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No response.

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Well, she can fly too, she flies up and grabs hold of his avatar and pulls him down so he won't fly into the yonder forever.

His wings stop flapping automatically when she lands them. He just stands there, animated blinking at regular intervals.

And then his colors change. Silver first, all his feathers going at once, and then there's a line of dots down his throat, appearing one at a time.

Red red blue.

Bella has no idea how this is supposed to be happening, but it's clear enough. She logs off and shuts her desk and paints a path.

And she runs.
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The path leads her into unfamiliar territory. Unfamiliar and not densely populated. By the time she reaches the end, there's no one around except six yelling older boys and one yelling not-so-older boy.

Three of them have Suicide Watch on the floor while two stand lookout. The sixth and oldest is also on the floor, not visibly marked but screaming in pain loud enough to drown out the younger victim's quieter bawling. No one involved is emitting coherent words.
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That's a lot of kids.

Bella's faster than them, and while she's not stronger, she does know exactly how hard she can force her hand into something without breaking any bones. Everyone else has to deal with instincts designed for conservatism in the savannah.

She bypasses the lookouts, tumbling in a sudden roll between them and springing up to strike one of the ones issuing the beating in the ear. She can't just haul them away, she's not that strong - but she can hit, she can straightarm that one in the ear hard enough to make his head spin and elbow the other in the nose hard enough to break it and force them back and then stand astride her friend, defiant, facing them all with her hands up and ready.
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Her friend curls up tight and weeps softly.

The screams of the oldest boy trail off; he jumps to his feet and points accusingly at Suicide Watch. "He got me!" he yells. "The fucking mutie got me with some kind of fucking mutie torture ray!"

Suicide Watch does nothing to answer this accusation. The other boys draw into a tight knot around their newly risen leader, looking warily at Bella.
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"Get a teacher, tell it to him, I'll wait," says Bella levelly, not lowering her hands. (There are no female teachers. And fewer than two percent of the Battle School students are girls.) "I'll tell him what I saw, and I'll tell him how I knew to come here, too, how less than a minute ago I know my friend was playing on his desk and you've had him at least that long."

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Their leader is still not quite steady on his feet; he hangs back.

But one of the boys who was tormenting Suicide Watch has apparently not had enough yet, because he springs for her.
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She's faster. She dodges his hands and punches him in the throat. The copper contacts on her knuckles leave little bleeding divots, but most of the damage is from the impact; he's going to have trouble breathing for a minute there. "Anyone else?" she shouts. "You want a six-year-old girl to beat you all up?"

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With a general snarl-and-mutter, the cluster of boys drags its wounded away and leaves them in peace.

Well. Bella might be in peace. Suicide Watch is still in tears.
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She crouches beside him. "How bad did they get you? Do you need the infirmary? If you can't walk, I don't think I can carry you but if you took off your uniform I could maybe drag you on it." (She's gotten fairly accustomed to nudity since starting school here; little boys run around naked all the time and this was only funny for five minutes.)

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He whimpers and uncurls just far enough to cling gently to her leg.

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"It's okay. It's okay, they're gone, I scared 'em off, the game told me where you were somehow," says Bella. He can clearly move; he's not bleeding much; he's probably not dying.

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He presses his face against her shin, sniffling.

And then does it again, and again, like a kitten who wants to be petted or an animal who doesn't understand how to move around an obstacle.
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She tries patting his head. "It's okay," she says again. "They're all gone."

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"Hurts," he says at last, and he slowly lets go. "Be okay, though."

He looks up at her, and reaches up wincingly to touch her chin, then tucks his hand against his chest again.

"I'm. Think I'm a. Telepath," he says, slowly and with difficulty.
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"Oh," she says. Well, she doesn't have to be scared of telepaths, even if the idea is weird to her. "Can you walk? You need to go to the infirmary."

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"Lemme try," he says, and starts laboriously climbing to his feet.

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She helps him up. "You can lean on me if you have to," she says.

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He leans on her.

But, with her help, he manages to both stand and walk.
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She paints a path for them to the infirmary (white red white) and takes him there. "Why do you think you're a telepath? What happened?" she murmurs as they go.

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"Most of the older guys, if I shit-talk them a little they think it's funny, they leave me alone," he says. "These guys I guess not. They started in on me. And then... it was like I was yelling in his face, but with my mind. Yelling how they were hurting me. But I guess he was too busy screaming to figure it out, because they all piled on me like they thought if they hurt me enough I'd stop."

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She's got her arm around him; she squeezes a little, not enough to hurt him where he's injured.

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He drops his head onto her shoulder briefly.

"Hey, thanks for rescuing me," he says.
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"You're welcome. Do you have any idea how the game knew to tell me?"

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"Nope," he says.

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