Another lake.
There is a castle beside this one, a lonely-looking place with high walls and higher towers. Along the nearest shore, a cluster of young women in white dresses huddles under the owl's shadow. It swoops low, low enough for Isabella to see their frightened faces looking up at her, then drops her on her feet a quarter of the way around the lake.
And then it is not a giant owl at all, but a man in a long feathered cape, his hands digging into her shoulders as he spins her around and scowls thunderously into her face.
"I am the Baron von Rothbart," he says, "and I can do what I please with you, Odette."
That is not her name.
But the word crackles in the air, and the talon-marks in her shoulders sting like they've been immersed in something noxious, and no other name is available to her anymore.
"Listen to me," the Baron commands. His voice fills her ears. "This is your new home. When the sun rises, you will leave this shape and live as a swan for the day. When the sun sets, you will go ashore and live as a woman for the night. When I summon you, you will come to me. You cannot escape. You cannot drown yourself. There is but a single way to free you: if you win an unclaimed heart - if one who has never loved before swears to love you forever - then the curse will be broken. Until then, my swan—" He smiles and gathers his cape around him. "Welcome home."
The giant owl hoots softly, then takes off.
There is a certain physical resemblance between all of them, her included. Their height, the colour of their skin and hair, the shape of their faces.
Odette.
That's not her name - she doesn't even seem to be able to make something up, though, can't tell them she's called Bianka or Ingrid or Verena, it won't stick, the sentence won't happen.
She is almost too stunned to be angry, but she is angry enough to be twisty about it. She's not going to go by Odette. She's - she's going to nickname herself, that's it.
"I'm Etty. Who are you?"
Keeping a half an eye on the... flock of girls... she starts a circuit of the lake, venturing away from shore into the surrounding forest periodically, scoping out her - new home, pessimistically; starting point from which she'll venture to rescue, optimistically. She wants hiding places in which to stash things she may acquire; sources of food, like nuts or berries, because she has no idea what she'll be fed or how regularly; and any interestingly shaped rocks that could allow the creation of tools. Or weapons. Maybe she can alternatively break the curse by stabbing the bastard.
Then there probably wouldn't be a flock of braindead girls who look so much like her at the lake, now, would there.
On the other hand she can easily believe that none of them were particularly clever about less straightforward means of escape. Maybe she can cut his cloak and he won't be able to fly and then - well, she'll have to think this through now, even without that he'll be easily able to overpower her. She'll think.
She wishes she had paper.
She finishes her circuit of the lake and goes back through the orchard to investigate the castle itself.
It leads her, with a few acoustic detours, to a room at the top of a tower. It's a beautiful room, containing beautiful furniture and a beautiful canopied bed, and in the bed is a girl who may or may not be beautiful under normal circumstances but is currently red-eyed and tear-streaked and cocooned in a tangle of beautiful sheets.
There is a question to ask of this (stark naked) girl, but it could offend; Etty will save it till she's sure there is nothing else she needs from her.
"Do you know what's the first thing to go when Odettes - deteriorate? And - is there any way I could get something to write with, and on?"
Etty sits on the floor and pulls her knees up to her chin. "I grew up in Astgabels. In Diotaland - are we even still in Diotaland? I have little enough sense of geography that I don't know how far he carried me. My mother died when I was small so it's just been me and my father, Carl. He's the sheriff. I kept house, but I had time to read - I was friends with the bookseller's daughter; she'd loan me things - and write. I mostly write about my own thoughts. I spend a lot of time in my head. That's what I wanted this for," and she lifts the blank scroll. "Especially since now I must fear forgetting - everything. Not just slippery brief thoughts."
There's an odd creeping warm feeling up her back. Sunrise approaching, maybe, she has no idea what it feels like to turn into a swan, but when she lifts her head and wipes the blur out of her eyes the sky out the window is as dark and starry as before.
And then she opens her eyes.
Being a swan is strange. It doesn't hurt - it doesn't feel like she's been mangled into this shape - but it's not fully natural either; she's the bird equivalent of an infant who can't find her toes. (Though she is a grown swan, not a cygnet. She figures this out in the course of learning how to operate her spectacularly flexible neck; her wings and feet are quite pinned in the cuddling.)
With her wings out, Etty manages to fumble her way across the bed so she won't disturb the baron's daughter as she experiments with the new joints and the sensation of wind resistance when she moves. Her feet also take some figuring; the knees bend the wrong way and she's got the wrong number of toes.
There is a definite warning - a heaviness in her limbs, a fizzing in her bones. It goes on for a little while, as the sun sinks below the treetops; when the glow is fading from the western horizon, the change finally happens. All at once, she's a woman again, complete with pretty white dress.
"Someone asks me to promise something - Carl asks me to promise to be careful walking in the rain, Annika asks me to have a book back in three days - or seems unsure about something I might do - the butcher's not sure I really only left my coinpurse at home and will pay him tomorrow, the neighbor's not sure I'll tell Carl about needing to repair the fence -" She swallows a little when she mentions her father. "And I say I promise, and it means that I will try particularly hard, that as long as it's in my control it will happen and that I think it is in my control."
"I've done a lot of things people die from, but it's different when you're immortal. I've been set on fire and beaten and raped, and I've jumped off the top of the tower and tried to drown myself in the lake and eaten rat poison and broken glass. Fire hurts the most while it's happening, but it doesn't last as long as some of the rest - but I don't know if it'd kill you faster or slower."
"Do you think you could teach me to light - does it have to be candles, or could I burn leaves and tinder and the like? I think I can adjust to this level of moonlight and be able to write, but the moon will wane, and I don't know how - how long it might take to break the curse."
She links her arm with his, swallowing.
They proceed in this way up to a dining hall, where he seats her on his right; he, of course, takes the seat at the head of the table. At a careless wave of his hand, all the dishes fill themselves with food.
So she's not going to be consistently obliged to live on fruit from the orchard, nor will she have to work out what swans eat. That's - well, she'll decide how good it is after he's done with her. She watches him, waiting for instructions or an example to follow; she has never eaten at a noble's table, let alone this one's.
What was her plan if she found herself trapped in a situation where she had to actually marry? She didn't have a good one, really, mostly she'd been hoping desperately for Carl to live to be a hundred. Some combination of feigned illness and unfeigned foul temper and - possibly, if she were very, very lucky - telling the truth. She supposes.
She is not lucky.
Technically her strategy calls for letting him do as he likes - it will least interfere with trying to put him off in this way or that, later, and give her a baseline by which to judge her success or failure - but -
"Not - not tonight - please?" she squeaks.
She slips.
She falls.
She tumbles and she lands and something breaks and she chokes out a sob.
At least she isn't in physical pain anymore.
She tries the wing.
She makes a few false starts, getting lift and then not knowing what to do with it -
And then she's in the air, wobbly but aloft, and she smooths her flight and does her level best to travel in a straight line, away.