regions.
And here is a bit of a gap, neatly crisscrossed vines around it, that would make a decent gate, she supposes, if it would only -
The vines move, when she considers it. The gap widens.
She's not sure how big it's supposed to be, but if she wills the spell to work, maybe something suggestive will happen...
A flower close to the gap bends its stem towards the outside of the sphere.
Belle makes the gap exactly large enough to comfortably admit that rose, and she focuses on her spell, and -