A man appears in the circle, midstride, head turned back to look behind him. He stops almost immediately and reorients to face the girls, frowning in confusion. Whatever he says to them is intoned like a statement, not a question, but he regards them as though expecting an answer.
"Of all the stupid—" He breaks off, shakes his head, and continues with the frustration almost completely erased from his voice. "I work as a trauma surgeon. I am a very good trauma surgeon. People depend on me being very good. Accidents that need my level of skill thankfully don't happen that often, but when they happen, I need to be reachable immediately. You can send me right back? Do it right now. Showing off to your friend is not worth putting ten seconds' delay between me and my job."
"He's the kind of person who would help a hurt light," Korulen guesses, frowning, not sounding sure of her interpretation. "Well, okay, I guess we can just do it again if it's that important, we'll just -"
The younger girl already has her hand up. "Korulen?"
"Oh no."
"Don't tell your mom, what if we think of something else to do - can't we just send him -"
"We can't send anybody who's not native," says Korulen. "But we could send somebody else with messages - or a witch or a light maybe if it's that important to have your job covered - or whatever - my mom will make sure it's as okay as can be I'm sorry -"
"Don't tell her please -"
"Assuming you mean I'm literally trapped in here," he says, "then for my health and safety and the health and safety of anyone else nearby, you need to let me out immediately."
It's right there in front of him, he can feel the curvature when he slides his hand just a little—
With a choked-off scream, and inhuman force and speed, he lunges at the wall behind him. The fact that he bounces back onto the floor doesn't seem to deter him in the slightest. Nor does the fact that his second attempt breaks all the fingers on his right hand. After that, he's moving too fast too constantly for the extent of the damage to be visible, and the screaming hits maximum volume about half a second in and doesn't get much more informative from there.
If anyone watching had the visual processing speed necessary to see him clearly, they would notice his movements becoming less desperate and more mechanical over the course of the next few seconds. He stops rebounding all over the inside of the ward and begins concentrating on a single narrow arc facing away from everyone else in the room - then on a single spot within that arc, chest-height on him if he were standing still, if he were capable of standing still right now - and finally, at the end of four or five seconds from the moment Keo started working at him, he ceases screaming abruptly and drops to the floor like a marionette whose strings have just been vaporized.
Most of the bones in his hands, wrists, and forearms are broken at least once each. His feet have fared better only because he was wearing shoes.
"Mnh. Don't care," he says. "It's useful. Reminds me not to move." And he is indeed hardly moving. "What are the conditions that'll get me let out of here? And optionally some medical care? I can put myself back together from here without help but it'd be a brutal job and I'd rather not have to."
"I have to be convinced that you're not going to be a danger or a liability, at least not more than balances against the inconvenience of looking after while you're in there. I can find that out to my satisfaction with the fancy mind tricks if you like. If I let you out, you can see a light about your injuries; I'd have to check the exact spell the girls used to say whether one will be able to work through this kind of ward or not."
He is telling the truth on both counts. He's willing to break laws that interfere with his survival, or that are so pointless and unenforceable it's not worth it to comply, but strongly prefers to avoid trouble otherwise; he has a similar approach to violence, and has been receiving a strong impression that he is far enough away from home not to have to worry about the major threat likely to incite violence from him in the name of survival.
There is the matter of what happens when you lock him in an enclosed space with no way to leave, but that's an extremely specific situation and, as proven here, more likely to hurt him than anyone else. It would be dangerous to enclose him in a ward and then get in there with him; he has worked on this problem enough that, contrary to his overcautious warning to the children, in the heat of the moment when rational decisionmaking is beyond him he will choose escape over causing harm whenever both are available.
"Oh my goodness! Stars and planets, oh my goodness!" She cups her hands together and makes a bubblegum-pink ball of sparks, which she presses to the nearest available extremity of the visitor.
"Oh not me, no," says bubblegum-pink light, "I don't want to go haring off anywhere -"
"The night shift one or the part-time one, maybe, and then replace that position temporarily with a student who happens to be a light. What's your name, by the way?" Keo inquires of the summonee.
"Miroslav Hall," he says. "Dr. Hall. Someone who can do my job this quickly would definitely have time to research whatever their heart desired on the side. And working in a hospital is plenty safe. For that matter - something one of the kids said implied lights don't work on lights? How good is whatever you've got that patches that problem? If you get me some of the equipment my stand-in won't be using, I could help with that. My specialty's injury, not illness, but I'm good at injury. Don't know how useful I'd be, but I'm offering."
"Lights don't work on themselves or each other," says Keo, "so it's possible you'd be useful at a lights' crisis center somewhere."
"Erm," says the bubblegum-pink light. "I'm starting to wonder if your - stand-in - won't need to be a trained light? Five-year-olds can heal but you have to know what you're doing to address anything complicated like objects embedded in a wound or - well, I guess if you deal with injuries and not rehabilitation it wouldn't have to be someone who knows the procedures for scars and stumps and implants and the like. But still. None of the three of us on staff know how to take anything more complicated than a splinter out of a wound."
"Well, there's not necessarily a reason it has to be exactly one person. A student will be much faster to get and much less expensive than a trained-light, even one who only has a class about wound evacuation under their belt and nothing else. We could find one of those who'll go for a couple of days within the angle, probably, if you can tell me a bit more about what they'll find there if they show up with themselves and a letter you write."
"The language thing can be handled. There's such a thing as a universal translator in my world; I don't personally have one, but the hospital can probably scare one up, especially if I'm going to be gone for a while and especially if they get excited about lights. Sunlight, though... what kind of sunlight?"
He accepts these instruments, thinks for a minute, and then starts writing. His handwriting is very neat, despite how fast he writes. At the end he signs it, then folds the page and addresses it to the head of his hospital's administrative staff.
"That should cover it. Lily's pretty adaptable for a bureaucrat."
"By then there should be a grownup who can go for a longer stretch," Keo says. "I've given you my dragonsong, go ahead and make sure you can sing that now." The leonine sings fifteen pretty syllables, and Keo nods. "Okay, sing that if the sun tastes wrong or something else happens that means you need to come home."
The kid nods.
"It varies," says Dr. Hall, making this amendment to the letter. "Some days I don't get anything serious at all; some days there's an industrial accident and I spend all day reattaching limbs. Averages maybe one bad case every day or two, small stuff the rest of the time."
"If you could just put your hand there and concentrate on the point where he's meant to land," Keo says, indicating the focus loop for Dr. Hall, "we can send him along now."
"Oh, uh, this country doesn't have a military, at all, so if we're threatened in some way Parliament can raise the wards over all the cities at once, and city governments can do their own too, and individual buildings have to have wards even if they're not inside city limits. They're not like the one you were in," she adds hastily, "they keep stuff out, not in."
"All right... start from paper, I've seen that here. From paper you get to books, right? Okay, now say there's an artifact that's like a library in book form - it contains the information of hundreds or thousands or millions of books, and you can cue it to show you the ones you want, one page's worth of display at a time. And you can write on it, record new books into the library. And any two of these things can talk to each other, swap books back and forth. And there's a semi-centralized network so you don't have to physically find the exact one that has the information you want, you can just go on the network and find it from wherever you are. There's a lot more to it, but that's the basics."