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Sapphire in the Potterverse
Permalink Mark Unread

Nearly ten years have passed since the Dursleys woke up to find their niece on the front step, but Privet Drive has hardly changed at all. The sun rises on the same tidy front gardens and lights up the brass number four on the Dursleys' front door; it creeps into their living room, which is almost exactly the same as it was on the night when Mr. Dursley saw that fateful news report about the owls. Only the photographs on the mantelpiece really show how much time has passed. Ten years ago, there were lots of pictures of what looked like a large pink beach ball wearing different-colored bonnets—but Dudley Dursley is no longer a baby, and now the photographs show a large blond boy riding his first bicycle, on a carousel at the fair, playing a computer game with his father, being hugged and kissed by his mother. The room holds no sign at all that a girl lives in the house, too.

Yet Sarah Potter is still there, asleep at the moment, but not for long. Her Aunt Petunia's awake and it's her shrill voice that makes the first noise of the day, knocking on the door of her little cupboard under the stairs.

"Up up up you get! It's morning!"

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Sarah rubs her eyes and then gets dressed before hurrying to the kitchen. "What do you need this morning Aunt Petunia?" Her voice is carefully level.

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Aunt Petunia purses her lips, looking her over from head to toe when she exits the cupboard under the stairs, then says, "I want you to look after the bacon. And don't you dare let it burn, I want everything perfect on Duddy's birthday."

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"Yes Aunt Petunia, I'll take care of it." She stands on a chair and handles the pan carefully.

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The table's almost hidden beneath all Dudley's birthday presents. It looks as though Dudley has gotten the new computer he wanted, not to mention the second television and the racing bike. Exactly why Dudley wants a racing bike is left as an exercise to the reader.

Sarah's Uncle Vernon enters the kitchen as she's turning over the bacon. He ignores her, content to sit on a chair, engulfing it with his backside, and read his newspaper.

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She finishes the bacon and serves it out onto plates. She leaves aside a small amount for herself.

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Her cousin walks into the kitchen with Aunt Petunia a while later, and, after making sure Sarah doesn't have as many eggs as he does, starts counting his presents, with a huge smile on his face.

Then it falls. "Thirty-six," he says, looking up at his parents. "That's two less than last year."

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"Darling, you haven't counted Auntie Marge's present, see, it's here under this big one from Mommy and Daddy."

 

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 "All right, thirty-seven then," says Dudley, going red in the face.

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Sarah carefully doesn't roll her eyes and sets to eating her breakfast, she's fast but takes care to use proper manners as she's doing it.

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No one's paying attention to Sarah; all their attention is dedicated to preventing Dudley from exploding.

"And we'll buy you another two presents while we're out today. How's that, popkin? Two more presents. Is that all right?"

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Dudley squints and furrows his brows in concentration, then says slowly, "So I'll have thirty... thirty..."

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"Thirty-nine, sweetums."

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"Oh," he says, sitting back down heavily and grabbing the nearest parcel. "All right, then."

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Crisis averted, Vernon chuckles and ruffles Dudley's hair. "Little tyke wants his money's worth, just like his father. 'Atta boy, Dudley!"

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The phone rings, and Petunia goes to answer it.

 

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And Dudley starts unwrapping the presents.

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Well then, Sarah finishes her breakfast and starts doing the dishes.

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Dudley proceeds to unwrap a racing bike, a video camera, a remote control airplane, sixteen new computer games, and a VCR. He's ripping the paper off a gold wristwatch—

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—when Petunia comes back from the telephone looking angry and worried. "Bad news, Vernon. Mrs. Figg's broken her leg. She can't take her," she says, gesturing vaguely in Sarah's direction.

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Sarah carefully doesn't look interested and keeps washing the dishes.

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Dudley's mouth falls open in horror.

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"Now what?" she asks, looking frustratedly at Sarah, as if this was somehow her fault.

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Look at Sarah focusing on the dishes. If the silence stretches for a minute she'll turn around.

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We could phone Marge," Uncle Vernon suggests before a minute's passed.

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"Perhaps... but oh no, she's working today."

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"What about what's-her-name, your friend—Yvonne?"

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"On vacation in Majorca," she says.

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Speaking up would not be useful to her. Though she does roll her eyes at the long list of places they think of pushing her off to.

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"I suppose we could take her to the zoo," she says slowly, "...and leave her in the car..."

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That sounds unpleasant. Hopefully they'd park in the shade if they decided to do that. Otherwise, she might have to do something rash.

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"That car's new, she's not sitting in it alone..."

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Dudley begins to cry. Or rather, he scrunches up his face and starts wailing—he hasn't really had a real cry in years.

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"Dinky Duddydums, don't cry, Mummy won't let her spoil your special day!" she says, flinging her arms around him. 

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"I... don't... want... her... t-t-to come!" he yells between huge, pretend sobs. "She always sp-spoils everything!" He shoots Sarah a nasty grin through the gap in his mothers arms. 

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She knows with that odd sense she sometimes gets that he's not actually upset. She closes her eyes and rolls them where nobody can notice.

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The doorbell rings. "Oh, good Lord, they're here!" she says frantically and goes to answer the door.

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Dudley immediately stops pretending to cry to welcome his best friend, Piers Polkiss, the one who usually holds Dudley's victims' arms while he punches them.

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Vernon goes to greet them—

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—and Petunia excuses herself and walks back to the kitchen. "Girl, come here," she tells Sarah, and goes to an out-of-the-way corner.

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Sarah follows.

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When she's sure no one else will hear, she turns a very stern face to Sarah. "I will be very, extremely put out if—any funny business happens. Do you understand, girl?"

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"I understand Aunt Petunia." Sometimes strange things happen around Sarah. Usually it only happens when she's feeling strong emotions. She gets the sense that the Dursleys know more about it than they're telling her, but none of her attempts to control the phenomenon have worked.

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Aunt Petunia squints at her and looks about to say something else, but thinks better of it, deciding to just return to the living room to talk to Piers' parents.

Soon enough they're gone and the Dursleys plus Sarah and Piers are to go to the car.

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Sarah gets in on one side of the car hoping she won't be forced to take the middle seat between the two boys.

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Eventually they reach the zoo where Dudley and his friend were to spend the former's birthday. The Dursleys stop at an ice cream stand in front of the entrance and get large chocolate ice creams to Dudley and Piers, but before they can usher Sarah away the lady inquires as to what she wants.

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Sarah asks for an ice pop, it's small enough not to be an imposition, and unlikely to be pushed from her hands by one of the boys.

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Uncle Vernon dutifully pays for it and doesn't even complain.

Into the zoo they go.

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Sarah stays reasonably close always keeping half an eye on the Dursleys and Piers but keeps her distance a little and tries to enjoy herself.

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At lunchtime they eat at the restaurant, and Dudley throws a tantrum because his knickerbocker glory doesn't have enough ice cream on top, so Vernon buys him another one and Sarah's allowed to finish the first.

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It's not her favorite but it's still a sweet so she'll finish it gladly.

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After lunch, they go to the reptile house. It's cool and dark in there, with lit windows all along the walls. Behind the glass, all sorts of lizards and snakes are crawling and slithering over bits of wood and stone. Dudley and Piers wanted to see huge, poisonous cobras and thick, man-crushing pythons. Dudley quickly finds the largest snake in the place. It could wrap its body twice around Uncle Vernon’s car and crush it into a trash can—but at the moment it doesn't look in the mood. In fact, it's fast asleep.

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She walks to the tank of one of the poisonous snakes, a small one. "I wonder if you like living here." She muses absently.

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The snake raises its head to look at her then very deliberately inclines its head to either side, its oddly expressive face saying something like "Eh, it's not terrible."

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Sarah stares. "Did you just answer me?" She asks quietly but incredulously.

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The snake pokes out its tongue at her in something her brain parses as snickering then nods, once.

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Sarah blinks and then sighs. "Well then, apparently I can talk to snakes, or at least one snake."

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Another snicker.

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"Can you understand when most people talk or just me?"

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"Jussst you," it hisses.

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She blinks again. "So I can understand you as well as speak in a way you can understand. Well at least this seems more reproducible than the other weird things that happen around me."

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Snakish shrug. "Had not ssspoken to anyone before."

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"Yeah, that's not too surprising. I don't know anyone else that's teleported accidentally."

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Another snakish shrug. "Do humansss not do that?"

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"I've never heard of anyone else doing it."

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Single nod.

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"What do you eat?"

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"Sssmall thingsss. Birdssss. Lizardssss. Micccce. Other ssssnakes."

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"I probably couldn't keep you as a pet. I don't think things would be warm enough for you or I'd have enough food for you. I kinda want to anyway but I shouldn't."

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"Can hunt. Sssun is good enough. Prefer underground."

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"Maybe it could work then, there is still the problem of you being stuck in that tank though. Would you want to be my pet?"

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Single nod. "Tank iss boring. Would like to leave. You sssay you 'teleport.'"

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"Maybe now that one of my powers is working another one will also get easier. If this works you should coil around one of my legs or something." She concentrates. The snake should be out of the tank.

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Nope.

"Ssshame."

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"Yeah. Sorry." She realizes that she's forgotten about the Dursleys while talking to the snake. Where are they?

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Piers is running right towards her—or towards the snake—and crying, "DUDLEY! MR. DURSLEY! COME AND LOOK AT THIS SNAKE! YOU WON’T BELIEVE WHAT IT'S DOING!—out of the way, useless," he tells Sarah and pushes her away.

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Sarah falls to the floor. It hurts and her eyes water a little but she resolutely doesn't cry.

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Dudley waddles towards them as fast as he can, leaning against the glass—

—and then he yelps and jumps back as the glass vanishes.

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There's the unreliable weirdness that she knows and hates. She smiles a little despite herself though.

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The snake rapidly uncoils itself and slithers out onto the floor. People start screaming and running for the exits, but before it goes it looks at Sarah and says, "I will meet you outsside."

Then on it goes.

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She makes a short affirmative sound and picks herself up off the floor.

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Onwards it goes.

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"Were you talking to it?" Dudley screeches.

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"People can't talk to snakes Dudley."

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Uncle Vernon does not look convinced.

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And the zoo director makes Petunia a cup of strong, sweet tea and apologises over and over again, but that's it for them. Back to the car.

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By which time Dudley's certain he's been bit and poisoned by the snake.

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Sarah lingers a little outside the reptile house. Does the snake manage to find her?

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She can see its little head poking out of a bush over there.

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She can wander over without looking suspicious.

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The snake looks around to make sure they're not seen then slithers out towards her.

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"I don't know quite whether we can manage this but if we're trying you need to hide under my dress." She reaches down a hand so she can help it get there faster.

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It does.

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"Girl! What are you doing over there? Let's go!"

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"Yes Aunt Petunia." She hurries to follow.

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They get home and by then Vernon's playing along with Dudley and Piers' adventure story. The boy's parents arrive to pick him up soon after, and then he turns his previously concealed fury back to Sarah.

"Go—cupboard—stay—no meals."

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Petunia runs over to the kitchen to get him some brandy.

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Well this is less than wonderful. She goes to her cupboard. Once she's situated with the light on she turns to her new pet. "I'll let you out in the garden in the morning, or maybe during the night."

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The snake nods, and burrows itself amidst the covers.

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So the next morning she lets the snake out in the garden while she's walking to school. "I don't know how often I'll be able to visit you. Try not to let humans see you."

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The snake nods and slithers away somewhere.

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The next time she thinks she can get away with it she'll go hunting in the garden for the snake.

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...might be tricky. Once the news gets out that the zoo did not recapture the snake, Uncle Vernon forbid her from leaving the cupboard for anything other than school.

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Well she hopes that the snake will be okay without her then.

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She's not allowed out until the summer holidays roll out, but the neighbourhood has had markedly fewer incidents with rodents and other small pests.

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Well that sounds like the snake is doing alright. She goes looking for it.

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It comes out of its carefully hidden hole when she does.

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"Hi there, have you been enjoying yourself?"

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"Yess and no. Bigger prey, harder to catch."

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"I guess nothing is perfect. Do you have a name?"

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Headshake.

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"Do you want one?"

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Nod.

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"I think I'll call you Emery if that's alright."

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Another nod. "A fine name."

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"Do you need anything you don't have?"

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"No."

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"Mkay, can I pet you?"

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"Yess."

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And so she pets Emery gently for a while. "I should get going, I'm glad you're doing well Emery."

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It bobs its head up and down and slithers away again.

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She'll go back to tending the garden. When she's done with that she'll go back inside.

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Dudley has already broken his new video camera, crashed his remote control airplane, and, first time out on his racing bike, knocked down old Mrs. Figg as she crossed Privet Drive on her crutches.

The biggest problem with summer holidays is, of course, that Dudley's gang visits every day: Piers, Dennis, Malcolm, and Gordon, each bigger and stupider than the last, and Dudley, being the biggest and stupidest of the lot, is of course their leader. They mostly give Sarah a wide berth, but when she's around they make loud remarks about the smell and wonder if something died around there. They seem to find this joke hilarious no matter how many times they've made it.

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As long as they're confining themselves to words she ignores them, she knows in her strange way that they don't think they're telling the truth.

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In September, though, they're all going to secondary school. Dudley and Piers have been accepted to Uncle Vernon's old private school, Smeltings, but Sarah's going to Stonewall High, the local state high school. Dudley finds this hilarious.

"They stuff people's heads down the toilet the first day at Stonewall," he tells Sarah. "Want to come upstairs and practice?"

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"I don't think I'd like putting someone's head in the toilet but thank you for asking." She says softly as she walks out to the garden.

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One day in July Aunt Petunia takes Dudley to London to buy his uniform and leaves Sarah at Mrs. Figg's, who seems to have lost some of her erstwhile fondness for her cats given that she broke her leg tripping over one.

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That makes some amount of sense. Mrs. Figg has always be nice to her so she tries to be as helpful as she can.

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She's such a darling. Yes, she'd love some help, and here, have some chocolate.

(Which tastes like it might be a hundred years old.)

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Well, she'll eat it anyway, she's eaten stuff which was much less tasty.

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She is such a charming, helpful young lady, and Mrs. Figg is sure to tell her uncle and aunt this when she returns home.

That evening, Dudley parades around the living room for the family in his brand-​new uniform. Smeltings' boys wear maroon tailcoats, orange knickerbockers, and flat straw hats called boaters. They also carry knobbly sticks, used for hitting each other while the teachers aren't looking. This is supposed to be good training for later life.

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That sounds like the sort of thing an insane person would come up with. She very carefully doesn't share this opinion.

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There's a horrible smell in the kitchen the next morning when Sarah goes in for breakfast. It seems to be coming from a large metal tub in the sink.

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What fresh horror does the Dursley household have in store this time? She wrinkles her nose at the smell but as usual asks. "Do you need any help Aunt Petunia?"

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"No, don't touch those, they're to be your uniform."

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"Alright." It takes a lot of effort not to roll her eyes at that. For all their dislike of abnormality the Dursleys go really far out of their way to not spend money on her.

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Dudley and—

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—Uncle Vernon come in, wearing identical expressions of disgust. Uncle Vernon opens his newspaper as usual and Dudley bangs his stick on the table as he's been wont to do lately.

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She'll just eat her breakfast and try to stay out of the way.

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When breakfast is they hear the click of the mail slot and the flop of letters on the doormat.

"Get the mail, Dudley," says Uncle Vernon from behind his paper.

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"Make Sarah get it."

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"Get the mail, Sarah."

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Sarah gets up and walks down the hall to get the mail.

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Three things lay on the doormat: a postcard from Uncle Vernon's sister Marge, who's vacationing on the Isle of Wight, a brown envelope that looks like a bill, and—a letter for Sarah.

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Well then, she'll try sneaking that into her cupboard on the way back to the kitchen. No time to think about that now.

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No one spares her a glance after she delivers the mail.

"Marge's ill," Uncle Vernon informs Petunia. "Ate a funny whelk..."

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When she finishes her breakfast and some of her chores she'll go to her cupboard and open her letter.

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The address says:

Ms. S. Potter
The Cupboard under the Stairs
4 Privet Drive
Little Whinging
Surrey 

It contains two pieces of parchment, folded neatly.

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Hm, that's weirdly specific. She unfolds the parchment.

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The inside is just as fancy as the outside, written with green ink. The first page reads:

HOGWARTS SCHOOL
of WITCHCRAFT and WIZARDRY

Headmaster: Albus Dumbledore
(Order of Merlin, First Class, Grand Sorc., Chf. Warlock,
Supreme Mugwump, International Confed. of Wizards)

Dear Ms. Potter,
We are pleased to inform you that you have been accepted at Hogwarts School of Witchcraft and Wizardry. Please find enclosed a list of all necessary books and equipment.
Term begins on 1 September. We await your owl by no later than 31 July.

Yours sincerely,

Minerva McGonagall
Deputy Headmistress

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"Well then." So the strange things she can do are magic and other magic users want her to go to their school. She isn't sure how she's supposed to get back in touch with them though. She carefully hides the letter beneath her bed and goes looking for paper; she doesn't know how to send a reply but she can at least write one.

Dear Professor Mcgonagall,

I would like to attend your school but I am uncertain where I would obtain the listed materials. Would it be possible for a member of staff to meet me to discuss?

Sincerely,

Sarah Potter

Then she folds the letter and hides it in a pocket and goes outside. Are there any owls hanging around?

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It is daytime. There are no owls.

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Well then, maybe she'll try again later this evening?

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Nope, no owls.

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She's not giving up completely but she'd going to give up for today.

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The next morning there's mail again.

"Sarah, go fetch the mail."

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She'll go to get the mail.

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There's only one letter, and it's another copy of the one she got yesterday.

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Well, that could be a problem. Nothing for it she'll effect nonchalance and put the letter on the table.

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Uncle Vernon glances at the letter—

—then stares, his face going from red to green faster than a set of traffic lights and then all the way to the greyish white of old porridge. "P-P-Petunia!" he gasps.

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Dudley's attention is caught, and he tries to grab the envelope.

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But Petunia grabs it first, then looks at it and raises a hand to her mouth in shock. She opens it and reads the first line, and stops there.

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Sarah keeps her expression carefully neutral but inside she's fuming. Alright, so they knew she had magic and they haven't told her, they're still not going to tell her.

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"I want to read that letter!"

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"Get out," she whispers, "both of you."

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Sarah will leave the room without complaint. She's going to go work in the garden. She needs to do something with her hands.

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Dudley has a short-lived fight with his father and is promptly kicked out as well, and the door closes. He immediately puts his ear against the keyhole.

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Sarah will keep going towards the garden. The Dursleys probably aren't going to say anything important and she needs some fresh air.

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Uncle Vernon and Aunt Petunia argue for a bit and then Vernon leaves for work without sparing Sarah a glance.

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Sarah goes to read the list of equipment in her cupboard.

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The list is also in fancy ink:

HOGWARTS SCHOOL
of WITCHCRAFT and WIZARDRY

UNIFORM
First-year students will require

  1. Three sets of plain work robes (black)
  2. One plain pointed hat (black) for day wear
  3. One pair of protective gloves (dragon hide or similar)
  4. One winter cloak (black, with silver fastenings)

Please note that all pupils' clothes should carry name tags.

COURSE BOOKS
All students should have a copy of each of the following:
  The Standard Book of Spells (Grade 1) by Miranda Goshawk
  A History of Magic by Bathilda Bagshot
  Magical Theory by Adalbert Waffling
  A Beginner's Guide to Transfiguration by Emeric Switch
  One Thousand Magical Herbs and Fungi by Phyllida Spore
  Magical Drafts and Potions by Arsenius Jigger
  Fantastic Beasts and Where to Find Them by Newt Scamander
  The Dark Forces: A Guide to Self-Protection by Quentin Trimble

OTHER EQUIPMENT
  1 wand
  1 cauldron (pewter, standard size 2)
  1 set glass or crystal phials
  1 telescope
  1 set brass scales
Students may also bring, if they desire, an owl OR a cat OR a toad.

PARENTS ARE REMINDED THAT FIRST YEARS
ARE NOT ALLOWED THEIR OWN BROOMSTICK

Lucinda Thomsonicle-Pocus
Chief Attendant of Witchcraft Provisions

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Sarah sighs, that's not particularly helpful. No hints whatsoever about where she might make contact with the magical world.

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Nope, none.

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Well then, maybe she can get up early tomorrow morning and try to catch whoever or whatever is delivering these letters.

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She might need to be rather sneaky to do that.

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Well, the last two letters were delivered at the normal time. So, her best chance would be to leave during breakfast but before the mail is delivered. If the Dursleys will let her... Maybe she should ask Emery if (s)he could catch an owl without killing it. She goes outside to garden and talk to her pet snake.

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Here's Emery!

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"Hello Emery, I never asked, are you a boy snake or a girl snake?"

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"I am male."

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"Alright. Do you think you could catch an owl without killing it?"

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"Perhapss."

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"Hm, I don't know if we should risk it, the other humans with magic might get mad if you kill their owl."

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"I do not have armsss."

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"Yeah, it would probably be hard for you to trap an owl wouldn't it. The whole idea is silly."

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"I could not inject venom."

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"Thanks for the offer, but I don't think they'd do well even if you just bit them. Also, birds can be mean. I wouldn't want you to get hurt."

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"I can kill all birdsss," he says, sounding affronted.

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She laughs, "I don't doubt that, I'm doubting your ability to protect yourself from a bird without killing it."

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He makes a noise that's almost like a huff. If it was made by a snake.

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She steps over and pets him. "It's alright, you're a very good snake. I just don't think this idea plays to your strengths."

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Nod.

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Well, given the givens she's just going to have to try to leave breakfast early tomorrow morning.

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That evening, after returning home from work, Uncle Vernon knocks on Sarah's cupboard.

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"Yes Uncle Vernon?"

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"...so, Sarah, about this cupboard. Your aunt and I have been thinking... you're really getting a bit big for it... we think it might be nice if you moved into Dudley's second bedroom."

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"That's very generous of you Uncle Vernon."

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"—yes. You can move your things."

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Sarah ducks back into the cupboard and carefully collects her things, ensuring that the letter and her response are not visible from the outside of the collection. Then she starts to carry everything upstairs.

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From upstairs comes the sound of Dudley bawling at his mother, "I don't want her in there... I need that room... make her get out..."

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Sarah will take the stairs carefully with an eye to making sure Dudley doesn't come rushing past and try to push her down.

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He's too busy throwing a tantrum.

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Well then she'll make it to the top of the stairs in peace. She peeks into the second bedroom; is Dudley inside?

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No Dudley.

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Then she'll put her stuff down inside and start tidying up. How much of a mess is it?

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Extremely so. All of Dudley's old games and broken objects are there.

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Well then, she'll start sorting for anything salvageable. Anything that isn't, she'll put to the side as neatly as possible. If the Dursleys will let her she'll bag up the broken remnants later.

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Meanwhile Dudley screams, whacks his father with his Smelting stick, is sick on purpose, kicks his mother, and throws his tortoise through the greenhouse roof, all to no avail; his parents don't budge.

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Poor tortoise. Why did the Dursleys let him have a pet anyway? Sarah just shakes her head and continues her cleaning. Does anything look to be salvageable?

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It's Dudley's, if she does anything to it he'll throw a fit but of course he'll never actually do anything with it.

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Well worst case it'll be a peace offering to him. She can seek clarification from his parents once she's finished organizing it all.

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Well it's getting late...

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Then she'll leave the rest of the cleanup for tomorrow and try to get some sleep.

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No one bothers her.

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She'll get up and get dressed early. She hides her reply letter under her clothes in case she gets a chance to send it. Presumably they won't have installed locks on the outside of her door so she'll set about the beginnings of making breakfast.

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They have not done such—she is free to begin her chores, although Aunt Petunia is an early riser as well.

"You're up early."

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"I wanted to make sure that breakfast was good today as a thank you for my new room."

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"—well. Go along, then."

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Sarah sets herself to making breakfast.

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And Petunia busies herself with something.

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Sarah, eats food as she hurries to make breakfast before Uncle Vernon shows up. Though she's careful not to burn any of the food.

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Aunt Petunia goes upstairs.

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Sarah will set the food on the table and then make her way out the kitchen door to the garden. Then she'll carefully circle around to the front of the house.

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It is as she remembers it.

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She'll busy herself gardening, or at least looking like she's gardening, but keep an eye on the vicinity of the front door and frequently glance at the sky for owls.

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Here's one.

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She jumps up and runs over to the door to intercept it. She'll hold out an arm and offer it as a perch. "Can you take a reply for me?"

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The owl looks at her and hoots in confusion, but flies down to her arm and offers her one of its feet, which already had a letter attached.

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Sarah takes her reply out and asks, "Can you take this to Professor McGonagall?"

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Hoot.

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It was too much to hope that her new talent for talking to animals would extend to mail delivery owls. Sarah exchanges the letter tied to the owl's leg for her reply. "Thank you."

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It hoots again and takes off.

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She hides the letter under her dress and goes back to gardening for real. It's probably the same as the last one but it won't hurt to check.

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Petunia sticks her head out the window. "What are you doing out there, girl?"

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"Gardening, it's starting to get hot in the afternoons so I wanted to get an early start."

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"Well, come inside! You can do that after breakfast."

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Sarah already ate but she nods. "Yes Aunt Petunia," then dutifully walks inside dusting the dirt off of her clothes.

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And to Uncle Vernon's unvoiced satisfaction there are no letters today.

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Well, she's very glad that the Dursleys have only seen one letter.

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Dudley's in a sour mood, banging walls and objects with his stick.

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Sarah tries to stay well out of his reach and eats more breakfast.

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Vernon goes to work and Dudley waits for his friends to arrive.

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Sarah goes off to her room to inspect the second letter.

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It's identical to the first.

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Then she'll hide it with the first and continue working on tidying up her new room.

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No more letters arrive over the next couple of days.

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Hopefully that's because they got her reply. When she has a convenient moment she'll ask Petunia about what do with all the broken toys.

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"I'll get them," she says, and does, taking them downstairs, and Dudley throws a tantrum about that.

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"Thank you Aunt Petunia." Her room is neat now, that's what's important. What's left with the broken things cleared away?

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A bed. A wardrobe. A small desk. A chair. A beside table. A lamp.

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Hm, did she notice any loose floorboards while tidying up? Does the bed or any of the other furniture have spaces underneath it that are hard to see into? She needs somewhere to hide the letters and it'll be suspicious if she doesn't hang up her clothes.

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No loose floorboard, yes space under the bed.

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Sarah slides the letters under the bed and puts away her clothes in the wardrobe. Then she'll go do chores and live her life normally until something upsets her routine.

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It's almost like she's prescient.

Uncle Vernon is reading when there is the sudden sound of an extremely loud motorcycle followed by a pause and a somewhat less loud, thunderous knock on the door, like someone hit it with a tree, causing him to startle bad enough to knock his brandy over.

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Sarah allows herself to look surprised but otherwise doesn't react.

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Petunia walks over to the door and opens it—

—and nearly faints on the spot. "V-Vernon!"

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On the other side of the door there is the largest man Sarah has ever laid eyes on, his head nearly completely obscured by a shaggy mane as black as his eyes. "Good evening! Mighty hard ter walk around here without bein' noticed."

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This seems plausibly related to the magic people. Sarah is looking forwards to this. "Hello."

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"P-Petunia! Stand back!" he cries, interposing himself between his wife and the giant man.

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Dudley shows up from upstairs to see what all the ruckus is about and squeals in terror when he sees the man.

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"Well, did no one ever teach yeh manners? Aren't yeh gonna invite me in?" And without waiting for an answer he squeezes through the door and closes it behind himself. He's carrying a large purple umbrella in spite of the complete lack of rain outside. "So. Yer Sarah, eh?"

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"I am. It's nice to meet you. May I ask your name?"

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"I'm Rubeus Hagrid, Keeper of Keys and Grounds at Hogwarts."

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"I will not have that name spoken in this household!" Uncle Vernon says, going red in the face.

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Sarah thinks, it's probably better that the Dursleys don't know she sent a reply if she can avoid it. "Are you here to talk to me then? Perhaps it would be better if we spoke elsewhere. My uncle can be very passionate at times."

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"Oh no, we should talk to him, too. What name? Mine?"

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"No! That—that other one."

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"...Hogwarts?" He blinks, then looks at Sarah. "Did they ne'er tell yeh?"

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"They prefer not to talk about my having magic."

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"Don't say that word! Not in my house!" He puffs out his chest, faces Hagrid down—up—and says, "I demand that you leave my property at once!"

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"Ah yeh do? And what'll a great muggle like yeh do about it?"

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Sarah is not going to interrupt the two arguing adults.

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Uncle Vernon doesn't seem to have anything to say to that.

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And Petunia seems to just be frozen in horror.

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"So! Sarah!" he says, making his way to the sofa and sitting on it, causing it to groan dangerously.

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(Petunia makes a very similar noise to it when that happens.)

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"What would you like to talk about?"

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"Well, Hogwarts, o' course! Professor McGonagall was very confused when we got yer letter. Yeh said yeh didn't know how ter get yer things there, but yeh sent it!"

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She winces. "I met one of the owls as it was delivering the third letter. I sent my reply that way."

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"Third?"

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"Well but why did yeh need to. Didn't yer aunt and uncle take yeh ter Diagon Alley when yeh got yer first letter?"

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"They didn't see the first or the third letter. I don't think they would have been open to talking me to Diagon Alley if they indeed know where that is."

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"...yeh don't know? Ah, o' course not, these muggles wouldn't—well, but they know how to send these letters back, no?" he asks, looking at Uncle Vernon.

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He glares at the giant. "All these years, we swore we'd stamp this out of her, we won't—"

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He's interrupted by Hagrid's guffaws. "Stamp it out? Of Sarah Potter? Are yeh mad?"

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"It said that you expected an owl and it didn't have a stamp on it so I guessed that it was also delivered by owl, and after the second letter I expected there might be a third."

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He nods. "And what did these muggles tell yeh ter convince yeh not to go ter Hogwarts?"

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"They haven't told me anything about magic. Everything I know I figured out myself."

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He blinks a couple of times.

"But yeh must know about yer mom and dad," he says. "I mean, they're famous. You're famous."

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So the story the Dursleys have told her about her parents being lazy drunks who died in a car crash was as wrong as she thought it was. "They haven't told me much about my parents. I wasn't aware they were famous."

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"DURSLEY!" He explodes, turning to look at them and causing Dudley to squeal louder and run upstairs. "So yeh've never told her nothin' at all? Never told her what was in the letter Dumbledore left fer her? I was there! I saw Dumbledore leave it, Dursley! An' you’ve kept it from her all these years?"

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"STOP! I FORBID YOU!"

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"I don't think yelling is helping matters Mr Hagrid."

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"But they—they never told yeh—never—yeh don't know anything'!"

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"Magic is not the only important thing in the world."

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"Well—no but—yer parents, Sarah! Yer world!"

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"I'd be happy to have you tell me about those things."

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"I said and I repeat, I will not be having any of this nonsense in my house!"

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"Aye, yeh big prune, yeh won't, 'cause Sarah's learnin' all that at Hogwarts not here." He turns to Sarah again. "I can't teach yeh ev'rythin, that's what Hogwarts is fer, but I can tell yeh some things."

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"I'd be happy to hear whatever you feel capable of explaining. I've mostly only done magic by accident and I can't seem to reproduce the things that happen by accident."

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He suddenly looks much more anxious and subdued. "Blimey, I never expected this," he says, in a low, worried voice. "I had no idea, when Dumbledore told me there might be trouble gettin' hold of yeh, how much yeh didn't know. Ah, Sarah, I don' know if I'm the right person ter tell yeh—but someone's gotta—yeh can't go off ter Hogwarts not knowin'." He throws a dirty look at the Dursleys. "Well, it's best yeh know as much as I can tell yeh—mind, I can't tell yeh everythin', it's a great myst'ry, parts of it..."

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"I don't know what you're referring to, I can always learn more details later."

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He shakes his head. "No, ev'ryone else will know, yeh should too... Blimey... It begins, I suppose, with—with a person called—but it's incredible yeh don't know his name, everyone in our world knows—

"His name—I don' like sayin' the name if I can help it. No one does."

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"I understand that it's uncomfortable but I would like to know."

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He makes a face, looks around, then says, "Voldemort." He shudders. "Don' make me say it again. Anyway, this—this wizard, about twenty years ago now, started lookin' fer followers. Got 'em, too—some were afraid, some just wanted a bit o' his power, 'cause he was gettin' himself power, all right. Dark days, Sarah. Didn't know who ter trust, didn't dare get friendly with strange wizards or witches... terrible things happened. He was takin' over. 'Course, some stood up to him—an' he killed 'em. Horribly. One o' the only safe places left was Hogwarts. Reckon Dumbledore's the only one You-Know-Who was afraid of. Didn't dare try takin' the school, not jus' then, anyway."

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Sarah pays close attention and makes understanding noises.

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"Now, yer mum an' dad were as good a witch an' wizard as I ever knew. Head boy an' girl at Hogwarts in their day! Suppose the myst'ry is why You-Know-Who never tried to get 'em on his side before... probably knew they were too close ter Dumbledore ter want anythin' ter do with the Dark Side.

"Maybe he thought he could persuade 'em... maybe he just wanted 'em outta the way. All anyone knows is, he turned up in the village where you was all living, on Halloween ten years ago. You was just a year old. He came ter yer house an'—an'—"

Hagrid suddenly pulls out a very dirty, spotted handkerchief and blows his nose with a sound like a foghorn. 

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(Petunia makes a disgusted face at that.)

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"And he killed them." Sarah's voice is gentle and shaking just a little. This is why she was raised by the Dursleys instead of loving parents.

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He nods. "An' then—an' this is the real myst'ry of the thing—he tried to kill you, too. Wanted ter make a clean job of it, I suppose, or maybe he just liked killin' by then. But he couldn't do it. Never wondered how you got that mark on yer forehead? That was no ordinary cut. That's what yeh get when a powerful, evil curse touches yeh—took care of yer mum an' dad an' yer house, even—but it didn't work on you, an' that’s why yer famous, Sarah. No one ever lived after he decided ter kill 'em, no one except you, an' he'd killed some o' the best witches an' wizards of the age—the McKinnons, the Bones, the Prewetts—an' you was only a baby, an' you lived."

 As Hagrid's story comes to a close, Sarah sees the blinding flash of green light that sometimes haunts her dreams, more clearly than she has ever remembered it before—and she remembers something else, for the first time in her life: a high, cold, cruel laugh.

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"I think I remember."

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"Nonsense, yeh were jus' a baby... Took yeh from the ruined house myself, on Dumbledore's orders. Brought yeh ter this lot..."

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"Load of old tosh," says Uncle Vernon, glaring at Hagrid, his fists clenched. "Now, you listen here, girl," he snarls, looking at Sarah, "I accept there's something strange about you, probably nothing a good beating wouldn't have cured—and as for all this about your parents, well, they were weirdos, no denying it, and the world's better off without them in my opinion—asked for all they got, getting mixed up with these wizarding types—just what I expected, always knew they'd come to a sticky end—"

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Hagrid leaps from the sofa and draws his battered pink umbrella, pointing this at Uncle Vernon like a sword. "I'm warning you, Dursley—I'm warning you—one more word..."

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"I'd prefer you not curse them. They aren't the nicest people but at least for the moment I have to live with them."

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Sarah's request notwithstanding, Hagrid's threat makes Uncle Vernon lose all his nerve and flatten himself against a wall.

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Hagrid nods. "Well." He looks at Sarah. "And after that night... You-Know-Who disappeared. Vanished. Makes yeh even more famous. That's the biggest myst'ry, see... he was gettin' more an' more powerful—why'd he go?

"Some say he died. Codswallop, in my opinion. Dunno if he had enough human left in him to die. Some say he's still out there, bidin' his time, like, but I don' believe it. People who was on his side came back ter ours. Some of 'em came outta kinda trances. Don' reckon they could've done if he was comin' back.

"Most of us reckon he's still out there somewhere but lost his powers. Too weak to carry on. 'Cause somethin' about you finished him, Sarah. There was somethin' goin' on that night he hadn't counted on—I dunno what it was, no one does—but somethin' about you stumped him, all right," he finishes, looking at Sarah with warmth and respect blazing in his eyes

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"Alright." She smiles back. "So, what now, do we go shopping? How do I get to Hogwarts?"

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"Haven't I told you you're not going?" Uncle Vernon hisses. "You're going to Stonewall High and be grateful for it. I've read that letter and you need all sorts of rubbish—spell books and wands and—"

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"If she wants ter go, a great Muggle like you won't stop her," growls Hagrid. "Stop Lily an' James Potter's daughter goin' ter Hogwarts! Yer mad. Her name's been down ever since she was born. She's off ter the finest school of witchcraft and wizardry in the world. Seven years there and she won't know herself. She'll be with youngsters of her own sort, fer a change, an' she'll be under the greatest headmaster Hogwarts ever had, Albus Dumbled—"

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"I AM NOT PAYING FOR SOME CRACKPOT OLD FOOL TO TEACH HER MAGIC TRICKS!" yells Uncle Vernon. 

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But he has finally gone too far. Hagrid seizes his umbrella and whirls it over his head. "NEVER—" he thunders, "—INSULT—ALBUS—DUMBLEDORE—IN—FRONT—OF—ME!" He waves the umbrella up to point it at Uncle Vernon, hitting him with a yellow flash of light—

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—and he proceeds to puke a huge fat worm on the carpet.

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Petunia screams—whether because of what happened or because of where it happened is unclear.

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"Is he going to be alright?"

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Uncle Vernon goes to the bathroom, followed by his wife, who throws a last glance at the ruined carpet before closing the door behind them.

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"Aye... it'll pass. He just needs ter wait a bit." He sure does look embarrassed, though.

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That seems appropriate. "So, you mentioned something about Diagon Alley? Is that where I'm supposed to be getting my school supplies?"

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"Aye. It's where ev'ryone gets their school stuff." Pause. "Ah... be grateful if yeh didn't mention that lil' magic ter anyone at Hogwarts. I'm—er—not supposed ter do magic, strictly speakin'. I was allowed ter do a bit ter follow yeh an' get yer letters to yeh an' stuff—one o' the reasons I was so keen ter take on the job—"

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"Alright, I wouldn't want to get you in trouble," she won't be forgetting that fact though. "Should we go then?"

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He nods. "Aye. Although—it's late. Yeh should sleep."

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"I suppose we have a guest room you could stay in my by aunt and uncle might not be comfortable with that and the bed is probably too small for you."

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"Eh? No, no, I have a place ter sleep, I'll jus' come back tomorrow."

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"Okay." Sarah's voice is tinged with worry. The Dursleys have never seemed quite this provoked. That said Hagrid does not seem likely to be able to deescalate the situation. Still, just this once, maybe the devil she doesn't know will be better. "I'm a little worried about my uncle. He seems awfully upset."

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"Ah, don' worry about that sack o' potatoes, Dumbledore's made it very clear what would happen if summat bad happened to yeh."

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She's starting to wonder if she's jumping out of the frying pan into the fire. Threats are not something that should be needed to motivate someone to care about their ward. "Alright."

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"Well, then. I guess I'll be by tomorrow."

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"I'm looking forwards to it." Despite all the weird mixed signals she's getting, she is. Hagrid seems to be a nice man. His temper is a little scary, but at least he seems embarrassed about losing it. She's less sure about this Dumbledore character who apparently threatened the Dursleys into taking her in.

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The Dursleys absolutely avoid her all night and don't come out of their rooms in the morning.

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She'll make breakfast for herself and wait for Hagrid to show up.

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Eventually there is a knock.

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Sarah goes to the door and opens it. "Hello Hagrid."

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"Mornin'! Oh, that smells good, did yeh make that?"

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"I do a lot of the cooking. I'm sorry I didn't make enough for guests. I can make more if you like."

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"Nah, I already ate, but thank yeh. Ready?"

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"Sure, I have my ingredient list. Is there anything else I need to bring?"

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"Nah, that's all."

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"Alright, how are we getting there?"

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He gestures outside at a rather enormous motorcycle.

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"Nice motorcycle." Does it have a sidecar?

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Yep! She'll fit in there nicely. He offers her a helmet.

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She puts on the helmet. "I'm ready."

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He gets on the bike, puts on his own helmet, accelerates—

—and the motorcycle starts slowly going up into the air.

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Magic is awesome. "This is really cool."

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He beams at her, and accelerates more. Soon they're high enough they could probably be confused with birds, but somehow it's not cold up there.

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Magic is awesome. "So Hagrid, I teleported by accident once, is that something people can learn to do on purpose?"

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"Aye, it's called Apparition. Yeh can learn that after yeh turn seventeen."

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"That seems like a long time from now but ok. Can magical people talk to animals? I can only talk to snakes."

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If they were on the road he might have crashed his motorcycle. "Yeh can what?"

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"Talk to snakes. Is that ability uncommon?"

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He's momentarily speechless. "Aye, that's... that's Dark Magic."

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"Why is that? What makes magic dark?"

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"It's... well, I dunno the theory, but... Dark wizards do that." Pause. "You-Know-Who could."

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"That doesn't seem like a very principled reason."

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He frowns. "Dunno what that means."

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"I mean that things don't become bad because bad people do them. People are bad because they do bad things."

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He shudders. "Jus' don't do it, okay?"

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"Alright." She has no intention of following this arbitrary rule but Hagrid doesn't seem likely to be convinced and she needs to know more.

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He nods, and continues driving.

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Sarah distracts herself with looking out at the landscape. She's never flown before. It's fun.

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It soon becomes obvious they're making their way to London.

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Well that's interesting. Maybe whatever stopped people from noticing a flying motorcycle also stops people from noticing Diagon Alley?

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Probably! They start making their way back down as they get closer to the city proper and no one seems to notice them landing.

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Magic, it's pretty neat.

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They haven't landed anywhere too crowded, though, and after Hagrid finds a place to park his motorcycle he starts looking for the underground station.

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Sarah will also look around. She spots one first and points it out.

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In they go—Hagrid complaining loudly about the size of pretty much everything—and then they're in the undeground car. Hagrid draws a newspaper from his coat—the Daily Prophet—and starts reading it.

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Are those pictures moving? That's a weird use of magic. Is there anyone staring at the moving pictures or is this more of the weird people not noticing magic thing.

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No one seems to notice it.

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This is so weird.

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"Ministry o' Magic messin' things up as usual," Hagrid mutters, turning the page.

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"What's the Ministry of Magic?"

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"'S the gov'rnment. Make laws and make sure muggles don't learn 'bout us."

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"So muggles, I take it that means non-magicals, don't just ignore everything magical by default? I guess that makes sense."

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"Not ev'rything, but most things."

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"That seems odd. Is there magic that's preventing them from seeing the magic or is it just that only magical people can see certain things?"

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"Bit o' both but I'm not very good with theory."

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"Alright, I guess that's what I'm going to Hogwarts to learn."

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"Aye. That an' much more."

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Sarah nods. She goes back to looking around the underground. She hasn't been to London before so it's a new experience in and of itself.

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Eventually they reach their station.

"I don't know how the muggles manage without magic," Hagrid says as they climb a broken-down escalator that leads up to a bustling road lined with shops.

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"In what sense? Magic is cool but I think most people get by without it."

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"Aye, I s'ppose."

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"What sort of things do you think you would miss?"

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"Oh, magical creatures f'sure."

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"What sorts of magical creatures are there? Any you would miss in particular?"

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"Oh, all of 'em. There's manticores an' unicorns an' thestrals an' dragons—Gringotts has 'em, I've always wanted 'un..."

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"Unicorns are real? Are they as pretty as the stories say?"

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"Aye, an' jus' as magical."

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"Are there any around Hogwarts?"

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"Aye, the Forbidden Forest has all sorts o' magical creatures. But yeh mustn't go there, 'tis dangerous."

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"Why is there a dangerous forest next to the school?"

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"The dangerous forest was there firs'."

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"Was the forest dangerous when the school was built?"

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"Aye."

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"Was there some reason why they built next to a dangerous forest instead of somewhere safer then?"

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""S a very magical place, Hogwarts grounds."

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"Alright, will we be there soon?"

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"Aye." He looks around, then beams. "This is it. The Leaky Cauldron. It's a famous place."

It's a tiny, grubby-looking pub. If Hagrid hadn't pointed it out, Sarah probably wouldn't have noticed it was there. The people hurrying by don't glance at it. Their eyes slide from the big book shop on one side to the record shop on the other as if they can't see the Leaky Cauldron at all.

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More of the same weird attention magic. "Alright." Sarah walks towards the pub.

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For a famous place, it's very dark and shabby. A few old women are sitting in a corner, drinking tiny glasses of sherry. One of them is smoking a long pipe. A little man in a top hat's talking to the old bartender, who's quite bald and looks like a toothless walnut. The low buzz of chatter stops when they walk in. Everyone seems to know Hagrid; they wave and smile at him, and the bartender reaches for a glass, saying, "The usual, Hagrid?"

"Can't, Tom, I'm on Hogwarts business," says Hagrid, gesturing towards Sarah.

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Sarah looks up and smiles a little.

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"Good Lord," says the bartender, peering at Sarah, "is this—can this be—?" The Leaky Cauldron suddenly goes completely still and silent. "Bless my soul," whispers the old bartender, "Sarah Potter... what an honor." He hurries out from behind the bar, rushes toward Sarah and seizes her hand, tears in his eyes. "Welcome back, Ms. Potter, welcome back."

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"Thank you?" She's a little overwhelmed by this experience, maybe she should have expected it but it's kinda uncomfortable.

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Everyone is looking at her. The old woman with the pipe's puffing on it without realizing it has gone out. Hagrid's beaming.

Then there's a great scraping of chairs and the next moment everyone in the Leaky Cauldron wants to shake hands with her.

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She'll be polite and try to listen to what they have to say.

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"Doris Crockford, Ms. Potter, can't believe I’m meeting you at last."

"So proud, Ms. Potter, I’m just so proud."

"Always wanted to shake your hand—I'm all of a flutter."

"Delighted, Ms. Potter, just can't tell you, Diggle's the name, Dedalus Diggle," says a man... who once a long time ago bowed to Sarah in a shop.

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She'll smile and thank them. "I think I've met you before Mr Diggle."

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"She remembers!” cries Dedalus Diggle, his top hat falling as he turns to look around at everyone. "Did you hear that? She remembers me!"

More people want to shake her hand—Doris Crockford keeps coming back for more—until a pale young man makes his way forward, very nervously. One of his eyes is twitching.

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"Professor Quirrell!" says Hagrid. "Sarah, Professor Quirrell will be one of your teachers at Hogwarts."

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"P-P-Potter," stammers Professor Quirrell, grasping Sarah's hand, "c-can't t-tell you how p-pleased I am to meet you."

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"It's nice to meet you as well professor."

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Quirrell laughs nervously. "You'll be g-getting all your equipment, I suppose? I've g-got to p-pick up a new b-book on vampires, m-myself." He looks terrified at the very thought. 

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"Yep, I'm excited to be going to Hogwarts and this is the first step on my journey there."

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"O-o-of course."

But the others won't let Professor Quirrell keep Sarah to himself. It takes almost ten minutes to get away from them all. 

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At last, Hagrid manages to make himself heard over the babble.

"Must get on—lots ter buy. Come on, Sarah."

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Sarah follows gratefully, she isn't comfortable being the center of attention like that.

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Doris Crockford shakes Sarah's hand one last time, and Hagrid leads them through the bar and out into a small, walled courtyard, where there's nothing but a trash can and a few weeds. He grins at Sarah.

"Told yeh, didn't I? Told yeh you was famous. Even Professor Quirrell was tremblin' ter meet yeh—mind you, he's usually tremblin'."

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"I still didn't quite expect all that. Do you know how they recognized me?"

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"Th' scar, you bein' with me, the date. It made sense."

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"Why would people recognize my scar?"

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"Mark o' powerful dark magic. They know."

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"So people have some sort of aura-sense that lets them detect residual dark magic in my scar?"

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"Nah, they jus' know what it looks like."

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"So all powerful dark magic leaves lightning bolt marks?"

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"Most powerful dark magic leaves no marks—anyway, yeh can ask these o' Professor Quirrell at school." He then turns to look at the brick wall. "Three up... two across..." he mutters. "Right, stand back, Sarah."

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She stands back.

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He taps the wall three times with the point of his umbrella. The brick he touched quivers—it wriggles—in the middle, a small hole appears—it grows wider and wider—a second later they're facing an archway large enough even for Hagrid, an archway onto a cobbled street that twists and turns out of sight.

"Welcome," says Hagrid, "to Diagon Alley."

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Sarah looks around smiling.

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Hagrid leads Sarah through, and the archway shrinks instantly back into solid wall. The sun shines brightly on a stack of cauldrons outside the nearest shop. Cauldrons—All Sizes—Copper, Brass, Pewter, Silver—Self-Stirring—Collapsible, says a sign hanging over them.

"Yeah, you'll be needin' one," he says, "but we gotta get yer money first."

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"Did my parents leave me money or is there a scholarship find for orphans that I'll be using?"

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"Yer parents had money, aye. Quite a lot."

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"That's good to know."

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They walk on, passing by a myriad stores and shops. A plump woman outside an Apothecary is shaking her head as they pass, saying, "Dragon liver, sixteen Sickles an ounce, they're mad."

A low, soft hooting comes from a dark shop with a sign saying Eeylops Owl Emporium—Tawny, Screech, Barn, Brown, and Snowy. Several boys of about Sarah's age have their noses pressed against a window with broomsticks in it. "Look," one of them says, "the new Nimbus Two Thousand—fastest ever—"

There are shops selling robes, shops selling telescopes and strange silver instruments Sarah's never seen before, windows stacked with barrels of bat spleens and eels' eyes, tottering piles of spell books, quills, and rolls of parchment, potion bottles, globes of the moon...

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Sarah soaks in the ambiance, nothing in particular stands out as needing questioning.

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Eventually: "Gringotts," says Hagrid. It's a snow-white building that towers over the other little shops. Standing beside its burnished bronze doors, wearing a uniform of scarlet and gold, is a humanoid, about a head shorter than Sarah. He has a swarthy, clever face, a pointed beard and very long fingers and feet. He bows as they walk inside.

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Sarah bows back. Then looks around the lobby.

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"That's a goblin," Hagrid whispers to Sarah once they're clear of earshot.

Now they're facing a second pair of doors, silver this time, with words engraved upon them: 

Enter, stranger, but take heed
Of what awaits the sin of greed,
For those who take, but do not earn,
Must pay most dearly in their turn.
So if you seek beneath our floors
A treasure that was never yours,
Thief, you have been warned, beware
Of finding more than treasure there.

"Yeh'd be mad ter try an' rob it," he says.

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Sarah nods gravely.

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A pair of goblins bow them through the silver doors and they're in a vast marble hall. About a hundred more goblins are sitting on high stools behind a long counter, scribbling in large ledgers, weighing coins in brass scales, examining precious stones through eyeglasses. There are too many doors to count leading off the hall, and yet more goblins are showing people in and out of these. Hagrid makes for the counter.

"Morning," he says to a free goblin. "We've come ter take some money outta Ms. Sarah Potter's safe."

"You have her key, sir?"

"Got it here somewhere," says Hagrid, and he starts emptying his pockets onto the counter, scattering a handful of moldy dog biscuits over the goblin's book of numbers. The goblin wrinkles his nose.

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Sarah is a little confused as to why Hagrid has her key but she supposes it isn't too important.

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He eventually finds it: a tiny golden key. "Got it!" he says, and holds it up.

The goblin looks at it closely. "That seems to be in order."

"An' I've also got a letter here from Professor Dumbledore," he says importantly, throwing out his chest. "It’s about the You-Know-What in vault seven hundred and thirteen."

The goblin reads the letter carefully. "Very well," he says, handing it back to Hagrid.

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That's an intriguing exchange. What exactly has Hagrid talking in the same sort of indirection that he uses for the man who killed her parents?

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The goblin peers down at Sarah suspiciously but doesn't comment. "I will have someone take you down to both vaults. Griphook!"

Griphook is, apparently, yet another goblin. Hagrid follows him to a door, and he holds it open for them. On the other side, there is a narrow stone passageway lit with flaming torches. It slopes steeply downward and there are little railway tracks on the floor. Griphook whistles and a small cart comes hurtling up the tracks toward them. Hagrid climbs in with some difficulty.

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Sarah climbs in too.

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They're off.

At first they just hurtle through a maze of twisting passages. Left, right, right, left, middle fork, right, left, it soon becomes untenable to keep track of the path. The rattling cart seems to know its own way, because Griphook isn't steering.

Cold air rushes past them, and at one point there's something that looks a lot like a burst of fire at the end of a passage but they plunge deeper too fast for much more detail to be made out. They pass an underground lake where huge stalactites and stalagmites grow from the ceiling and floor.

When the cart stops at last beside a small door in the passage wall, Hagrid gets out and has to lean against the wall to stop his knees from trembling. He's looking positively green.

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Sapphire tries to give a sympathetic look to Hagrid but she's smiling too hard. That was fun.

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Griphook unlocks the door. A lot of green smoke comes billowing out, and as it clears, Sarah can see the vault's contents: mounds of gold coins, columns of silver, heaps of little bronze Knuts.

"All yours," smiles Hagrid. 

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"Is there anything that says how much there is here?"

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"Don' think so, but more'n enough."

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"How much do you think I'll need for the supplies on the list?"

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"Ah, we'll get some fer a couple o' terms and change so yeh can buy stuff yeh like." He starts grabbing some gold and silver and bronze and putting it into a bag, not caring much to count. "The gold ones are Galleons," he explains. "Seventeen silver Sickles to a Galleon and twenty-nine Knuts to a Sickle, it's easy enough."

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That sounds like the exact opposite of easy. Why would you use prime numbers for conversion? "If you say so."

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He turns to Griphook. "Vault seven hundred and thirteen now, please, and can we go more slowly?"

"One speed only," says the goblin.

They board, and the cart starts again. They go even deeper now and gather speed. The air becomes colder and colder as they hurtle round tight corners. They go rattling over an underground ravine, deep enough the bottom's out of sight.

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Sarah enjoys this ride too.

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They soon reach vault seven hundred and thirteen... which has no keyhole.

"Stand back," says Griphook importantly. He strokes the door gently with one of his long fingers and it simply melts away. "If anyone but a Gringotts goblin tried that, they'd be sucked through the door and trapped in there," the goblin says.

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Sarah takes a couple steps backwards.

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Griphook stands out of the way, and inside of the vault there is...

Nothing.

Or, wait, there's a grubby little package wrapped up in brown paper lying on the floor, there. Hagrid picks it up and tucks it deep inside his coat.

"Come on, back in this infernal cart," says the giant.

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Well that doesn't make this less intriguing.

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One wild cart ride later they stand in the sunlight outside Gringotts.

"Might as well get yer uniform," says Hagrid, nodding toward Madam Malkin's Robes for All Occasions. "Listen, Sarah, would yeh mind if I slipped off fer a pick-me-up in the Leaky Cauldron? I hate them Gringotts carts." He does still look a bit green around the gills.

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"Sure, I think I can handle getting clothes myself."

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"Thanks."

Off he goes.

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Sarah walks into the store.

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Madam Malkin is a squat, smiling witch dressed all in mauve.

"Hogwarts, dear?" she says as soon as she spots Sarah. "Got the lot here—a young man being fitted up just now, in fact."

In the back of the shop, a boy with a pale, pointed face is standing on a footstool while a second witch pins up his long black robes.

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"Yes, do you sell more casual wear as well?"

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She stands Sarah on a stool next to the boy, slips a long robe over her head, and begins to pin it to the right length. "Absolutely, but after I'm done with this."

"Hello," says the boy. "Hogwarts, too?"

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"Thank you." She says to Madam Malkin. Then she turns to the boy. "Yes. I'm excited."

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"My father's next door buying my books and Mother's up the street looking at wands," he says. He has a bored, drawling voice. "Then I'm going to drag them off to look at racing brooms. I don't see why first years can't have their own. I think I'll bully Father into getting me one and I'll smuggle it in somehow. Have you got your own broom?"

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He seems to have indulgent parents. "No, I don't."

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"Play Quidditch at all?"

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Some sort of sport she's guessing. "No, I'm more of a books person."

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"Eh, books. I play—Father says it's a crime if I'm not picked to play for my House, and I must say, I agree. Know what House you'll be in yet?"

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House? She has no idea what he's talking about but it seems like she's supposed to. "I haven't given it much thought."

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"Well, no one really knows until they get there, do they, but I know I'll be in Slytherin, all our family have been—imagine being in Hufflepuff, I think I'd leave, wouldn't you?"

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"I think I'll be happy to be there and learning no matter what house I'm in."

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He grimaces. "Wouldn't be that happy if it put me in Hufflepuff. Father would probably just send me to Durmstrang. I say, look at that man!" he says, nodding towards the front window—

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—where a familiar giant can be seen, grinning at Sarah and pointing at two large ice creams to show he can't come in. 

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"Hagrid's helping me with shopping, it's nice that he got me ice cream."

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He turns his grimace to Sarah. "How do you know him?"

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"The school sent him. I'm an orphan."

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"Oh—that's the groundskeeper, right," says the boy. "I heard he's a sort of savage—lives in a hut on the school grounds and every now and then he gets drunk, tries to do magic, and ends up setting fire to his bed."

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She isn't going to insult anyone behind their backs without a much better reason. Hagrid has a bit of a temper but "He seems to be a nice person."

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"Why is he with you? Didn't you have any other family than your parents? They were our kind, right?"

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"If I did they also died in the war." Well, maybe not but if not she's not sure why they didn't raise her instead of the Dursleys.

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"Oh. I'm sorry," he says, not sounding it. "Anyway, I really don't think they should let the other sort in, do you? They're just not the same, they've never been brought up to know our ways. Some of them have never even heard of Hogwarts until they get the letter, imagine. I think they should keep it in the old wizarding families. What's your surname, anyway?"

But before she can answer, Madam Malkin says to Sarah, "That's you done, my dear. If you wait a bit I can get you other robes than school ones."

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"I'll wait." Sarah agrees. And then to the boy, "I'm Sarah Potter."

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"Potter?" he squeaks. "Wait—that's the scar—you're Sarah Potter?"

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"Yes."

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"Oh. Well—where have you been?"

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"I've been living in the muggle world. I'm not sure exactly why."

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"You what?"

"And that's you all done!" Madam Malkin tells him.

"—we'll see each other in the train, I guess," he tells Sarah.

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She nods. "I expect we will."

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Off he goes.

"So! You want more robes? What are you looking for?"

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"I've been living in the muggle world like I said. I'd like whatever makes sense for a young witch to have for casual wear. Do you also sell things witches and wizards wear under their robes?"

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"I don't work with undergarments, no, only robes. Now, if you'll allow me a few suggestions..." She already has Sarah's measurements, so she can just trail various casual robes to see which ones Sarah likes best.

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Sarah picks a few different robes and pays for everything. Just before she leaves she asks, "Is there anyone you'd recommend for other clothing?"

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She has a recommendation for someone who sells undergarments down the street!

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Sarah nods then carries her robes out to meet Hagrid.

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The ice cream has magically not melted, and it's chocolate and raspberry with chopped nuts! Hagrid starts leading the way to the next store.

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"Thank you for the ice cream Hagrid, sorry that took so long."

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Next up: parchment and quills. Students are supposed to only use regular ones but there are all sorts of fancy quills: quills that take dictation, quills that produce their own ink, ink that changes colour, invisible ink...

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Dictation quills seem unnecessary but a self-inking quill sounds nice for being more like the pens she's used to.

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"Yeh know, we got more money than yeh strictly need fer supplies, if yeh want ter buy anythin' fer yerself."

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"I already got some casual robes at Madam Malkins, and she recommended a store for things other than robes that I'd like to visit. Otherwise, I'm not sure what's available. Is there anything you'd recommend?"

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"Eh, I dunno what yeh like."

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"Well, I don't have a anything to carry things in. I assume I might want a book bag and a trunk. I'm not sure if there's other conveniences that I'm missing out on because I've been in the muggle world. Was there anything not on the list that you had or wanted to have when you were my age?"

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"Ah... I didn' exactly have much money. An' I wanted a fire newt. Trunk's a good idea, though."

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"I think I'll avoid acquiring more pets for the moment."

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"More?"

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Oh, right. "I have a pet snake. The Dursleys don't know. He lives in the garden."

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"...snake? How'd yeh get one?" he says, sounding suddenly very excited.

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"I broke its case at the zoo with accidental magic and it decided to come home with me."

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"—right. Perhaps don' mention ter anyone yeh can talk to it."

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"You've convinced me of that. I'm worried about leaving him in the Dursley's garden for the school year though. I don't think he's meant to be in cold places during the winter."

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"Well... yer not supposed ter bring snakes ter school, but..."

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"Yeah, I saw the equipment list."

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"...if it's very quiet..."

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"It's not a rattlesnake if that's what you're asking. I don't know how loud he sounds to other people. It just sounds like he's talking to me."

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"Well if yeh can keep him in yer trunk and make sure he won't stick his head out or anythin'..."

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"I don't think he'd like that. I also don't know where I'd get him food to eat."

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"The House Elves could help with that."

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"It's an idea. Thank you, will I get in trouble if people find out?"

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"...aye."

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"I don't know what to do. How much trouble would I be in?"

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"Well—not a lot? And I could keep 'im fer yeh, and yeh could visit 'im every now an' then."

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"Could you? Are you allowed to?"

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"Yeh, I'm groundskeeper, I keep the grounds."

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"Thank you, that would be wonderful Hagrid."

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He beams!

Is there anything else she'd like to buy?

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More clothes, a trunk, a book bag, maybe some extra books when they get to the bookstore.

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The bookstore is called Flourish and Blotts. The shelves are stacked to the ceiling with books as large as paving stones bound in leather; books the size of postage stamps in covers of silk; books full of peculiar symbols and a few books with nothing in them at all.

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This is a good store. She's glad to be in it. She looks around for her course books and then she looks for any sort of introductory materials for the world, Hogwarts, or magic.

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There are those! Hogwarts: A History might have a lot of information about the school, as might A History of Magic, both by Bathilda Bagshot. Beyond that, there is a myriad books about herbs, creatures, spells, potions, history, politics, law, self-help books...

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She'll take Hogwarts: A History and A History of Magic. Do any of the self-help books look interesting? She'll also grab a book about law and one about politics.

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Self-help books seem as universally useless as muggle ones.

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Then she won't be buying one.

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Cauldrons are next on the list!

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She doesn't anticipate anything special being needed in that shop.

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Really? Not even this solid gold cauldron that she can easily afford and which cuts potion preparation time in half compared to the pewter that's on his school list?

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Somehow, she expects that would make it harder to learn. Having to do steps in a recipe twice as fast.

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Then pewter it is! Then they can get a collapsible brass telescope and a set of scales for weighing potions ingredients, and after that they can go to the Apothecary, which smells of bad eggs and rotten cabbages. It is otherwise fascinating, though: barrels of slimy stuff stand on the floor; jars of herbs, dried roots, and bright powders line the walls; bundles of feathers, strings of fangs, and snarled claws hang from the ceiling. Hagrid asks the man behind the counter for a supply of some basic potion ingredients for Sarah.

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She doesn't know enough about potions to add anything else to the list.

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Once outside the Apothecary, Hagrid checks Sarah's list again.

"Just yer wand left."

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"Cool."

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The last shop is narrow and shabby. Peeling gold letters over the door read Ollivanders: Makers of Fine Wands since 382b.c. A single wand lays on a faded purple cushion in the dusty window.

A tinkling bell rings somewhere in the depths of the shop as they step inside. It's a tiny place, empty except for a single, spindly chair that Hagrid sits on to wait.

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She looks around still smiling.

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There also seem to be thousands of narrow boxes piled neatly right up to the ceiling. For some reason, the back of Sarah's neck prickles. The very dust and silence in here seem to tingle with some secret magic. 

"Good afternoon," says a soft voice. An old man is standing before them, his wide, pale eyes shining like moons through the gloom of the shop.

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Sarah startles a little bit. Where did he come from? "Hello."

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(There's a loud crunching noise and Hagrid gets quickly off the spindly chair.)

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"Ah yes," says the man. "Yes, yes. I thought I'd be seeing you soon. Sarah Potter." It's not a question. "You look just like your mother. It seems only yesterday she was in here herself, buying her first wand. Ten and a quarter inches long, swishy, made of willow. Nice wand for charm work." Mr. Ollivander moves closer to Sarah. "Your father, on the other hand, favoured a mahogany wand. Eleven inches. Pliable. A little more power and excellent for transfiguration. Well, I say your father favoured it—it's really the wand that chooses the wizard, of course."

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"Wands are intelligent?"

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"Well. In a way." Mr. Ollivander has come so close that he and Sarah are almost nose to nose. "And that's where..." Mr. Ollivander touches the lightning scar on Sarah's forehead with a long, white finger. "I'm sorry to say I sold the wand that did it," he says softly. "Thirteen-and-a-half inches. Yew. Powerful wand, very powerful, and in the wrong hands... well, if I'd known what that wand was going out into the world to do..."

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"We can never know the future. That's what makes it the future."

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"Yes, indeed," he says, smiling, then shakes his head and finally spots Hagrid. The failure to do so immediately is probably a record of some sort. "Rubeus! Rubeus Hagrid! How nice to see you again... Oak, sixteen inches, rather bendy, wasn't it?"

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"It was, sir, yes."

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"Good wand, that one. But I suppose they snapped it in half when you got expelled?" says Mr. Ollivander, suddenly stern.

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"Er—yes, they did, yes," says Hagrid, shuffling his feet. "I've still got the pieces, though," he adds brightly. 

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"But you don't use them?" he says sharply.

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"Oh, no, sir," says Hagrid quickly. Sarah might notice he grips his pink umbrella very tightly as he speaks.

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She's not going to try to get Hagrid in trouble, though she might try to look for old newspapers at some point.

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"Hmmm," says Mr. Ollivander, giving Hagrid a piercing look, before turning back to Sarah. "Well, now—Ms. Potter. Let me see." He pulls a long tape measure with silver markings out of his pocket. "Which is your wand arm?"

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"I'm left handed."

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"Hold out your arm. That's it." He measures Sarah from shoulder to finger, then wrist to elbow, shoulder to floor, knee to armpit and round her head. As he measures, he says, "Every Ollivander wand has a core of a powerful magical substance, Ms. Potter. We use unicorn hairs, phoenix tail feathers, and the heartstrings of dragons. No two Ollivander wands are the same, just as no two unicorns, dragons, or phoenixes are quite the same. And of course, you will never get such good results with another witch's wand." The tape measure, which is measuring between her nostrils, is doing this on its own. Mr. Ollivander's flitting around the shelves, taking down boxes. "That will do," he says, and the tape measure crumples into a heap on the floor. "Right then, Ms. Potter. Try this one. Beechwood and dragon heartstring. Nine inches. Nice and flexible. Just take it and give it a wave."

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She waves the wand gently.

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And Ollivander promptly snatches it out of her hand, grabbing another wand and handing it to her. "Maple and phoenix feather. Seven inches. Quite whippy. Try this one."

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She waves this one as well.

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The wandmaker takes that one before Sarah's even finished raising it. "No, no—here, ebony and unicorn hair, eight and a half inches, springy. Go on, go on, try it out."

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She tries to wave this one.

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Not that one, either. Or the next one, or the next, or the next. The pile of tried wands mounts higher and higher on the spindly chair, but the more wands Mr. Ollivander pulls from the shelves, the happier he seems to become.

"Tricky customer, eh? Not to worry, we'll find the perfect match here somewhere—I wonder, now—yes, why not—unusual combination—Silver Lime and phoenix feather, ten and three-quarters inches, springy."

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She waves it.

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There is a shower of silver sparkles, floating down around them slowly and moving as if rocked by a gentle breeze.

"Oh, bravo! Yes, indeed, oh, very good. Well, well, well... how curious... how very curious..." He puts Sarah's wand back into its box and wraps it in brown paper, still muttering, "Curious... curious..."

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"What's curious?"

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"I remember every wand I've ever sold, Ms. Potter. Every single wand. It so happens that the phoenix whose tail feather is in your wand, gave another feather—just one other. It is very curious indeed that you should be destined for this wand when its brother—why, its brother gave you that scar." He peers at Sarah again. "Yes, thirteen-and-a-half inches. Yew. Curious indeed how these things happen. The wand chooses the wizard, remember... I think we must expect great things from you, Ms. Potter... After all, He-Who-Must-Not-Be-Named did great things—terrible, yes, but great."

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"Do you have any idea why that might be? Is there some way that might be important?"

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"That, only time can tell," he says mysteriously.

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Why does nobody give her the answers to her questions? "Alright, how much do I owe you for the wand?"

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"Seven galleons."

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They pay and Hagrid leads her away.

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"Was that normal?"

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"...not the last part, no."

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"Alright. So how do I get home, and how do I get to Hogwarts?"

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"I'll drop yeh off at the train station, and yeh can get there from King's Cross, Platform Nine and Three-Quarters.

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"Um, alright. I guess it's good I got the trunk that can shrink itself then. What is platform nine-and three quarters how do you get onto it? When does the train leave and what day?"

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"Hang on—" He reaches into his coat and hangs her an envelope. "Yer ticket, all the information yeh need is there."

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"Thanks." She takes the ticket and looks at it.

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It says the train will depart Platform Nine and Three-Quarters in King's Cross on September 1st at 11AM.

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"It doesn't say how to get to Platform Nine and Three-Quarters Hagrid."

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"Oh, yeh have ter walk straight at the barrier between Platforms Nine and Ten "

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"Thanks, I appreciate it." Sapphire gets out some muggle money then shrinks down her trunk and puts it and the money in her new bookbag. "I'm ready to go."

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Off they go!

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In short order they've arrived at the train station.

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And this is where they part. Hagrid stays on the train.

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Sarah makes her way the rest of the way back to the Dursleys. She braces herself when she arrives.

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They ignore her harder than usual.

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Well that's better than a lot of outcomes. When the time seems right, she'll mention that she needs to get to King's Cross on the first of September.

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Uncle Vernon grunts something unintelligible.

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Well she has the backup plan of getting a cab if they won't take her.

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Nah, they will.

"Funny way to get to a wizards' school, the train. Magic carpets all got punctures, have they?"

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"I don't know, maybe it's tradition or something."

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"Where is this school, anyway?"

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Sarah has skimmed Hogwarts a History so she knows the answer. "Scotland."

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"How do you get there? Which train?"

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"The wizards have their own platform hidden between platforms nine and ten. The specific train I'm taking is just for people going to the school."

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"...hidden platform. What station?"

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"King's Cross."

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"King's Cross, eh?" He grumbles a bit more, then says, "I'll think about it."

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"Thank you, I appreciate it."

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The Dursleys resume ignoring her.

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Then she'll keep reading her various books, she'll try to read the first chapter or two of all her textbooks and skim all the extra books she got before school.

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On Monday—her birthday—she gets a large package on the mail. Uncle Vernon is wary of it but doesn't forbid her it.

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Sarah will take the package to her room and open it there. Better to not show off magical things in front of her relatives.

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It is a completely nonmagical cake.

Happy birthday! I made you this cake. It may be a bit roughed up but it's good.

Hagrid

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That's nice of him, she'll eat it over the course of the next few days and keep it packaged up when she's not eating it.

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On September first the Dursleys get in the car at seven in the morning (Aunt Petunia convinces Dudley to sit next to Sarah) and arrive at King's Cross at half past ten.

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"Thank you for the ride Uncle Vernon. I hope you all have a nice school year." Sarah has her trunk collapsed in her bag.

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Off the Dursleys go.

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Sarah make her way to the platform. There are several barriers but it doesn't take long to check all of them.

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And she'll find one of the barriers not solid, but more like an illusion or a hologram, and she goes straight through. On the other side:

A scarlet steam engine waits next to a platform packed with people. A sign overhead says Hogwarts Express, eleven o'clock. Behind her there's a wrought-iron archway where the barrier was, with the words Platform Nine and Three-Quarters on it.

Smoke from the engine drifts over the heads of the chattering crowd, while cats of every color wound here and there between their legs. Owls hoot to one another in a disgruntled sort of way over the babble and the scraping of heavy trunks.

The first few carriages are already packed with students, some hanging out of the window to talk to their families, some fighting over seats. 

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Sarah will find a loo on the train and change into the robes she packed in her bag, she doesn't want to be wearing Aunt Petunia's hand-me-downs when making a first impression.

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There are a few empty compartments but most have people in them already.

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She'll look for a compartment with a couple people her age, preferably one that isn't too loud.

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Here's one with two girls her age.

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She'll walk in. "Hi, do you mind if I join you?"

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The girls look up at her and the one on the left says, "Sure. I'm Millicent. Bulstrode. This is Pansy Parkinson. What's your name?"

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"I'm Sarah Potter."

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"The Sarah Potter?" Parkinson asks. "You're messing with us. No you're not, you even got the scar there. Blimey."

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"It's nice to meet you."

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"Nice to meet you, too! Where've you been?"

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"I've been living in the muggle world."

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Parkinson looks disgusted and Bulstrode horrified. "Why? Were you kidnapped?" the latter asks.

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"I'm not quite sure, but I've been living with my mother's family."

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"Your mum was a muggle?"

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"No, she was a first generation witch."

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"A muggleborn," says Parkinson, pursing her lips.

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"Oh, is that what people call it?"

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"Yes. ...I guess that still makes you half-blood..."

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"That's an interesting term. I'm not sure I like the sound of it. It makes it sound like I'm less somehow."

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They're both very carefully silent.

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"It's alright, I understand." And she does, maybe she's lucky the Dursleys forced her to make up her mind for herself.

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"Understand what?" asks Parkinson.

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Ahhhh, what can she say that's not terribly insulting. "It's... words like that are sticky, everyone uses them."

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"People with parents who are both magical are pureblood," Millicent says.

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She's not going to try to get into debates about words. "Mkay. So, what do you two do for fun?"

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"Have you played Exploding Snap?" asks Millicent.

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"No, how do you play?"

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"Well I can't show you here, but when we get to the castle—"

"What house do you think you'll be in?" asks Pansy.

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"Probably Ravenclaw, I really like books and thinking about things. Maybe Hufflepuff, I also like meeting new people."

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Pansy grimaces again. "Go for Ravenclaw, that's better, Hufflepuff's for losers."

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Why insult a quarter of the school? "That's probably where I'll find myself."

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"Why?"

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"I think I'll be in Ravenclaw because of how much I like books, and how much I like to think about things. I also might end up in Hufflepuff but that seems less likely."

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"But why?"

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"Why Hufflepuff? As far as I can tell, Hufflepuff is about patience and caring about everyone you meet. I think both of those describe me pretty well."

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"Hmmm."

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Well this has not been terribly successful. "What house are the two of you hoping for?"

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"Slytherin," they say in unison. "My whole family was," Pansy adds.

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"Do houses tend to run in families?"

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"Slytherin does."

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"Interesting. I wonder what that means as far as how the sorting works is concerned." She shrugs. "I guess I'll find out how it works soon enough. So, anything else you'd like to talk about?"

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"It just means we're all suited to Slytherin, of course," says Pansy.

"Well... what are muggles like?" asks Millicent.

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"I haven't really met enough magical people to compare really. Overall, they seem mostly the same though. At least so far. They wear different clothes, but otherwise they eat, they sleep, they work all the normal human stuff."

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"But... what sort of stuff do they even do?"

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"My uncle works for a company which makes drills, a type of tool that muggles use for cutting things. Otherwise there are teachers, and bankers, and shopkeepers among other careers."

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"They have banks?"

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"Yeah, they're pretty different from Gringotts, they do all sorts of complicated math stuff so you don't just have all your money sitting in a vault but it's the same idea."

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"...huh?"

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"I don't quite know how it works myself, the muggle banks invest your money for you and pay you interest though."

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"...I dunno what you're talking about. Money's just—gold."

"And silver, but yes," says Pansy.

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"Not everyone has the money saved up for the things they want so they can get loans where someone gives them money now, in exchange for getting more money back later."

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"...where does the extra money come from?"

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"If you start a business, you can make more money from the business than it took to buy the building do the other things you needed to do when starting out. I'm not sure how it works for houses though, and I know people get loans to buy houses."

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"Well but that's because the goblins make new coins when they need to and control all of them."

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"I think the muggle government controls their money like the goblins control their coins. I'm not sure how that's related though."

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"I just mean, like, the goblins won't just give you money like that."

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"I think you have to promise some sort of collateral or something, the banks get something if you fail to pay them back."

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"...weird."

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Sarah shrugs, "How do people start businesses in the magical world?"

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Shrug.

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"What do your parents do?"

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"Mine work for the Ministry," says Pansy.

"My dad has a shop in Diagon Alley," explains Millicent.

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"Cool, what shop? And what department?"

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"Department of Mysteries."

Millicent looks at Pansy like she's not sure whether she buys that but then says, "It's a book collector's shop."

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"That's cool. I'm not really sure what the Department of Mysteries does but it sounds mysterious. And bookstores are great."

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"No one knows what the Department of Mysteries does, that's the point," Pansy explains, only rolling her eyes a little.

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"That sounds really weird. Aren't they answerable to the Minister of Magic or something?"

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"Of course."

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"Oh, so you're just saying that everyday people don't know what they do. That makes more sense. Still cool to think about."

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"Well I don't know if the Minister knows what they do either."

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"I guess that makes sense."

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"You said your uncle makes cutting stuff?" asks Millicent.

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"Yeah, the company he works for makes drills for lots of things, I think my Uncle works for the part of the company that makes drills for mining."

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"Mining?"

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"Getting stuff from the ground, that's how muggles get metals like iron and gold and such."

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"Oh, they don't have wands, right."

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"Nope, they have to make all sorts of complicated things to do what wizards can often do with a spell."

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"Sounds boring."

"That's why being magical is much better," says Pansy.

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"Magic is pretty cool. I think the muggles have done some pretty impressive things though."

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"Like what?" sneers Pansy.

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"They've made things that let them talk to people on the other side of the world. They've sent people to the moon. They've made airplanes that let them fly over oceans."

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"...you can't go to the Moon."

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"The Americans did. They sent twelve people and then brought them back safely."

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"How do you even do that?" asks Pansy, awed in spite of herself.

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"It was really expensive but they built these metal things called rocketships which use special fuel to fly really really high, and if you fly high enough you can eventually reach the moon. Going to The Moon means travelling as far as if you've gone around the world ten times."

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"But how does it fly?"

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"Have you ever sat in a chair with wheels? Or on some sort of small boat and thrown something? When you do that you go in the other direction. Rockets work by throwing their fuel really fast in the other direction."

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"...huh," says Pansy. Millicent is still slack-jawed.

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"Yeah, it's pretty amazing."

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"...what's the Moon like?" Millicent asks.

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"It doesn't have air on it so the astronauts, the people who went to the Moon, had to wear these weird suits so they could breath. And gravity isn't as strong there so they could jump a lot higher than you can on Earth. There's a lot of craters from asteroids hitting."

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"How big is it?"

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"It's about a quarter of the size of the Earth."

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They stare.

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"Do wizards and witches not know about the solar system? How the Earth goes around the Sun and the Moon around the Earth?"

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"We do have astronomy classes," says Millicent. "We just haven't been to them yet."

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"Oh, did you not go to school before Hogwarts?"

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"No, did you?"

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"I was living as a muggle and they start school at five."

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"...why?"

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"I don't know, I hadn't thought to wonder. Maybe it's tradition, or maybe there is some carefully chosen reason."

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"What'd you learn?"

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"Maths, science, history, and a little bit about how to write essays and stories."

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Pansy grimaces. "Maths?"

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"Maths aren't my favorite. I think they're important though. They're the basis of science and the complicated things muggles do with money."

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"Magic is better," she declares after a second thinking.

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"Magic is really exciting."

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And then a boy knocks on their compartment door and opens it. "Hi, can I stay here? Most of the other compartments are full."

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"Sure, are you a first year like us?"

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"Well I'm not a first year yet," he says reasonably. "I'm Dayo. Nice to meet you."

"I'm Millicent Bulstrode."

"Pansy Parkinson. What's your last name?"

"Iroko. Very formal, aren't we?"

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"Sarah Potter."

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"Wait, really? Cool! I read about you in Modern Magical History!"

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"I haven't read that one. Did it say anything interesting?"

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"Well lots of things! It said you killed Lord Voldemort." Pansy grimaces and Millicent looks horrified at this. "Sorry, Lord You-Know-Who."

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"So they say, I don't remember doing anything that night but my memories are vague."

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"Well you were one, that's to be expected."

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"Yeah, it makes me wonder whether it was something my parents did that protected me."

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"It was unprecedented, if so."

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"Well something unprecedented happened regardless, the question is whether it was two adults who planned something or a baby's accidental magic that did it."

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"People understand adult planned magic better than baby accidental magic," he points out.

"Are you gonna be a Ravenclaw?" wonders Millicent.

"Slytherin, probably."

"Ooh," she says, and both girls' interest is piqued.

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"Maybe there's some sort of magic that would let me remember better and figure out myself someday."

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"We should ask a teacher," says Dayo.

"Wait, you said you read about Sarah on a book?" asks Pansy, suddenly suspicious.

"Muggleborn," he explains.

She grimaces again. "And you think you're gonna be Slytherin?" she asks, scoffing.

"Ohhh yes."

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"What does Slytherin have to do with being from a wizarding family? I thought the houses were about personality."

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    "Muggleborns can't be Slytherins," Pansy explains as if it's obvious.

"Bet you ten galleons we can," says Dayo.

    "—how do you even have ten galleons?"

"Guess you're chicken."

    "I'm not a Gryffindor, you can keep your bet."

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"Why are muggleborns usually not sorted into Slytherin?"

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"They're not real wizards."

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"I don't think they'd be invited to Hogwarts if that was true. Unless, they're invited and just unable to do well. Is that what you mean?"

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    "Yeah."

"Bet you ten galleons," Dayo repeats. Pansy ignores him.

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"I'd expect there are records somewhere. You don't need to wait seven years before collecting."

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He just grins. "Very impolitical of you, you know."

    "What?" asks Millicent. Pansy is still ignoring him.

"Just, you know, ignoring people completely rather than pretending to like them."

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Sarah doesn't feel like she has something to contribute so she stays silent.

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"I don't think I want to stay here," says Pansy, standing up and dragging her trunk out.

Millicent looks conflicted for a second then decides to leave, too.

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Sarah looks briefly conflicted but stays put. "I can't blame you for what you said. I still wish you hadn't said it though."

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"—which part?"

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"I don't think that confronting prejudice head on is the best way to change things. Maybe I'm wrong though, I don't know."

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"It's probably not, I guess, but it was too good to pass up."

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"Like I said, I don't blame you. It seems they didn't know my mother was a muggleborn. What an awful word."

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Shrug. "It sounds just silly to me."

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"It does sound kinda silly if you're just going by the sound of the word."

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"Yep. It's just a word, I'm not about to be offended by some word that means something to another culture."

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"We're going to be living in the magical world though, at least at school. It isn't just the culture of some far off place, and things aren't better for being far away anyway."

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"No, I don't think they're not bad, I just think I'm not about to be offended."

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"I guess that makes sense, I'm trying not to be offended either."

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The door of the compartment suddenly slides open and an extremely red-haired boy sticks his head in.

"Anyone sitting there?" he asks, pointing at a seat opposite Sarah. "Everywhere else is full."

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"Sure, are you a first year?"

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He drags his trunk in and sits, then. He has a black mark on his nose.

"Yeah. I'm Ron. Weasley."

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"Dayo."

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"Sarah Potter."

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"Whoa. Really? So that's where You-Know-Who—" he starts, looking at the scar.

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"Yes."

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"What's it like?"

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"What's what like?"

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"You know, having—that, being you? Do you remember it?"

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"The memories I have are vague at best and I've been pretty insulated from my fame."

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"So you were raised by muggles, too?"

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"I was."

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"Muggle pals!" he says, offering a fist for a fist bump.

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Sarah laughs but returns the gesture.

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Ron also blinks at this bizarre display of muggleness. "What are muggles like?"

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"It's hard to say muggles are like anything, there's so many of them. That's part of why I laughed."

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"...okay, I guess. What about the ones you lived with?"

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Sarah sighs, "They are very fearful people, they're afraid of magic and anything else that might shatter their illusion of normality. We aren't close."

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"How about you?" he asks Dayo, as the train starts moving.

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"It's only Mum, and she's great and I love her very much and she treats me like a real person and listens to me and is great."

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"That's good, I'm glad you have that Dayo."

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"My mum's nice about that, I guess. But it's kinda hard 'cause—I have five older brothers."

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"I can't really imagine what it would be like to have that many siblings. It sounds very busy."

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"Yeah. I'm the sixth in our family to go to Hogwarts. You could say I've got a lot to live up to. Bill and Charlie have already left—Bill was head boy and Charlie was captain of Quidditch. Now Percy's a prefect. Fred and George mess around a lot, but they still get really good grades and everyone thinks they're really funny. Everyone expects me to do as well as the others, but if I do, it's no big deal, because they did it first. You never get anything new, either, with five brothers. I've got Bill's old robes, Charlie's old wand, and Percy's old rat."

He reaches inside his jacket and pulls out a fat gray rat, which is asleep.

"His name's Scabbers and he's useless, he hardly ever wakes up. Percy got an owl from my dad for being made a prefect, but they couldn't aff—I mean, I got Scabbers instead." Ron's ears go pink.

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"It's hard having the weight of expectations like that. My fame is like that too. Everyone expects me to be some sort of hero, but that isn't what I am. Even if I lived up to their expectations it would be, like you said, just what was expected."

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"That must suck. I'm sorry."

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"It's alright, I'll find my way somehow. I might disappoint people but the only person I need to live my life for is me. You can do that too."

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"...huh. I guess."

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"It's up to you in the end, who you choose to be."

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"Deep."

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"But true. Life is about making choices. We just have to hope they're the right ones."

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"Very deep," he amends, smiling.

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She giggles. "Thank you."

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"Mum sorta had to raise me on her own and she doesn't make a lot of money all year. I'm gonna use magic to get rich, though. But I always knew I would."

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"How? I was skimming a book about the local laws and there's a lot of them that forbid telling muggles about magic."

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"I'm a metamorphmagus."

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"Wicked! Show us something!"

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"How about this?"

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"Cool."

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Ron's startled. "You can change even that?"

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"Mum says the first magic I did when I was one year old was shift like this," he explains, morphing back. "So I never really... you know, decided to just be a single gender."

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"Interesting. I guess that makes sense."

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"So wait, you're not a boy?"

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"Right now I am. Some days I won't be."

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"Mkay."

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"What was your first display of magic like?" he asks Sarah.

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"I'm not sure, there were a bunch of small things but they kinda run together. The coolest accidental magic I remember was teleporting, apparently the wizards call it apparating, onto the roof of a building when I was running from some bullies."

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"Oh yeah I did that once! I was falling off a broom though."

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"Cool. Is flying as fun as it sounds?"

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"I dunno, how fun does it sound?"

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"Pretty fun, I'm not quite sure how to quantify fun though."

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"Well it's a lot of fun."

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"I'll bet. I always wanted to make functional wings with metamorphmagic but it doesn't work."

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"That's a shame, it would have been awesome if it worked."

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"Yeah, I can only do partly animal and the wings aren't strong enough."

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"That makes sense. I don't think there are any birds as big as people."

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"Yeah, I looked it up, there's a tradeoff in weight and stuff, by the time you're as big as a human the muscles you'd need to lift yourself are heavier than the wings can actually go and that only gets worse."

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"I bet they'd still look cool."

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"Yeah they did!"

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"Ron, you grew up around magic, you must have cool stories about things you've seen done."

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"I dunno, there wasn't anything cool, my family's pretty normal."

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"Normal for you might be exciting for us. What do you or your parents use magic for?"

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"Erm, all sorts of things? Mum washes clothes and makes food and cleans and knits and dad works at the Misuse of Muggle Artefacts Office."

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"What does that Office do?"

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"Sometimes wizards think it's funny to mess with muggle stuff. Dad makes sure they—don't."

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"That's good of him."

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"It's not a very cool job..."

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"Maybe, not. It's still important."

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"I guess."

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"Does he like that job?"

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"Yeah, he loves muggles and all the stuff they make."

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"So isn't that enough? He's happy. That's all he needs."

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"...I suppose."

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"He sounds nice."

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"He is! Um, but I'd say that, he's my dad..."

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"I suppose you would. Doesn't mean it isn't true."

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"Yeah."

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"So, what do you do for fun?"

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"Oh lots of things! I like to fly, I mentioned that—sometimes my brothers and I practise Quidditch—and I like playing other games like Exploding Snap or chess."

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"What's Quidditch?"

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"Oh, it's the coolest sport ever! I guess you wouldn't have that, huh—okay so there are seven players: three chasers, two beaters, one keeper, and one seeker. You play on broomsticks—tell me if I get confusing—"

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"I think I understand so far."

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"Okay so there's one ball, the Quaffle, which the chasers pass around. There are three hoops for each team and the keeper protects them but if a chaser manages to throw the quaffle through one of the other team's hoops then they score ten points."

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"Ok."

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"Then there's the bludgers, two of them, they're metal balls and the beaters use bats to throw them at other players, but they also go after players on their own."

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"—that sounds dangerous."

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"Not really—I mean, sometimes people break bones but people almost never die playing Quidditch."

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"Almost never?"

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"Yeah. I don't know how often but it hasn't happened in a few years."

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"Alright."

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"And then there's the most important player, the seeker, who has to catch the golden snitch—it's a tiny golden ball that flies and runs away, and the game ends when the seeker catches it. It's worth one hundred fifty points."

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"—what?! That's the most badly designed position I've ever heard of!"

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"Well you don't have to play if you don't want to."

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"How many points are usually scored before the game ends?"

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"Seventy to a hundred and twenty, I guess?"

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"Is that for school games or professional leagues?"

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"School games, the Cup sometimes gets up to three hundred but that's rare."

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"Would the same team usually win if you ignored points scored by the chasers? I think that's Dayo's worry."

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"Er. Sometimes? Most of the time."

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"That seems kinda weird then."

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"You don't have to play either!"

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"Oh, I'm totally gonna, evil metal balls are my thing."

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"I don't think I was going to play regardless. I'm not really a sports person."

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"Huh. Okay."

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"What's exploding snap? The girls who I was sitting with earlier mentioned it."

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"Oh, it's a card game—explaining it's no fun, I'll show you when we get there, can't play it here—but it's fun I promise."

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"Alright. What house are you hoping to be in? I'm thinking Ravenclaw."

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"Gryffindor, but I don't feel very brave..."

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"I'm gonna be Slytherin," he repeats.

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"—why?"

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"I think I might know but I'd be interested in hearing it from you. Also, why do you want Gryffindor?"

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"Well, everyone in my family was a Gryffindor, and—it's good, it's for people who help others and are brave and all that..."

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"Well I'm extremely ambitious," he shrugs.

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"Interesting, I tend to see Hufflepuff as the house more focused around helping others. That's kinda why it'd be my second choice. Though Gryffindor does have a side about helping others too, just in a more adversarial way."

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"Yeah, it's—helping people who can't help themselves, right? And standing up to evil and bullies and all that."

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"That's a nice sentiment. I still don't really think I'm that sort of person though. I don't like to fight."

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Shrug. "I don't either, that's why I dunno."

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"I don't think any of the houses are better than the others. I think it's just that each house sorts different sorts of people. I think it's easier to go wrong in Gryffindor or Slytherin, but the other houses can also lead you astray."

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"Mmhm. I guess."

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Okay time to change the subject.

"So when'd you find out you were a witch?"

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"I first heard the term as a real thing not just a story when I got my Hogwarts letter."

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"Which was when?"

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"The first letter came on July twenty fourth."

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"—letter?"

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"I think the staff expected my aunt and uncle to tell me, and know how to get to Diagon Alley. I intercepted the first letter, the second one got to my aunt and uncle and got them up in a small tizzy that worked out rather well, and then I caught the owl delivering the third and sent a reply. I'm not sure why they sent the same letter three times."

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"...that's bizarre. Professor McGonagall visited me in—November, just before my birthday."

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"That would probably have been more convenient. Hagrid took me to get my supplies, he was nice but maybe not the best person for the job. He couldn't answer most of my questions."

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"Who's Hagrid?"

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"He's the groundskeeper."

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"Oh. Why him? Professor McGonagall said she visited all muggleborns."

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"I don't know, maybe she was busy that day? I sent my reply to her. Maybe I'll ask her sometime."

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"Huh. Weird. But I guess not that unexpected, since I spent all my life shapeshifting and only found out last year how or why."

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"Yeah, you'd think they'd tell kids earlier when they grow up in the non-magical world."

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"Yeah I'm not impressed."

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"Well but there's the Statute—"

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"—of Secrecy, yes, I'm aware of this travesty of a law."

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"I don't know enough to call it a travesty, but I don't think it helps keep the secret to have accidental magic going unexplained. My relatives knew what was happening even if they didn't tell me, but I can imagine a lot of parents asking everyone they can think of for help understanding what's going on."

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"Magic can get clean water to third world countries and doesn't, it's a travesty."

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"Third world?"

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"Why do you think it could?"

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"There are spells that do that!"

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"And do those spells make clean water right then, or continuously. Do you know how they work?"

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"There's one that just makes water, infinitely."

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"That doesn't answer my question. If someone has to stand there producing the water that makes it hard to scale."

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"Sure but no one even tries."

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"There's a lot of good things people could do but don't. I don't think proposing that wizards and witches should devote their lives to refilling and purifying aquifers is a bad idea, but I don't think it's as urgent as you seem to."

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"No I think everyone's just wrong, including the muggles that could be doing a lot of good things that they don't. And the magical community is tiny, Hogwarts gets like forty students per year and that's about as many student-aged magical children Great Britain has at all, I think the reason we don't have things that scale is because no one thought to try to invent them."

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"If one percent of the population is eleven each year that would be a population of four thousand. That isn't a lot of people to solve all the world's problems."

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"That's my point, they never had to create any spells that could because there's so few of them and they don't care about muggles."

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"Dad thinks muggles and wizards should be treated the same..."

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"Do you know what's involved in spell creation? I haven't looked into it yet. Ron, I don't doubt that your dad wants things to be better for muggles but from what I've seen the laws are a long way from being equal."

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Shrug.

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"I don't, but I'm gonna look into it."

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"It sounds like a cool thing to be able to do."

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"Yeah. Potions sounds cool too."

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"I don't really get them yet, but the idea is cool."

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Grin.

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"Are there any classes you're looking forwards to Ron?"

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"Charms, I can't wait to be allowed to use my wand."

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"Yeah, that'll be nice. I mean I think we're allowed to use our wands on the train but I haven't tried any spells."

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"Oh I have a spell to turn Scabbers yellow. I, um, tried it yesterday but it didn't work..."

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"Do you think the spell was wrong or that you got it wrong when you tried?"

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"Dunno. Here, I'll show you..." He rummages around in his trunk and pulls out a very battered-looking wand. It's chipped in places and something white is glinting at the end. "Unicorn hair's nearly poking out. Anyway—

"Sunshine, daisies, butter mellow,
"Turn this stupid, fat rat yellow."

He waves his wand, but nothing happens. Scabbers stays grey and fast asleep.

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"I don't think that's a real spell. All spells I read about on the book had incantations in other languages and all."

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"I was going to say that it sounds too long. Do either of you have the charms book handy? I think that changing colors is in the first year book."

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"Wouldn't that be transfiguration instead of charms, though?"

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"I skimmed the charms book, I think I remember seeing a chapter about the color changing charm."

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"Oh right there was that one. Sure." He rummages through his stuff and finds the book.

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She moves to look over his shoulder.

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As does Ron.

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"Okay..." He points the wand at the rat. "Colovaria!"

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It turns yellow and wakes up, letting out a startled eep.

"Wow! Wicked!"

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"First try, good job."

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"It was a bit like doing metamorphmagic but not quite."

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"Cool, I guess that makes sense. Sorta weird it's a charm though."

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"I dunno how the division works," he shrugs.

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"I suppose that's the sort of thing we're going to learn."

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"Hopefully, yes."

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She smiles widely. "We get to learn magic."

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Beam.

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Around half past twelve there's a great clattering outside in the corridor and a smiling, dimpled woman slides back their door and says, "Anything off the cart, dears?"

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"Thank you. What do you have?"

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The cart contains Bertie Bott's Every Flavour Beans, Drooble's Best Blowing Gum, Chocolate Frogs, Pumpkin Pasties, Cauldron Cakes, Licorice Wands, and a number of other strange things Sarah has probably never seen in her life.

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Ron mumbles something about having brought sandwiches, going pink.

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Dayo looks interested, however.

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Is there anything that looks like food instead of just candy?

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Nope, just junk food.

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She'll take a three or so of everything if that's priced reasonably.

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It's well within her spending money.

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"You really don't have to," he says as the witch starts filling a bag with Sarah's order.

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"It feels like it'd be weird to eat all this stuff in front of you guys, besides you probably haven't tried most of it either."

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"If you insist."

The transaction is completed and she now has: a ton of magical junk food.

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Ron stares at it.

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"She means to share," Dayo stage-whispers.

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Sapphire starts sampling the things that look somewhat familiar, the licorice, the chewing gum, things like that.

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They also taste familiar!

Ron looks at his lumpy packages and decides to accept. He reaches for a purple pentagonal box with "chocolate frog" written on it and starts opening it.

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Dayo follows suit.

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Well nothing is urgent, she can yield to expert opinion.

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"See what the card is, I'm missing Agrippa."

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Dayo's frog jumps, causing him to jump.

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"Weird." Now that she knows to expect it she's careful to keep hold of her frog.

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Dayo catches his and glares at it, then puts it whole in his mouth.

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"Aw, man, I got Morgana," Ron says of the little pentagonal card that came with his frog. "I have like six of those. What did you get?" he asks the other two.

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Dayo mumbles something unintelligible.

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Sarah eats her frog then checks for the card.

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It's an old, bearded man. Very wizardly. The text behind the card says:

ALBUS DUMBLEDORE

CURRENTLY HEADMASTER OF HOGWARTS

Considered by many the greatest wizard of modern times, Dumbledore is particularly famous for his defeat of the Dark wizard Grindelwald in 1945, for the discovery of the twelve uses of dragon’s blood, and his work on alchemy with his partner, Nicolas Flamel. Professor Dumbledore enjoys chamber music and ten-pin bowling.

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"I got Dumbledore."

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He swallows the frog. "Says Merlin, but there's no one in the frame."

And just as Dayo says this, Dumbledore leaves Sarah's card's frame.

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"Magic is weird sometimes."

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"Well, you can't expect them to hang around all day."

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"Muggle pictures and paintings don't have any magic making them—oh, he's back. And he's actually moving." He looks up at Ron. "Erm, are pictures people?"

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"What?"

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"It's tricky to explain, are they copies of the whole person they're a picture of or just a couple seconds of their lives."

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"Oh. Couple seconds. I think."

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"—okay, good to know."

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"Well, anyway, I have bunches of this, do either of you want it?" he asks, offering his Morgana card.

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"I'm not much of one for collecting things."

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"Then I want it," he says, holding out his hand for the card.

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Ron gives it to him, and eyes the pile of stuff Sarah's bought again.

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"You can have mine too." Sarah gives Dayo the Dumbledore card. "I bought enough for all of us, anything we ought to try next?"

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"...Every Flavour Beans?" he suggests.

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"You want to be careful with those," Ron warns. "When they say every flavor, they mean every flavor—you know, you get all the ordinary ones like chocolate and peppermint and marmalade, but then you can get spinach and liver and tripe. George—my brother—reckons he had a booger-flavored one once."

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"That sounds like a very wizard thing, there's an aesthetic."

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"There is, isn't there?"

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Ron takes one and "Bleaaargh—see? Sprouts."

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"I got toast."

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"Strawberry, I guess not all of them are weird."

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"This one's grass."

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"Chocolate!"

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"Pepper. Now I wish I brought water with me."

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That goes on for a bit while the countryside flying past the window becomes wilder, the neat fields replaced by woods, twisting rivers, and dark green hills.

There's a knock on the door of their compartment and a round-faced boy comes in, looking tearful. "Sorry," he says, "but have you seen a toad at all?"

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"I don't think so, sorry."

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He wails. "I've lost him! He keeps getting away from me!"

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"What are you doing to look for him?"

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"I'm asking everyone if they've seen him..."

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"I'd expect that there's some sort of magic you can do to find lost pets. It seems like a thing that would happen a lot. Do you know if there's something like that Ron?"

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"Maybe but I don't know about it..."

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"Hm, maybe ask and older student, maybe a prefect?"

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"—yeah, m-maybe."

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"I can go with you if you're feeling shy."

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"Can you?"

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"Sure, let's go."

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Sarah gets up. "Let's go find your toad."

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He rubs his eyes with his sleeves. "Thanks. I'm Neville."

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"I'm Sarah, nice to meet you."

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"Dayo."

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"Ron," he says, then mumbles something unintelligible, but decides to get up and help, too.

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"Ron, do you know what the prefect badges look like?"

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"Yeah, my brother's a prefect this year, he got his badge with his letter."

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"Cool, that will make this much easier if we don't have to knock on every door."

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"Yeah, the prefects have their own compartment."

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"Well, that's even better."

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"Yeah. Let's go."

He leads the way.

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Sarah follows.

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Eventually they reach said compartment. A tall, lanky boy as violently redheaded as Ron looks up from a book when he sees them. "Ron? What is it?"

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"Neville here has lost his toad. We were wondering if there might be a spell to make finding him quicker."

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"...hm. There might be one—"

"Chapter seven of the sixth year charms book," says a Ravenclaw prefect without looking up from the book she's reading.

"—thank you." He fetches that one and starts leafing through it.

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Sarah waits patiently.

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"Hmm, I've never tried this one before... shouldn't be too hard, though. What's your toad's name?"

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"Trevor."

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He waves his wand, and a shower of sparkles leads the way out of the compartment.

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"Thank you that's pretty cool."

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"You're welcome!"

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"Let's go find Trevor."

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Off they go! He finds Trevor in a compartment with some third years. "Trevor!"

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Sarah waits for Neville to retrieve his toad then asks "Do you want to sit with us?"

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"...okay." Pause. "Are you Sarah Potter?"

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"I am, but I haven't done anything particularly special since the night I'm famous for and I doubt that night went the way it did because of anything I did."

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"...still."

Back to the compartment.

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"So, what house do you want to be in Neville?"

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"Grandma would be disappointed if I wasn't Gryffindor but I think I'm not anything."

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"We're all pretty young, I think to a degree your house has to be about what you want to be almost as much as what you are."

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"I want to be a Gryffindor but I'm a coward."

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"What do you mean by a coward?"

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He shrugs. "I'm—I'm afraid of everything. I'm not brave."

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"Being a coward in my mind is more about what you do than what you feel."

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"Being brave is about overcoming your fears, yeah? You can't be brave if you aren't afraid of anything. And you looked pretty afraid of—everyone—when you lost Trevor but you still went door to door to talk to people. That's pretty brave to me."

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"That's what I meant in better words."

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He grins at her.

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"I think you'll make a great Gryffindor."

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"...thank you."

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"You're welcome. What do you do for fun?"

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"You sure do like that question, huh."

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"I, um. I like helping my Gran with her garden."

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"I do the gardening at home too. What do you grow?"

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And now she has a shyly enthusiastic boy talking about various magical plants and fungi!

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She listens attentively and asks questions.

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And soon they can hear the train whistle. "We should probably put our robes on."

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"I'm already in mine, I can step out if you want."

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"Please."

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Sarah steps into the hallway and waits for them to tell her she can come back in.

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It takes only a couple of minutes. Many things can be said of robes but "difficult to put on" is not one of them.

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"So, Neville, which class are you most looking forwards to?"

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"Herbology."

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"I'm not surprised. You seem to know a lot about it already."

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Small smile.

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And soon a crowd starts forming outside their compartment.

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"Are you all ready to get off?"

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They are!

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Then perhaps they should join the crowd. There was an announcement about leaving their things on the train so Sapphire puts her bag in the upper rack.

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The crowd slowly goes through the door and onto a tiny, dark platform. Then a lamp comes bobbing over the heads of the students, and Sarah can hear a familiar voice:

"Firs' years! Firs' years over here! All right there, Sarah?"

Hagrid's big hairy face beams over the sea of heads.

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"I'm excited."

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"C'mon, follow me—any more firs' years? Mind yer step, now! Firs' years follow me!"

Slipping and stumbling, they follow Hagrid down what seems to be a steep, narrow path. It's dark enough on either side of them that there must be thick trees there.

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Almost nobody speaks much, with Dayo the exception that chatters on and on about how cool it all is.

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Neville sniffles once or twice.

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Sapphire shoots him a reassuring smile but otherwise just looks around, surely it won't stay dark and nondescript forever.

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"Ye' all get yer firs' sight o' Hogwarts in a sec," Hagrid calls over his shoulder, "jus' round this bend here."

And indeed, there it is, its glittering lights reflecting over the lake and dancing in the distance, hinting at an enormity and opulence that will probably only become greater in the light of day, when they can appreciate it in its entirety.

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Sarah just gazes at it smiling widely. Hopefully the inside is as nice as the outside.

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There's a loud "Ooooooh!" as the other students glimpse the castle for the first time. On the lake rest several small canoes next (but not in any way attached) to a wooden pier which seems to be their destination.

"No more'n four to a boat!" Hagrid calls and the students start boarding.

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"There's four of us if we've managed to stick together." She looks around.

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Yep! Dayo, Ron, and Neville follow her into the boat.

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"Everyone in?" shouts Hagrid, who has a boat to himself. "Right then—FORWARD!"

And the fleet of little boats moves off all at once, gliding across the lake, which is as smooth as glass. Everyone is silent, staring up at the great castle overhead. It towers over them as they sail nearer and nearer to the cliff on which it stands.

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She matches the silence and just drinks in the sight.

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"Heads down!" yells Hagrid as the first boats reach the cliff; they all bend their heads and the little boats carry them through a curtain of ivy that hides a wide opening in the cliff face. They're carried along a dark tunnel, which seems to be taking them right underneath the castle, until they reach a kind of underground harbor, where they clamber out onto rocks and pebbles.

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"That was fun."

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They clamber up a passageway in the rock after Hagrid's lamp, coming out at last onto smooth, damp grass right in the shadow of the castle.

They walk up a flight of stone steps and crowd around the huge, oak front door.

"Everyone here?" And before waiting for an answer Hagrid raises a gigantic fist and knocks three times on the castle door.

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The door swings open at once. A tall, grey-haired witch in emerald-green robes stands there. She has a very stern, almost stereotypical witch face.

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"The firs' years, Professor McGonagall."

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"Thank you, Hagrid. I will take them from here."

She pulls the door wide. The entrance hall is big enough you could fit the whole of the Dursleys' house in it. The stone walls are lit with flaming torches like the ones at Gringotts, the ceiling too high to make out, and a magnificent marble staircase facing them leads to the upper floors.

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She looks very serious. It's interesting to see the person who apparently read her letter. She keeps looking around.

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Indeed it is.

They follow Professor McGonagall across the flagged stone floor. They can hear the drone of hundreds of voices from a doorway to the right—the rest of the school must already be here—but Professor McGonagall shows the first years into a small, empty chamber off the hall. They crowd in, standing rather closer together than they would usually have done, peering about nervously.

"Welcome to Hogwarts," she says. "The start-of-term banquet will begin shortly, but before you take your seats in the Great Hall, you will be sorted into your Houses. The Sorting is a very important ceremony because, while you are here, your House will be something like your family within Hogwarts. You will have classes with the rest of your House, sleep in your House dormitory, and spend free time in your House common room.

"The four Houses are called Gryffindor, Hufflepuff, Ravenclaw, and Slytherin. Each House has its own noble history and each has produced outstanding witches and wizards. While you are at Hogwarts, your triumphs will earn your House points, while any rulebreaking will lose House points. At the end of the year, the House with the most points is awarded the House cup, a great honor. I hope each of you will be a credit to whichever House becomes yours.

"The Sorting Ceremony will take place in a few minutes in front of the rest of the school. I suggest you all smarten yourselves up as much as you can while you are waiting."

Her eyes linger for a moment on Neville's cloak, which is fastened under his left ear, and on Ron's smudged nose.

"I shall return when we are ready for you. Please wait quietly," she finishes, and leaves the chamber.

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"That's interesting. I wonder what the actual consequence of winning the house cup is."

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"You get a big cup," some other student whispers.

The other students seem to be panicking about how they're going to get sorted into houses. There's talk about it being a test of some sort.

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The books she read were conspicuously silent on how the sorting happens but there was no mention of it being difficult or dangerous so she isn't worried. If any of her new friends seem worried she'll try to reassure them.

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They're a bit worried.

Suddenly several people behind them scream, and when they turn to look, they see that about twenty ghosts have just streamed through the back wall. Pearly-white and slightly transparent, they glide across the room talking to one another and hardly glancing at the first years. They seem to be arguing. What looks like a fat little monk is saying: "Forgive and forget, I say, we ought to give him a second chance—"

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"My dear Friar," answers a ghost wearing a ruff and tights, "haven't we given Peeves all the chances he deserves? He gives us all a bad name and you know, he's not really even a ghost—I say, what are you all doing here?" he asks, finally noticing the first-years.

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She had read about ghosts being at Hogwarts, seeing them is something else though. Still, it's polite to answer. "Waiting to be sorted."

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"New students!" says the Fat Friar, smiling around at them. "Hope to see you in Hufflepuff! My old House, you know."

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Sarah smiles. "Thank you."

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"Move along now," says a sharp voice coming from the door—McGonagall, returned. "The Sorting Ceremony's about to start." One by one, the ghosts float away through the opposite wall. "Now, form a line," she tells the first years, "and follow me."

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She gets in line.

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They walk out of the chamber, back across the hall, and through a pair of double doors into the Great Hall.

It's lit by thousands and thousands of candles that are floating in midair over four long tables, where the rest of the students are sitting. These tables are laid with glittering golden plates and goblets. At the top of the hall is another long table where the teachers are sitting. Professor McGonagall leads the first years up here, so that they come to a halt in a line facing the other students, with the teachers behind them. The hundreds of faces staring at them look like pale lanterns in the flickering candlelight. Dotted here and there among the students, the ghosts shine misty silver. Instead of a ceiling, there is a velvety black emptiness dotted with stars, the Great Hall looking like it simply opens on to the heavens.

Professor McGonagall silently places a four-legged stool in front of the first years. On top of the stool she puts a pointed wizard's hat. This hat is patched and frayed and extremely dirty. Aunt Petunia wouldn't have let it in the house. 

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For a few seconds, there's complete silence. Then the hat twitches. A rip near the brim opens wide like a mouth—and the hat begins to sing:

Oh, you may not think I'm pretty,
But don't judge on what you see,
I'll eat myself if you can find
A smarter hat than me.

You can keep your bowlers black,
Your top hats sleek and tall,
For I'm the Hogwarts Sorting Hat
And I can cap them all.

There's nothing hidden in your head
The Sorting Hat can't see,
So try me on and I will tell you
Where you ought to be. 

You might belong in Gryffindor,
Where dwell the brave at heart,
Their daring, nerve, and chivalry
Set Gryffindors apart;

You might belong in Hufflepuff,
Where they are just and loyal,
Those patient Hufflepuffs are true
And unafraid of toil;

Or yet in wise old Ravenclaw,
If you've a ready mind,
Where those of wit and learning,
Will always find their kind;

Or perhaps in Slytherin
You'll make your real friends,
Those cunning folk use any means
To achieve their ends.

So put me on! Don't be afraid!
And don't get in a flap!
You're in safe hands (though I have none)
For I’m a Thinking Cap!

The whole hall bursts into applause as the hat finishes its song. It bows to each of the four tables and then becomes quite still again.

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That was an interesting song. It seems to reinforce her thinking that Ravenclaw or Hufflepuff would fit her best.

She claps but she's kinda confused why the hat is dirty. Do magical objects resist cleaning?

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Professor McGonagall now steps forward holding a long roll of parchment.

"When I call your name, you will put on the hat and sit on the stool to be sorted," she says. "Abbott, Hannah!"

A pink-faced girl with blonde pigtails stumbles out of line, puts on the hat, which falls right down over her eyes, and sits down. A moment's pause—

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"HUFFLEPUFF!" shouts the hat.

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The table on the right cheers and claps as Hannah goes to sit down at the Hufflepuff table. The ghost of the Fat Friar waves merrily at her.

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Sarah smiles and claps enthusiastically. She'll clap for other students too, perhaps not quite as enthusiastically for Gryffindor and Slytherin.

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The Deputy Headmistress continues down her list: Kellah Bimm, Gryffindor; Susan Bones, Hufflepuff; Terry Boots, Ravenclaw; Mandy Brocklehurst, Ravenclaw; Lavender Brown, Gryffindor; Millicent Bullstrode, Slytherin; Vincent Crabbe, Slytherin; Justin Finch-Fletchley, Hufflepuff; Seamus Finnigan, Gryffindor; Gregory Goyle, Slytherin. Some of them the Hat decides on immediately, while others take a bit longer.

After those: "Iroko, Adedayo!"

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And Dayo confidently strides towards the hat and puts it on.

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Sarah smiles widely.

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The hat stays on Dayo's head for almost a minute, and then—

"SLYTHERIN!"

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He beams, takes the Hat off, and walks towards the applauding table.

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She claps loudly for him. Hopefully that will be the right decision for him.

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Neville is, after some deliberation by the Hat, a Gryffindor, to his own surprise. He runs off still wearing the Hat and has to return amidst laughter to give it to 

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"MacDougal, Morag!"

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Who is a "SLYTHERIN!"

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Malfoy goes next, and the Hat has barely touched his head when it cries—

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"SLYTHERIN!"

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—and he swaggers his way to Crabbe and Goyle, who are apparently friends of his.

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She's glad Neville ended up where he wanted. She doesn't give much thought to Draco but claps politely.

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Moon, Nott, Parkinson, Patil (Padma), Patil (Parvati), Perks—

—and then, "Potter, Sarah!"

And whispers suddenly break out like little hissing fires all over the hall.

"Potter, did she say?"

"The Sarah Potter?"

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She smiles and does her best to look confident as she walks up to the front of the room and puts on the hat.

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Ah, what a curious one, the Hat's voice sounds in her ear—or her head? I don't see you in Gryffindor, oh, no—though you may wish to help others, it is not through bravery and chivalry, but rather through understanding them and lending them a helping hand. You would do quite well in Hufflepuff, I believe. But there is also a thirst—you wish to know more, to learn more, and there is a hard to sate curiosity in your soul...

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Sarah smiles. I'll take that as a compliment.

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But there is a part of you you do not know so well, not yet... You adapt. You behave in ways that will suit you, and that will help you reach your goals, quite unconsciously... Have you considered, my dear, the great House of Salazar?

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She hadn't. Slytherin doesn't have the best reputation. Your own song said that they'd use any means to achieve their ends. That's not who I want to be.

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That is... poetic licence, if you will. No, Slytherin is not necessarily this image you make of it... It is the House of greatness, and of achieving awe-inspiring things.

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Even if it isn't a lot of people think it is, and there's a lot of eyes on me... That isn't a very Ravenclaw justification. I'm here to learn, I don't want to do anything which would interfere with being able to learn and I think Slytherin will interfere more than Ravenclaw.

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And that is a rather Slytherin reason for not wanting to be in Slytherin, is it not? the Hat's voice says, sounding wry.

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I also have Ravenclaw reasons. But I guess there's more Slytherin in me than I thought.

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Indeed. You could shine in both places, I can see that about you...

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If I have the choice I pick Ravenclaw. I won't forget this though.

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I believe you won't.

"RAVENCLAW!"

And the room erupts in applause.

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Sarah smiles and walks over to join her new housemates.

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They welcome her warmly.

After her there's Thomas, then Tolipan, then Turpin, and finally "Weasley, Ronald!"

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Who is sent to Gryffindor almost as quickly as Malfoy was sent to Slytherin.

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Hopefully Ron will be a friend for Neville. Sarah's glad he got where he wanted to go. She claps enthusiastically. She also claps more for Slytherins than she was before her sorting.

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Professor McGonagall calls "Zabini, Blaise!" who's a Slytherin but then the she rolls up her scroll and takes the Hat away.

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And Headmaster Dumbledore gets to his feet. He's beaming at the students, his arms opened wide, as if nothing could have pleased him more than to see them all there.

"Welcome," he says. "Welcome to a new year at Hogwarts! Before we begin our banquet, I would like to say a few words. And here they are: Nitwit! Blubber! Oddment! Tweak!

"Thank you!"

He sits back down. Everybody claps and cheers.

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Sarah commits those words to memory. "Do you think that was a joke?" She asks.

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"Probably. They say he's a bit mad," says Padma Patil, before diving into the buffet that's suddenly appeared in front of them: roast beef, roast chicken, pork chops and lamb chops, sausages, bacon and steak, boiled potatoes, roast potatoes, fries, Yorkshire pudding, peas, carrots, gravy, ketchup, and, for some strange reason, peppermint humbugs.

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"Alright." That's a weird thing to say about the headmaster of a school. Sarah files that mystery away and serves herself some food. "What class are you most looking forwards to?"

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"Defence Against the Dark Arts," she admits. "But they say Defence Professors never stay very long..." She looks at the Head Table.

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Sarah follows her gaze. "Do you know why defense professors tend to leave?"

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"They say You-Know-Who jinxed the position," an older year whispers conspiratorially.

Professor Quirrell, in his absurd purple turban, who's this year's Defence Professor, seems to be talking to a teacher with greasy black hair, a hooked nose, and sallow skin.

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And very suddenly, the hook-nosed teacher looks past Quirrell's turban straight into Sarah's eyes—and a sharp, hot pain shoots across the scar on her forehead.

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She winces and closes her eyes. What was that?

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"—you alright?"

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"Just a brief headache." She isn't sure if it's safe to tell anyone or if there's anything to tell.

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"Alright, then."

When everyone has eaten as much as they can, the remains of the food fades from the plates, leaving them sparkling clean as before. A moment later the desserts appear. Blocks of ice cream in every flavour you can think of, apple pies, treacle tarts, chocolate eclairs and jam doughnuts, trifle, strawberries, jelly, rice pudding—

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That's a lot of variety. "Is it like this all the time or just special occasions?" She gets small amounts of a bunch of things.

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"There's always a lot of food but this much is because of the Sorting Feast," explains another older student.

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"That makes sense. Thanks."

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Eventually the dessert, too, disappears, and Professor Dumbledore gets to his feet again, that action enough to bring the hall to silence.

"Ahem—just a few more words now that we are all fed and watered. I have a few start-of-term notices to give you.

"First years should note that the forest on the grounds is forbidden to all pupils. And a few of our older students would do well to remember that as well." Dumbledore's twinkling eyes flash in the direction of a pair of redheaded twins at the Gryffindor table. "I have also been asked by Mr. Filch, the caretaker, to remind you all that no magic should be used between classes in the corridors.

"Quidditch trials will be held in the second week of the term. Anyone interested in playing for their House teams should contact Madam Hooch.

"And finally, I must tell you that this year, the third-floor corridor on the right-hand side is out of bounds to everyone who does not wish to die a very painful death."

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Her eyes go a little wide. What in the world does that mean? She pays even closer attention to the rest of the speech if there's anything more.

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"And now, before we go to bed, let us sing the school song!" cries Dumbledore. The other teachers' smiles become rather fixed. Dumbledore gives his wand a little flick, as if he's trying to get a fly off the end, and a long golden ribbon flies out of it, which rises high above the tables and twists itself, snakelike, into words. "Everyone pick their favorite tune," he says, "and off we go!"

And the school bellows:

"Hogwarts, Hogwarts, Hoggy Warty Hogwarts,
Teach us something please,
Whether we be old and bald
Or young with scabby knees,

"Our heads could do with filling
With some interesting stuff,
For now they’re bare and full of air,
Dead flies and bits of fluff,

"So teach us things worth knowing,
Bring back what we’ve forgot,
Just do your best, we’ll do the rest,
And learn until our brains all rot."

Everybody finishes the song at different times. At last, only the same redheaded twins are left singing along to a very slow funeral march. Dumbledore conducts their last few lines with his wand and when they've finished, he's one of those who claps loudest.

"Ah, music," he says, wiping his eyes. "A magic beyond all we do here! And now, bedtime. Off you trot!"

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The cacophony is kinda awful. "Does anyone else find the thing about the third floor worrying?"

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"Oh, he's Dumbledore," someone shrugs. "...but he's serious, yes, don't do that."

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"That's not very reassuring. Why would there be something that dangerous in a school?"

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"It's the safest place in Britain, pretty much."

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"Safest in what sense? Do you mean it has objectively the best safety record or do you mean it's the most defensible if attacked or something else? Also, why would it being safe be a reason to add dangers?"

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"All of the above, and if it's something dangerous it's probably been put there to keep it safe."

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She's a little skeptical that Hogwarts is safer than anywhere else but she doesn't know enough to object. "It seems weird to keep dangerous things in a school, but maybe Hogwarts isn't just a school."

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"Define 'just,'" he says, as the prefect starts leading them out of the Great Hall.

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"If Hogwarts's only purpose is to be a school then I don't think that there should be anything here that makes the students less safe. If it has other purposes I guess it might make sense to compromise the purpose of it as a school to satisfy those."

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"Hogwarts is one of the most magical places in Britain but it's ostensibly just a school..."

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"I guess something this dangerous might just be a secret but if it is why wouldn't they cast spells on the door to make it secret. Maybe there aren't spells like that that work on wizards."

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"Well, there's the Fidelius Charm? But then the secret depends on a single person."

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"That sounds interesting, but I guess I can see why people wouldn't use that too often. Hopefully they have strong locking spells to keep people too curious for their own good away from whatever it is that's so dangerous."

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Shrug.

They are led to a spiral staircase that goes up a tower leading to a door with an eagle-shaped knocker but no doorknob or keyhole. No one knocks, though, and the knocker speaks: "If it's entrance that you seek, then this answer you must speak. What always comes but never arrives?"

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"Tomorrow."

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"You may enter," says the knocker, opening the way. A few older students look at her with approval.

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She smiles and walks into the room.

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The common room is a wide, circular room with arched windows hung with blue and bronze silks and a midnight blue carpet covered in stars, which is reflected onto the domed ceiling. It's furnished with tables, chairs, and bookcases, and there's a door—presumably leading up to the dormitories—by which stands a tall statue of a woman made of white marble.

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She looks around and waits for the rest of the first years to get through the door. The prefects might still have something to say.

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They do! Through that door are dormitories. Each year and gender has one. They can borrow these books but only for up to three days after which they are automatically summoned back to the shelves. That's all.

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That all seems to make sense. She's going to look at the shelves a bit before she goes up to sleep.

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She's not the only one. Cue lots of first-years staring at books in awe.

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Well it is Ravenclaw. How are the books organized?

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By topic and alphabetically, apparently.

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Interesting. She'll have plenty of time to look through them all this year. Up to her room.

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There are beds to be claimed.

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Are they different from each other?

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Only in how close they are to the door.

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She'll take one closer to the door.

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Her trunk is there waiting for them, she can drag it closer to her bed. The other girls do the same.

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She probably remembers their names from the sorting. She greets them all by name.

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Indeed!

"So you're Sarah Potter," says Mandy Brocklehurst. "What's that like?"

Sue Li and Morag MacDougal seem equally interested, but Padma Patil doesn't, and Lisa Turpin says, "Come on, don't pester her on her first day."

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"I've been pretty insulated from my fame. Shopping for school supplies was overwhelming though. I got mobbed at the Leaky Cauldron."

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"Well everyone wanted to know where you were," says Li reasonably.

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"I know. I understand it. I just wasn't really expecting it."

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"Should we stop?" asks MacDougal.

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"I'm fine answering questions. Hopefully we can be friends and that requires getting to know each other."

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"It does!" she agrees.

"But we have lessons tomorrow morning so how about we sleep first?" sighs Patil.

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"Works for me. Um, how do all of you want to handle changing. Are you ok with people changing in the room or should we go to the bathroom to do that?"

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"I don't care," Turpin shrugs. The others seem equally indifferent.

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"I'll just change here then." She gets out a nightgown and changes before crawling into bed.

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The others do the same and the lights are turned off.

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She thinks about her day for a few minutes but falls asleep with a smile on her face.

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—she's wearing Professor Quirrell's turban, which keeps talking to her, telling her she must transfer to Slytherin at once, because it's her destiny. It gets heavier and heavier, and tightens painfully—and there's Malfoy, laughing at her as she struggles with it—then Malfoy turns into the hook-nosed teacher who'd been talking to Quirrel earlier, Snape, whose laugh becomes high and cold—there's a burst of green light—

—Sarah wakes up at four AM, drenched in sweat and shaking.

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That was a weird nightmare. Maybe her mind it's trying to tell her something. She writes down what she remembers then goes to the bathroom to clean up a little before trying to get a bit more sleep. She lies awake with her thoughts for about half an hour then wakes up again when the first of her roommates does. Life at the Dursleys has made her a light sleeper.