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"Good hobby," he says cheerfully.

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"Passes the time."

(She is getting tired enough to notice, now, although not tired enough to slow her down.)
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"Feel free, then," he adds.

And what better way to help than to keep pushing those instincts into corners where their reactions are predictable to him?
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"Well, usually," (duck spin swat) "it involves me sitting alone in a room" (sweep-kick block catch throw) "with a notebook, first" (ouch back up and punch) "but this'll be valuable material for it when we're through."

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"Pleased to hear it," he says, evading a punch and then catching her hand to draw her forward and off balance. "It is also," stepping back out of the way of her counterattack, "quite a lot of fun."

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"Yeah, I can see the appeal. I wonder if I'm going to be sore in the morning or if I'll just fix up overnight?" she says, still interrupted by the occasional wind-knocking-out or roll or that one time when she goes ahead and bites his sleeve but overall getting the hang of carrying on a conversation while in whirling violent motion. "I know I heal a lot faster but I don't know how it holds up against the kinda muscle tearing vigorous exercise causes."

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"No predictions," he says cheerfully. "Do let me know."

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"You'll be able to tell by whether I wince or not when you come by and it is time to do this again."

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"Of course I will. But that does not make your observations worthless."

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"I suppose I'll have more precision available. I am starting to get tired but I'm not actually sure if that's physical exhaustion or it being late. There's no clock in here. Hang on a sec while I get my phone?" she asks, executing a throw that, if allowed to land, ought to send him flying into a wall and give her the leisure to do that regardless of permission.

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Sherlock politely allows her to fling him into the wall.

"By all means," he says, remaining where he is.
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She consults her phone. "Not quite bedtime, but close enough that it's probably a good place to stop and head home," she says. "You escorting me?"

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"Of course."

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They are not attacked on their way to her house. "See you tomorrow," Bella says cheerfully as she parks the truck and hops out.

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"Au revoir, Juliet."

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The next day, Bella uses much of her lunch and study hall, and about half of her afternoon, to notebook through her instincts. They are weird to take apart - not hard to see, but hard to write about, and she winds up inventing just shy of thirty new portmanteaus and onomatopoeias to be able to write coherently about everything that turns out to be installed.

She picks her Slayer skills apart. She finds things that do not make sense in among the good reflexes; the killer instinct, the subtle drop in self-preservation that she imagines was installed to match her regen. (She is not, happily, sore in the morning.)

And - like they are just waiting to be edited, like they know they are thousands of years old and must yield to training or more deliberate revision when asked in response to new contexts and techniques - they rearrange to suit her.

She grins. She doesn't think she can beat Sherlock when they fight again, but she thinks she can surprise him.
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"You look pleased with yourself," he comments when next he sees her.

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"Slayer instincts want to be patched," she reports. "Once I made up enough vocabulary to write about them, it was easier than not being mad when people interrupt me."

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"I am delighted," he says. "Let's go and give your revisions the smoke test, shall we?"

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"Do let's." She practically traipses to the crypt. Once there, she divests herself of excess baggage and attacks without further warning.

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Sherlock grins.

He still keeps ahead of her, but now he has to work at it. Half speed will no longer do the trick.
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Bella's shunted enough of her intelligence into her handy new autopilot that she can focus her immediate consciousness almost entirely on reading his body language and his attacks to tell it which patterns to pull out. She feels like nothing so much as a conduit between sense and motion: she sees this, and her seeing directly causes her weight to shift, her hand to strike, her foot to jut out just so and force him to dance away. All she's doing is keeping her eyes open, keeping her attention laser-focused on the fight, and feeling the feedback from every sense she's got.

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"Brilliant," he compliments.

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"This is just what I was able to patch without knowing what I was doing. Feel like learning about thirty new vocabulary words and trying to read my notes-to-self?" she asks casually.

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"Yes," he says immediately.

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