"Uh... maybe," he says. "I mean, I can't imagine him forgetting about me, but I also can't imagine him on trial for kicking my ass, so."
"Okay." Bella closes her eyes. "We're probably going to want more complete documentation of the whole mess than 'you went to the hospital that one time in November'. We want to be able to have the lawyer for the plaintiff drone on and on in the most sickening terms possible about years and years of systematic abuse until the jury wants to eviscerate somebody and your dad is the most convenient target. Would you rather I just try out my new memory-browsing feature and write it all down myself, so you don't have to talk about it?"
"Sure, go nuts. I mean, I'll talk about it too if you want. Probably shouldn't get me up in front of that jury, though, 'cause I'll laugh and it'll just confuse 'em."
"Nervous laughter in small quantities would probably be fine, but yeah. I wonder if you can wish yourself temporarily serious about it? If you don't act as a witness we're relying on hearsay from me and coerced testimony from Theo and fluttering ignorance from your mom if she goes up at all which she can't be forced to. That's thin stuff."
(The thought of getting up and having negative emotions in front of a bunch of strangers is slightly uncomfortable, slightly arousing.)
"Yeah, you're gonna have to pentagon that," says Bella flatly, inspecting his thoughts. "You have to be sympathetic to a bunch of randomly chosen people. You have to make the jury enraged that anybody would hurt you so that they're on a hair trigger when the judge wants a verdict. You have to do this even though your dad's lawyer is going to tell everyone in the courtroom every remotely socially unacceptable thing you have ever done. This would be easier if you were a girl - no, wearing a dress will not help - but it's still doable if you pull off a good victim persona. Do you have an actual record - for the hooking or the getting into fights or anything else? If you do, that's bad, though not insurmountable - if you don't, that could be good, since it means the prosecutor's slinging around unsubstantiated claims that may or may not have run out the statute of limitations and yours can keep saying 'Objection!'."
"No record for the hooking," he says. "You probably couldn't even find a customer by now; it's not like I kept in touch. And oh, Dad's gonna shit himself if he has to drag out anything that's not public knowledge like the fighting. He only puts up with the fighting 'cause he knows I'm covering for him and he can't stop me anyway, I'm pretty sure. Although maybe he won't care as much about trying to cover up everything that's wrong with me when he's busy trying to cover up everything that's wrong with him."
Pause.
"Are you going to flinch? Because if you recant halfway through this process it all falls apart."
Pause.
"And you're going to need someplace to crash while this is all happening. I think it is pretty obvious you can't live in a house with your dad during this process. And it could take a long time. My dad can probably arrange protective custody, but as a temporary measure maybe you want to look into the underground lair anyway?"
"Documentation time," she says, and she wishes a brand new notebook from her box of them upstairs. "Here goes memory-trawling. I can probably remember your memories better than you can 'cause I can just query them directly instead of having to elicit them from the inside."
She concentrates, and searches by keythought.
The list of search results is very, very long, and all of them have the pain symbol attached.
Here is Alice's father standing by a lit fireplace and grabbing a poker out of the stand. Here is Alice's father with clenched fists and a thunderous expression. Here is a memory with no visuals, just touch and sound.
All the iconized visuals contain Delaney Hammond Sr.; some of them show his wife, too, invariably covering her face or leaving the room. They span nearly every room in the Forks house and dozens more in what must be the old house in New York. In some of the latter, Delaney Sr. is holding a weapon of some kind—cane, belt, ruler; in one, a lit cigarette. But apparently, by the time they got to Forks, he was mostly inclined to beat his son with his own two hands.
Bella grits her teeth, opens up the less sensory data around each one in turn, and writes dates - approximate when she has to, exact when she doesn't - and implements where applicable, exact details of each attack, instigating incidents especially when trivial, injuries and scarring and where it may be found, and all relevant visits to the hospital. She fills pages. And pages. In neat and tidy handwriting and careful, consistent formatting. She adds a footnote attached to each incident where Mrs. Hammond was there.
(The poker left scars, of course. So did the cigarette. Most of the implements did, at one time or another, and Alice has long suspected that's why his father stopped using them except when he was really pissed off.)
Before the ribs, visits to the hospital were surprisingly few, and only for injuries as bad as that or worse—a broken jaw when he was twelve, a broken arm when he was sixteen. The former was incurred for wearing (and ruining) one of his mother's dresses; the latter, for swearing in the house. Not usually such a dire crime, but Senior was in a bad mood that day.
Finally, when her hand is cramped again after having been triangled into submission twice and she's filled both sides of every page in the notebook and sixteen pages of a new one, her mental representation of the memories will scroll no farther.
She puts down the pen and backs off to just surface reading.
"Does anything in your architectural plans for the renovation of this house suggest the soundproofing?" Bella asks.
Bella looks at her notebooks full of incidents.
"There is no non-magical way to have this much documentation unless you have an eidetic memory or you've been journaling aggressively all along," she says. "Is the second thing remotely plausible? Can anyone actually disprove the first if they go up against an actual eidetic memory that you could acquire via hex, like mine?"
Oh, thinking of which— "Does shit like going through my clothes and throwing out all the stuff I actually like count for this kinda thing? He's done that a few times."
"...No, I don't think so," Bella says. "It should, but I'm not actually sure that teenagers have property rights, legally speaking, even though decent people pretend we have as a polite fiction. The occasion around Christmas is more ambiguous... but still ambiguous. We'll leave that one up to the lawyer." She writes it down in the second notebook, after two line breaks. "Anything else?"
When he looks at the notebooks, he's not sure whether to be surprised it took that much or surprised it didn't take more.
Bella gets a tricolor highlighter from the junk drawer, and goes through them all again and highlights the ones that left marks - or injuries that might turn up in a sufficiently thorough medical exam, and then in another color highlights the ones that were related to particularly jury-baitish incidents and not things like wearing dresses or swiping Mrs. Hammond's lipstick. "Lawyer'll do the rest. We'll talk to Charlie when he comes home." She checks the time. "I think it is lunchtime now."
Bella shrugs. "I'm not in the mood for anything more complicated than cold cuts on rye, and we have those. Sound good?"